List of postmodern novels – Wikipedia

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Some well known postmodern novels in chronological order:

Early postmodern novels[edit]

See also[edit]

References[edit]

  1. ^ Nicol, Bran, ed. (August 3, 2009). “Preface: Reading postmodern fiction”. The Cambridge Introduction to Postmodern Fiction. Cambridge Introductions to Literature. Cambridge University Press. pp. xiii–xviii. doi:10.1017/CBO9780511816949.001. ISBN 9780521861571.
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  3. ^ “The Third Policeman by Flann O’Brien”. www.postmodernmystery.com.
  4. ^ a b c d e f g “The Postmodern Mystery Reading List: 50 Essential Works”. postmodernmystery.com.
  5. ^ a b c “Top 10 Postmodern Novels for a New Parody | Exclusive Books Blog”.
  6. ^ Klein, David (2017). “Aleph/ALEF. On the Relationship of Media and the Fantastic in Borges’s “El Aleph”“. Variaciones Borges (43): 23–44. JSTOR 26476321 – via JSTOR.
  7. ^ Hansen, Joel (1997). “Book Review: Samuel Beckett and the End of Modernity”. MFS Modern Fiction Studies. 43 (4): 1040–1042. doi:10.1353/mfs.1997.0073. S2CID 201772902.
  8. ^ Brewer, Mária Minich (1986). “Samuel Beckett: Postmodern Narrative and the Nuclear Telos”. Boundary 2. 15 (1/2): 153–170. doi:10.2307/303428. JSTOR 303428.
  9. ^ “What Mean?”: The Postmodern Metafiction Within William Gaddis’s “The Recognitions”|William & Mary
  10. ^ Johnson, Ronna C. (2000). ““You’re Putting Me on”: Jack Kerouac and the Postmodern Emergence”. College Literature. 27 (1): 22–38. JSTOR 25112494 – via JSTOR.
  11. ^ a b c d e f g h i j k l m n o “61 essential postmodern reads: an annotated list”. Los Angeles Times. July 16, 2009.
  12. ^ DeKoven, Marianne (May 10, 2004). Utopia Limited: The Sixties and the Emergence of the Postmodern. Duke University Press. ISBN 0822385457 – via Google Books.
  13. ^ Bhattacharyya, Anuradha (January 1, 2018). “The Character of Oskar in The Tin Drum” – via www.academia.edu.
  14. ^ “Sot-Weed Factoring”. 10 October 2013.
  15. ^ a b c “No Results 2022-23 – Catalog”. catalog.williams.edu.
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  18. ^ a b PALMER, CHRISTOPHER (2003). Exhilaration and Terror of the Postmodern. Vol. 27. Liverpool University Press. ISBN 9780853236184. JSTOR j.ctt5vjh9t – via JSTOR.
  19. ^ Schauer, Mark (June 29, 2013). Self-delusion and schizophrenia in Vonnegut’s “Mother Night” – via www.grin.com.
  20. ^ Kauffmann, R. Lane (1990). “For Interpretation”. Semiotics: 167–175. doi:10.5840/cpsem199038.
  21. ^ “Kurt Vonnegut and postmodernism: An analysis – www.jetir.org” (PDF).
  22. ^ “The Three Stigmata of Palmer Eldritch Critical Essays – eNotes.com”.
  23. ^ Siegel, Kristi (1991). “Italo Calvino’s Cosmicomics: Qfwfg’s Postmodern Autobiography”. Italica. 68 (1): 43–59. doi:10.2307/479431. JSTOR 479431 – via JSTOR.
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  25. ^ a b Kelly, Adam (2011). “Beginning with Postmodernism”. Twentieth Century Literature. 57 (3/4): 391–422. doi:10.1215/0041462X-2011-4009. JSTOR 41698759 – via JSTOR.
  26. ^ “The coolest books of all time: amazing novels to read”. Shortlist. April 6, 2022.
  27. ^ The Later Fiction of Gore Vidal: 1962-2006 – University of Pittsburgh
  28. ^ a b c d e “61 essential postmodern reads: An annotated list”. 16 July 2009.
