[{"@context":"http:\/\/schema.org\/","@type":"BlogPosting","@id":"https:\/\/wiki.edu.vn\/en\/wiki3\/nelly-richard-wikipedia\/#BlogPosting","mainEntityOfPage":"https:\/\/wiki.edu.vn\/en\/wiki3\/nelly-richard-wikipedia\/","headline":"Nelly Richard – Wikipedia","name":"Nelly Richard – Wikipedia","description":"before-content-x4 From Wikipedia, the free encyclopedia after-content-x4 Nelly Richard Born Nelly Richard after-content-x4 Caen, France Nationality Chilean Occupation(s) Art critic","datePublished":"2014-09-24","dateModified":"2014-09-24","author":{"@type":"Person","@id":"https:\/\/wiki.edu.vn\/en\/wiki3\/author\/lordneo\/#Person","name":"lordneo","url":"https:\/\/wiki.edu.vn\/en\/wiki3\/author\/lordneo\/","image":{"@type":"ImageObject","@id":"https:\/\/secure.gravatar.com\/avatar\/c9645c498c9701c88b89b8537773dd7c?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/c9645c498c9701c88b89b8537773dd7c?s=96&d=mm&r=g","height":96,"width":96}},"publisher":{"@type":"Organization","name":"Enzyklop\u00e4die","logo":{"@type":"ImageObject","@id":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","url":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","width":600,"height":60}},"image":{"@type":"ImageObject","@id":"https:\/\/en.wikipedia.org\/wiki\/Special:CentralAutoLogin\/start?type=1x1","url":"https:\/\/en.wikipedia.org\/wiki\/Special:CentralAutoLogin\/start?type=1x1","height":"1","width":"1"},"url":"https:\/\/wiki.edu.vn\/en\/wiki3\/nelly-richard-wikipedia\/","wordCount":1910,"articleBody":"     (adsbygoogle = window.adsbygoogle || []).push({});before-content-x4From Wikipedia, the free encyclopedia       (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4Nelly RichardBornNelly Richard       (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4Caen, FranceNationalityChileanOccupation(s)Art critic and curatorYears\u00a0active20th centuryNotable workInsubordination of SignsNelly Richard (born 1948) is a Chilean cultural theorist and editor of the Revista de cr\u00edtica cultural. Among her books are The Insubordination of Signs and Cultural Residues.Critic Jon Beasley-Murray writes in a review of her work that “Nelly Richard has been for over two decades the most tireless campaigner and theorist for the potential and role of art, first in dictatorial and then in postdictatorial Chile, and more broadly in the current neoliberal and postideological condition that first emerged under General Augusto Pinochet but now affects us all.”[1]Richard has been important in disseminating the work of contemporary thinkers and writers such as Beatriz Sarlo, N\u00e9stor Garc\u00eda Canclini, Jacques Derrida, Ernesto Laclau, Frederic Jameson, Jes\u00fas Mart\u00edn Barbero, and Diamela Eltit throughout Latin America.       (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4Marisol Vera, editorial director of Cuarto Proprio, writes in the introduction to the 1994 edition La insubordinaci\u00f3n de los signos that “her texts, and their attendant discussions, enable a field of inquiry that are vital for cultural reflection and critical debate in the post-transition years.”[2]In the introduction to the English translation of La insubordinaci\u00f3n de los signos, Alice A. Nelson and Silvia R. Tandeciarz write that Richard’s work is located at “the intersection of literary criticism, art history, aesthetics, philosophy, and feminist theory.”[citation needed]Biography[edit]Richard was born in Caen, France in 1948, and studied modern literature at the Paris-Sorbonne University. She moved to Chile in 1970 and became involved in local networks of art criticism and curatorship. Her work included coordinating exhibitions of visual art at the Museo Nacional de Bellas Artes, under the direction of Nemesio Ant\u00fanez. She left this post after the violent upheaval of the 1973 Chilean coup d’\u00e9tat.During the dictatorship of Augusto Pinochet, Richard worked extensively within the Escena de Avanzada art movement whose focus was to confront the military regime’s intervention in