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(August 3, 2009). “Preface: Reading postmodern fiction”. The Cambridge Introduction to Postmodern Fiction. Cambridge Introductions to Literature. Cambridge University Press. pp.\u00a0xiii\u2013xviii. doi:10.1017\/CBO9780511816949.001. ISBN\u00a09780521861571.^ “Microsoft Word – booker.doc” (PDF).^ “The Third Policeman by Flann O’Brien”. www.postmodernmystery.com.^ a b c d e f g “The Postmodern Mystery Reading List: 50 Essential Works”. postmodernmystery.com.^ a b c “Top 10 Postmodern Novels for a New Parody | Exclusive Books Blog”.^ Klein, David (2017). “Aleph\/ALEF. On the Relationship of Media and the Fantastic in Borges’s “El Aleph”“. Variaciones Borges (43): 23\u201344. JSTOR\u00a026476321 \u2013 via JSTOR.^ Hansen, Joel (1997). “Book Review: Samuel Beckett and the End of Modernity”. MFS Modern Fiction Studies. 43 (4): 1040\u20131042. doi:10.1353\/mfs.1997.0073. S2CID\u00a0201772902.^ Brewer, M\u00e1ria Minich (1986). “Samuel Beckett: Postmodern Narrative and the Nuclear Telos”. Boundary 2. 15 (1\/2): 153\u2013170. doi:10.2307\/303428. JSTOR\u00a0303428.^ “What Mean?”: The Postmodern Metafiction Within William Gaddis’s “The Recognitions”|William & Mary^ Johnson, Ronna C. (2000). ““You’re Putting Me on”: Jack Kerouac and the Postmodern Emergence”. College Literature. 27 (1): 22\u201338. JSTOR\u00a025112494 \u2013 via JSTOR.^ a b c d e f g h i j k l m n o “61 essential postmodern reads: an annotated list”. Los Angeles Times. July 16, 2009.^ DeKoven, Marianne (May 10, 2004). Utopia Limited: The Sixties and the Emergence of the Postmodern. Duke University Press. ISBN\u00a00822385457 \u2013 via Google Books.^ Bhattacharyya, Anuradha (January 1, 2018). “The Character of Oskar in The Tin Drum” \u2013 via www.academia.edu. ^ “Sot-Weed Factoring”. 10 October 2013.^ a b c “No Results 2022-23 \u2013 Catalog”. catalog.williams.edu.^ a b c “Postmodern Literature Guide: 10 Notable Postmodern Authors – 2021 – MasterClass”.^ “How can I approach A Clockwork Orange using a postmodernist approach or theory? – eNotes.com”.^ a b PALMER, CHRISTOPHER (2003). Exhilaration and Terror of the Postmodern. Vol.\u00a027. Liverpool University Press. ISBN\u00a09780853236184. JSTOR\u00a0j.ctt5vjh9t \u2013 via JSTOR.^ Schauer, Mark (June 29, 2013). Self-delusion and schizophrenia in Vonnegut’s “Mother Night” \u2013 via www.grin.com.^ Kauffmann, R. Lane (1990). “For Interpretation”. Semiotics: 167\u2013175. doi:10.5840\/cpsem199038. ^ “Kurt Vonnegut and postmodernism: An analysis – www.jetir.org” (PDF).^ “The Three Stigmata of Palmer Eldritch Critical Essays – eNotes.com”.^ Siegel, Kristi (1991). “Italo Calvino’s Cosmicomics: Qfwfg’s Postmodern Autobiography”. Italica. 68 (1): 43\u201359. doi:10.2307\/479431. JSTOR\u00a0479431 \u2013 via JSTOR.^ a b “Postmodern Fiction”. public.wsu.edu.^ a b Kelly, Adam (2011). “Beginning with Postmodernism”. Twentieth Century Literature. 57 (3\/4): 391\u2013422. doi:10.1215\/0041462X-2011-4009. JSTOR\u00a041698759 \u2013 via JSTOR.^ “The coolest books of all time: amazing novels to read”. Shortlist. April 6, 2022.^ The Later Fiction of Gore Vidal: 1962-2006 – University of Pittsburgh^ a b c d e “61 essential postmodern reads: An annotated list”. 16 July 2009.^ “John Barth’s “Lost in the Funhouse”: A Postmodern Critique of the Developmental Narrative”. 19 November 2013.