  29. ^ “John Barth’s “Lost in the Funhouse”: A Postmodern Critique of the Developmental Narrative”. 19 November 2013.
  30. ^ a b c d 6 Postmodern Novels that Should Be Comics – Book Riot
  31. ^ “To Wit’s End Postmodern Fiction? | The Critical Flame”.
  32. ^ Reitano, Natalie (2007). ““Our Marvelous Mortality”: Finitude in “Ada, or Ardor”“. Criticism. 49 (3): 377–403. doi:10.1353/crt.0.0038. JSTOR 23130901.
  33. ^ Studniarz, Sławomir. ““Ontology, simulacra and hyperreality. Philip K. Dick’s Ubik and the question of postmodernist canon”“.
  34. ^ Panigrahi, Sambit (2017). “Postmodern Temporality in Italo Calvino’s “Invisible Cities”“. Italica. 94 (1): 82–100. JSTOR 44504640.
  35. ^ Pordzik, Ralph (1999). “James G. Ballard’s “Crash” and the Postmodernization of the Dystopian Novel”. AAA: Arbeiten aus Anglistik und Amerikanistik. 24 (1): 77–94. JSTOR 43020169 – via JSTOR.
  36. ^ Temple, Emily. “An Essential Postmodern Reading List”. Flavorwire.
  37. ^ Sieber, Sharon Lynn (2011). “Postmodern Infundibula and Other Non-linear Time Structures in “Breakfast of Champions, Slaughterhouse-Five”, and “Sirens of Titan”“. Hungarian Journal of English and American Studies (HJEAS). 17 (1): 127–141. JSTOR 43921805 – via JSTOR.
  38. ^ Danzy Senna: An overlooked classic about the comedy of race|The New Yorker
  39. ^ “REVIEW: Flow My Tears, the Policeman Said by Philip K. Dick”. 18 March 2005.
  40. ^ DeLucas, Mark. “Fiction, Finance, and the Postmodern: William Gaddis’s JR”.
  41. ^ “The Autumn of the Patriarch Analysis – eNotes.com”.
  42. ^ “Theoretical Essays of Ralph Cohen”. University of Virginia Press. 2017. doi:10.2307/j.ctt1v2xtv6. JSTOR j.ctt1v2xtv6 – via JSTOR.
  43. ^ Göbel, Walter (1995). “Postmodern Parallels and Paradoxes: Sterne’s “Tristram Shandy” and Rushdie’s “Midnight’s Children”“. AAA: Arbeiten aus Anglistik und Amerikanistik. 20 (1): 211–221. JSTOR 43023708 – via JSTOR.
  44. ^ “Christopher Palmer- Postmodernism and the Birth of the Author in Philip K. Dick’s Valis”. www.depauw.edu.
  45. ^ a b Hantke, Steffen (2007). “Postmodernism and Genre Fiction as Deferred Action: Haruki Murakami and the Noir Tradition”. Critique: Studies in Contemporary Fiction. 49: 3–24. doi:10.3200/CRIT.49.1.2-24. S2CID 170331055.
  46. ^ “Request Rejected”.
  47. ^ a b Quabeck, Franziska (2018). “‘A Kind of Shadow’: Mirror Images and Alter Egos in Zadie Smith’s Swing Time”. Zeitschrift für Anglistik und Amerikanistik. 66 (4): 461–477. doi:10.1515/zaa-2018-0038. S2CID 165779639.
  48. ^ “The 100 best novels: No 93 – Money: A Suicide Note by Martin Amis (1984)”. TheGuardian.com. 29 June 2015.
  49. ^ Kurt, Gülçehre. “A postmodernist Analysis of Milan Kundera’s “The Unbearable Lightness of Being”“.
  50. ^ Myers, Tony (August 3, 2001). “The Postmodern Imaginary in William Gibson’s Neuromancer”. MFS Modern Fiction Studies. 47 (4): 887–909. doi:10.1353/mfs.2001.0100. S2CID 7402759 – via Project MUSE.
  51. ^ Feminism and the Postmodern Impulse – via sunypress.edu.