and censorship of museums, academia, and communications in general. Richard was a key figure in shaping this movement and broadcasting to the outside world. The movement lends its name to an entire section of M\u00e1rgenes e Instituciones, Arte en Chile desde 1973. Escena de Avanzada was particularly active in national and international expositions, as well as publications, edited and curated by Richard. Among them is the Chilean presence at the 1982 Paris Biennale, the journals CAL and La Separata, and editions from the galleries Cromo and SurAfter the transition to democracy, Richard was founding director of the Revista de Cr\u00edtica Cultural until it ceased publication in 2008. It was during this period that her work turned to postcolonial thought and gender theory, which further established her as a distinguished figure in the Chilean feminist movement. Richard had previously been one of the primary organizers of the First Congress of Female Latin American Literature held in 1987 in Santiago de Chile.She was a Guggenheim Fellow in 1996. Between 1997 and 2000, she was director of the Rockefeller Foundation in Chile’s program Postdictadura y transici\u00f3n democr\u00e1tica: identidades sociales, pr\u00e1cticas culturales y lenguajes est\u00e9ticos. She has directed the Editorial Cuarto Propio series Cr\u00edtica y ensayos, and was an invited researcher at the Museo Nacional Cetro de Arte Reina Sof\u00eda en Espa\u00f1a.She is currently director of Cultural Studies at Universidad ARCIS, and vice-rector of Outreach, Communications, and Publications. She is a member of Distinguished Professors in Aesthetics Cluster in the Faculty of Arts at the University of Chile, as well as the Advisory Council in the Spanish and Portuguese Department at Princeton University.Publications[edit]Campos cruzados. Cr\u00edtica cultural, latinoamericanismo y saberes al borde, 2009Feminismo, G\u00e9nero y diferencia(s) 2008“Fugitive Identities and Dissenting Code-Systems: Women Artists During the Military Dictatorship in Chile”, in WACK! Los Angeles Museum of Contemporary Art 2007 exhibition catalogue[3]Fracturas de la memoria. Arte y pensamiento cr\u00edtico, 2007Intervenciones cr\u00edticas (Arte, cultura, g\u00e9nero y pol\u00edtica), 2002Residuos y met\u00e1foras: ensayos de cr\u00edtica cultural sobre el Chile de la transici\u00f3n, 1998[4]La insubordinaci\u00f3n de los signos: cambio pol\u00edtico, transformaciones culturales y po\u00e9ticas de la crisis, 1994[5]Masculino \/ Femenino: pr\u00e1cticas de la diferencia y cultura democr\u00e1tica, 1993La estratificaci\u00f3n de los m\u00e1rgenes: Sobre arte, cultura y pol\u00edtica(s), 1989M\u00e1rgenes e instituciones: Arte en Chile desde 1973, 1987^ Beasley-Murray 2005, p.\u00a0126.^ Richard, Nelly (1994). La insubordinaci\u00f3n de los signos: cambio pol\u00edtico, transformaciones culturales y po\u00e9ticas de la crisis (in Spanish). Editorial Cuarto Propio. p.\u00a012. ISBN\u00a0978-956-260-057-6.^ H., Butler, Cornelia; Gabrielle., Mark, Lisa; Calif.), Museum of Contemporary Art (Los Angeles (2007). WACK!\u00a0: art and the feminist revolution. Museum of Contemporary Art. ISBN\u00a0978-0914357995. OCLC\u00a073743482.^ Richard, Nelly (October 1, 1998). Residuos y met\u00e1foras: ensayos de cr\u00edtica cultural sobre el Chile de la transici\u00f3n. Editorial Cuarto Propio. OL\u00a0481772M \u2013 via The Open Library.^ “La insubordinaci\u00f3n de los signos\u00a0: (cambio pol\u00edtico, transformaciones culturales y po\u00e9ticas de la crisis) – Memoria Chilena”. Memoria Chilena: Portal.References[edit]     (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4"},{"@context":"http:\/\/schema.org\/","@type":"BreadcrumbList","itemListElement":[{"@type":"ListItem","position":1,"item":{"@id":"https:\/\/wiki.edu.vn\/en\/wiki3\/#breadcrumbitem","name":"Enzyklop\u00e4die"}},{"@type":"ListItem","position":2,"item":{"@id":"https:\/\/wiki.edu.vn\/en\/wiki3\/nelly-richard-wikipedia\/#breadcrumbitem","name":"Nelly Richard – Wikipedia"}}]}]