^ a b c d 6 Postmodern Novels that Should Be Comics – Book Riot^ “To Wit’s End Postmodern Fiction? | The Critical Flame”.^ Reitano, Natalie (2007). ““Our Marvelous Mortality”: Finitude in “Ada, or Ardor”“. Criticism. 49 (3): 377\u2013403. doi:10.1353\/crt.0.0038. JSTOR\u00a023130901.^ Studniarz, S\u0142awomir. ““Ontology, simulacra and hyperreality. Philip K. Dick’s Ubik and the question of postmodernist canon”“. ^ Panigrahi, Sambit (2017). “Postmodern Temporality in Italo Calvino’s “Invisible Cities”“. Italica. 94 (1): 82\u2013100. JSTOR\u00a044504640.^ Pordzik, Ralph (1999). “James G. Ballard’s “Crash” and the Postmodernization of the Dystopian Novel”. AAA: Arbeiten aus Anglistik und Amerikanistik. 24 (1): 77\u201394. JSTOR\u00a043020169 \u2013 via JSTOR.^ Temple, Emily. “An Essential Postmodern Reading List”. Flavorwire.^ Sieber, Sharon Lynn (2011). “Postmodern Infundibula and Other Non-linear Time Structures in “Breakfast of Champions, Slaughterhouse-Five”, and “Sirens of Titan”“. Hungarian Journal of English and American Studies (HJEAS). 17 (1): 127\u2013141. JSTOR\u00a043921805 \u2013 via JSTOR.^ Danzy Senna: An overlooked classic about the comedy of race|The New Yorker^ “REVIEW: Flow My Tears, the Policeman Said by Philip K. Dick”. 18 March 2005.^ DeLucas, Mark. “Fiction, Finance, and the Postmodern: William Gaddis’s JR”.^ “The Autumn of the Patriarch Analysis – eNotes.com”.^ “Theoretical Essays of Ralph Cohen”. University of Virginia Press. 2017. doi:10.2307\/j.ctt1v2xtv6. JSTOR\u00a0j.ctt1v2xtv6 \u2013 via JSTOR. ^ G\u00f6bel, Walter (1995). “Postmodern Parallels and Paradoxes: Sterne’s “Tristram Shandy” and Rushdie’s “Midnight’s Children”“. AAA: Arbeiten aus Anglistik und Amerikanistik. 20 (1): 211\u2013221. JSTOR\u00a043023708 \u2013 via JSTOR.^ “Christopher Palmer- Postmodernism and the Birth of the Author in Philip K. Dick’s Valis”. www.depauw.edu.^ a b Hantke, Steffen (2007). “Postmodernism and Genre Fiction as Deferred Action: Haruki Murakami and the Noir Tradition”. Critique: Studies in Contemporary Fiction. 49: 3\u201324. doi:10.3200\/CRIT.49.1.2-24. S2CID\u00a0170331055.^ “Request Rejected”.^ a b Quabeck, Franziska (2018). “‘A Kind of Shadow’: Mirror Images and Alter Egos in Zadie Smith’s Swing Time”. Zeitschrift f\u00fcr Anglistik und Amerikanistik. 66 (4): 461\u2013477. doi:10.1515\/zaa-2018-0038. S2CID\u00a0165779639.^ “The 100 best novels: No 93 \u2013 Money: A Suicide Note by Martin Amis (1984)”. TheGuardian.com. 29 June 2015.^ Kurt, G\u00fcl\u00e7ehre. “A postmodernist Analysis of Milan Kundera’s “The Unbearable Lightness of Being”“.^ Myers, Tony (August 3, 2001). “The Postmodern Imaginary in William Gibson’s Neuromancer”. MFS Modern Fiction Studies. 47 (4): 887\u2013909. doi:10.1353\/mfs.2001.0100. S2CID\u00a07402759 \u2013 via Project MUSE.^ Feminism and the Postmodern Impulse \u2013 via sunypress.edu.^ Castro, Nicole. “Asymptotically Immortal: Haruki Murakami’s Hard-boiled Wonderland and the End of the World as Postmodern Monogatari of Identity”. Unpublished \u2013 via www.academia.edu.^ “L\u00e1szl\u00f3 Krasznahorkai’s Catastrophic Harmonies”. Boston Review.^ “Postmodernism in the Handmaid’s Tale Essay – 1655 Words | 123 Help Me”.^ “A Westerner’s Reflection on Mo Yan”. 11 October 2012.^ Shi, Flair Donglai (2015). “Post-colonialism in Post-modernism: A Comparative Characterology of J.M.Coetzee’s Foe as an Appropriation of Daniel Defoe’s Robinson Crusoe“. Subalternspeak: Journal of Postcolonial Studies. 