  52. ^ Castro, Nicole. “Asymptotically Immortal: Haruki Murakami’s Hard-boiled Wonderland and the End of the World as Postmodern Monogatari of Identity”. Unpublished – via www.academia.edu.
  53. ^ “László Krasznahorkai’s Catastrophic Harmonies”. Boston Review.
  54. ^ “Postmodernism in the Handmaid’s Tale Essay – 1655 Words | 123 Help Me”.
  55. ^ “A Westerner’s Reflection on Mo Yan”. 11 October 2012.
  56. ^ Shi, Flair Donglai (2015). “Post-colonialism in Post-modernism: A Comparative Characterology of J.M.Coetzee’s Foe as an Appropriation of Daniel Defoe’s Robinson Crusoe“. Subalternspeak: Journal of Postcolonial Studies. 4 (1): 87–98.
  57. ^ Hancock, Christopher (January 31, 2022). “‘Bonfire of the vanities’: on fashion, folly and the futility of war”.
  58. ^ Carmichael, Thomas (1993). “Lee Harvey Oswald and the Postmodern Subject: History and Intertextuality in Don DeLillo’s “Libra, The Names”, and “Mao II”“. Contemporary Literature. 34 (2): 204–218. doi:10.2307/1208548. JSTOR 1208548 – via JSTOR.
  59. ^ “Foucault’s Pendulum by Umberto Eco”. www.postmodernmystery.com.
  60. ^ “The Black Book by Orhan Pamuk”.
  61. ^ Cowart, David (1990). “Attenuated Postmodernism: Pynchon’s Vineland“. Critique: Studies in Contemporary Fiction. 32 (2): 67–76. doi:10.1080/00111619.1990.9933800.
  62. ^ “Gao Xingjian’s Soul Mountain: The making of the Eurasian post-modern self. – Free Online Library”.
  63. ^ a b Postmodern Worldview – Brac University
  64. ^ “American Psycho: A Post Modern Horror”. the-artifice.com.
  65. ^ Finney, Brian (2006). “Martin Amis’s Time’s Arrow and the Postmodern Sublime”. Martin Amis: Postmodernism and Beyond. pp. 101–116. doi:10.1057/9780230598478_8. ISBN 978-1-349-28391-0.
  66. ^ Athenot, Eric (2000). “The Reader as “a first-class goldberg rube” in the Gold Bug Variations”. Cahiers Charles V. 29: 263–273. doi:10.3406/cchav.2000.1297.
  67. ^ Baker, Peter (August 3, 1994). “The Terrorist as Interpreter: Mao II in Postmodern Context”. Postmodern Culture. 4 (2). doi:10.1353/pmc.1994.0002. S2CID 144060803 – via Project MUSE.
  68. ^ a b “BBC – Genres”. BBC.
  69. ^ “Snow Crash: An Analysis of Postmodern Identities in Cyberpunk”. Navigating Cybercultures. Brill. 2013. pp. 103–111. doi:10.1163/9781848881631_011. ISBN 9781848881631.
  70. ^ Obradović, Dragana (2016). Writing the Yugoslav Wars. University of Toronto Press. ISBN 9781442629547. JSTOR 10.3138/j.ctt1whm98w.
  71. ^ Wisner, Buell (2014). “Peter Ackroyd’s “The House of Doctor” Dee and the Antinomies of Postmodern Historical Fiction”. CEA Critic. 76 (3): 299–304. doi:10.1353/cea.2014.0039. JSTOR 44378567. S2CID 161866298.
  72. ^ “- BookmarkAuthorizationFailure”.
  73. ^ Kucharzewski, Jan (2008). “‘From Language to Life is Just Four Letters’: Self-Referentiality vs. The Reference of Self in Richard Powers’s “Galatea 2.2”“. Amerikastudien / American Studies. 53 (2): 171–187. JSTOR 41158372.
  74. ^ “Blindness”.
  75. ^ “The Sixty-One Essential Postmodern Reads”. The New Yorker. July 21, 2009.
  76. ^ “(Re)Constructing the Past in George Saunders’ “CivilWarLand in Bad Decline” ⋆ U.S. Studies Online”. 24 February 2021.
  77. ^ Anders (2021). “Primeval and Other Times by Olga Tokarczuk: The “Tender Narrator” and the Perils of Myth”. The Polish Review. 66 (2): 105–117. doi:10.5406/polishreview.66.2.0105. JSTOR 10.5406/polishreview.66.2.0105. S2CID 236733507.
  78. ^ The Multiple Worlds of Pynchon’s ‘Mason & Dixon’. Boydell & Brewer. 2005. ISBN 9781571133182. JSTOR 10.7722/j.ctt81hkw.
  79. ^ Ali, Barish; Hagood, Caroline (2012). “Heteroglossic Sprees and Murderous Viewpoints in Orhan Pamuk’s “My Name Is Red”“. Texas Studies in Literature and Language. 54 (4): 505–529. doi:10.7560/TSLL54407. JSTOR 41679921 – via JSTOR.
  80. ^ “Love The Savage Detectives? Here’s 6 More Characters Looking for Authors”. The New York Public Library.
  81. ^ CHEN, CHUN-YEN (2010). “A Place that is Other: Ethos of Groundlessness in Rushdie’s “The Ground Beneath Her Feet”“. Mosaic: An Interdisciplinary Critical Journal. 43 (4): 51–67. JSTOR 44030292 – via JSTOR.
  82. ^ Sean Grattan (2017). “I Think We’re Alone Now: Solitude and the Utopian Subject in Colson Whitehead’s The Intuitionist“. Cultural Critique. 96: 126–153. doi:10.5749/culturalcritique.96.2017.0126. JSTOR 10.5749/culturalcritique.96.2017.0126.
  83. ^ “Haruki Murakami’s Sputnik Sweetheart”.
  84. ^ “Pastoralia — George Saunders”. 22 November 2011.
  85. ^ “UQ eSpace”. espace.library.uq.edu.au.
  86. ^ TRAVERS, SEÁN (2018). “THE POSTMODERN HAUNTED HOUSE IN MARK Z. DANIELEWSKI’S HOUSE OF LEAVES“. IJAS Online (7): 65–76. JSTOR 26489194 – via JSTOR.
  87. ^ Schulenburg, Chris T. (2004). “A CULTURAL BATTLE WITH THE CENTER: JOSÉ SARAMAGO’s “THE CAVE” AND GLOBALIZATION”. Romance Notes. 44 (3): 283–291. JSTOR 43802300.
  88. ^ Mushtanova, O. Yu. (2015). “Interpretation of Historical Facts in Modern Italian Literature by the Example of Umberto Eco’s Novel “Baudolino”“. Mgimo Review of International Relations. 1 (40): 251–256. doi:10.24833/2071-8160-2015-1-40-251-256.
  89. ^ Ijellh, Smart M. O. V. E. S. J. O. U. R. N. a. L. “Writing ‘Her-story’: A Postmodern approach to History in Margaret Atwood’s The Blind Assassin” – via www.academia.edu.
  90. ^ “Bloomsbury Collections – David Mitchell”.
  91. ^ “You Shall Know Our Velocity by Dave Eggers”. Independent.co.uk. 22 February 2003.
  92. ^ “A parable of identity, morality”.
  93. ^ “Anatolian Arabesques”. The New Yorker. 23 August 2004.
  94. ^ “Kafka on the Shore by Haruki Murakami”. www.postmodernmystery.com.
  95. ^ “Postmodern Space Revisited: Hypertextuality and Materiality in the Selected Novels of Mark Z. Danielewski, Steve Tomasula, and Lance Olsen”.
  96. ^ Carstensen, Thorsten (2007). “Shattering the Word-Mirror in Elizabeth Costello: J.M. Coetzee’s Deconstructive Experiment”. The Journal of Commonwealth Literature. 42: 79–96. doi:10.1177/0021989407075730. S2CID 162326262.
  97. ^ Hrubes, Martina (9 July 2008). Postmodernist Intertextuality in David Mitchell’s Cloud Atlas. ISBN 9783640098750.
  98. ^ Dooley, Gillian Mary (11 November 2005). ““Slow Man” by J.M. Coetzee. [review]”.
  99. ^ “JPod by Douglas Coupland”. The Independent. June 24, 2006.
  100. ^ Fu, Mengxing (2018). “Fantastic Time as Para-History: Spectrality and Historical Justice in Mo Yan’s Life and Death Are Wearing Me Out”. Comparative Literature: East & West. 2 (2): 73–87. doi:10.1080/25723618.2018.1543069. S2CID 192388098.
  101. ^ “In Persuasion Nation”.
  102. ^ Hume, Kathryn (2007). “The Religious and Political Vision of Pynchon’s Against the Day“. Philological Quarterly. 86 (1/2): 163–187.
  103. ^ “Richard Powers’ Generosity: An Enhancement”. 28 September 2009.
  104. ^ “1Q84, By Haruki Murakami”. The Independent. October 26, 2011.
  105. ^ “Swamplandia! By Karen Russell – review”. TheGuardian.com. 8 April 2011.
  106. ^ November 25, EW Staff; EST, 2019 at 12:00 PM. “Here are EW’s top 10 fiction books of the decade”. EW.com.
  107. ^ Kirpichnikova, Anna (2018). “The Linguistic Singularity of the Novel the Sense of an Ending by Julian Barnes”. The Journal of Social Sciences Research: 556–558:1.
  108. ^ “REVIEW: The Angel Esmeralda by Don DeLillo”. Electric Literature. December 8, 2011.
  109. ^ “Asian American Elements in Ken Liu’s ‘Paper Menagerie’ | Cram”.
  110. ^ “Jamesonian Interpretation of Post Postmodernism: David Foster Wallace’s Infinite Jest and The Pale King”.
  111. ^ Aronstein, Susan; Thompson, Jason (August 3, 2015). “Coding the Grail: Ready Player One’s Arthurian Mash-Up”. Arthuriana. 25 (4): 51–65. doi:10.1353/art.2015.0045. S2CID 162990703 – via Project MUSE.
  112. ^ Radchenko, Simon (2020). “Bleeding Edge of Postmodernism: Metamodern Writing in the Novel by Thomas Pynchon”. Interlitteraria. 24 (2): 495–502. doi:10.12697/IL.2019.24.2.17. S2CID 210962145.
  113. ^ Santi, Angelica. “A Brief History of Seven Killings Seminar on postmodernism and literature”.
  114. ^ “The ‘Chinese Dream’ turns into a zombie-like nightmare in Yan Lianke’s ‘The Day The Sun Died’“. Los Angeles Times. January 17, 2019.
  115. ^ “Review: Mark Z. Danielewski’s ‘Familiar’ a monument to semantic encryption”. Los Angeles Times. May 7, 2015.
  116. ^ “Moonglow by Michael Chabon”.
  117. ^ “How Paul Auster’s Lengthy ‘4 3 2 1’ Reimagined the Social Protest Novel”. 13 February 2017.
  118. ^ “(PDF) A Post Modern Perspective of Murakami’s Killing Commendatore Amidst the Hyper Real Chaos – High Technology Letters” (PDF).
  119. ^ (PDF) Wit(h)nessing Trauma in Han Kang’s The White Book (2016) – Ruby Judd – University of KwaZulu-Natal
  120. ^ “Lincoln in the Bardo”. www.conceptualfiction.com.
  121. ^ “‘Quichotte’ retells ‘Don Quixote’ for chaotic modern times”. Christian Science Monitor. 3 September 2019.
  122. ^ Turner, Edwin (May 11, 2019). “Marlon James’s Black Leopard, Red Wolf is a postmodern fantasy novel that challenges the conventions of storytelling itself”.
  123. ^ Iglesias, Gabino (July 8, 2020). “If Surprise Makes A Great Novel, ‘Antkind’ Is A Great Novel”. NPR.
  124. ^ “Reinventing Postmodernism: A Review of Charles Yu’s “Interior Chinatown” – Vol. 1 Brooklyn”. vol1brooklyn.com.
  125. ^ Macris, Anthony. “In The Candy House, Jennifer Egan delivers an inventive novel for a digital age”. The Conversation.

External links[edit]