4 (1): 87\u201398.^ Hancock, Christopher (January 31, 2022). “‘Bonfire of the vanities’: on fashion, folly and the futility of war”.^ Carmichael, Thomas (1993). “Lee Harvey Oswald and the Postmodern Subject: History and Intertextuality in Don DeLillo’s “Libra, The Names”, and “Mao II”“. Contemporary Literature. 34 (2): 204\u2013218. doi:10.2307\/1208548. JSTOR\u00a01208548 \u2013 via JSTOR.^ “Foucault’s Pendulum by Umberto Eco”. www.postmodernmystery.com.^ “The Black Book by Orhan Pamuk”.^ Cowart, David (1990). “Attenuated Postmodernism: Pynchon’s Vineland“. Critique: Studies in Contemporary Fiction. 32 (2): 67\u201376. doi:10.1080\/00111619.1990.9933800.^ “Gao Xingjian’s Soul Mountain: The making of the Eurasian post-modern self. – Free Online Library”.^ a b Postmodern Worldview – Brac University^ “American Psycho: A Post Modern Horror”. the-artifice.com.^ Finney, Brian (2006). “Martin Amis’s Time’s Arrow and the Postmodern Sublime”. Martin Amis: Postmodernism and Beyond. pp.\u00a0101\u2013116. doi:10.1057\/9780230598478_8. ISBN\u00a0978-1-349-28391-0.^ Athenot, Eric (2000). “The Reader as “a first-class goldberg rube” in the Gold Bug Variations”. Cahiers Charles V. 29: 263\u2013273. doi:10.3406\/cchav.2000.1297.^ Baker, Peter (August 3, 1994). “The Terrorist as Interpreter: Mao II in Postmodern Context”. Postmodern Culture. 4 (2). doi:10.1353\/pmc.1994.0002. S2CID\u00a0144060803 \u2013 via Project MUSE.^ a b “BBC – Genres”. BBC.^ “Snow Crash: An Analysis of Postmodern Identities in Cyberpunk”. Navigating Cybercultures. Brill. 2013. pp.\u00a0103\u2013111. doi:10.1163\/9781848881631_011. ISBN\u00a09781848881631.^ Obradovi\u0107, Dragana (2016). Writing the Yugoslav Wars. University of Toronto Press. ISBN\u00a09781442629547. JSTOR\u00a010.3138\/j.ctt1whm98w.^ Wisner, Buell (2014). “Peter Ackroyd’s “The House of Doctor” Dee and the Antinomies of Postmodern Historical Fiction”. CEA Critic. 76 (3): 299\u2013304. doi:10.1353\/cea.2014.0039. JSTOR\u00a044378567. S2CID\u00a0161866298.^ “- BookmarkAuthorizationFailure”.^ Kucharzewski, Jan (2008). “‘From Language to Life is Just Four Letters’: Self-Referentiality vs. The Reference of Self in Richard Powers’s “Galatea 2.2”“. Amerikastudien \/ American Studies. 53 (2): 171\u2013187. JSTOR\u00a041158372.^ “Blindness”.^ “The Sixty-One Essential Postmodern Reads”. The New Yorker. July 21, 2009.^ “(Re)Constructing the Past in George Saunders’ “CivilWarLand in Bad Decline” \u22c6 U.S. Studies Online”. 24 February 2021.^ Anders (2021). “Primeval and Other Times by Olga Tokarczuk: The “Tender Narrator” and the Perils of Myth”. The Polish Review. 66 (2): 105\u2013117. doi:10.5406\/polishreview.66.2.0105. JSTOR\u00a010.5406\/polishreview.66.2.0105. S2CID\u00a0236733507.^ The Multiple Worlds of Pynchon’s ‘Mason & Dixon’. Boydell & Brewer. 2005. ISBN\u00a09781571133182. JSTOR\u00a010.7722\/j.ctt81hkw.^ Ali, Barish; Hagood, Caroline (2012). “Heteroglossic Sprees and Murderous Viewpoints in Orhan Pamuk’s “My Name Is Red”“. Texas Studies in Literature and Language. 54 (4): 505\u2013529. doi:10.7560\/TSLL54407. JSTOR\u00a041679921 \u2013 via JSTOR.^ “Love The Savage Detectives? Here’s 6 More Characters Looking for Authors”. The New York Public Library.^ CHEN, CHUN-YEN (2010). “A Place that is Other: Ethos of Groundlessness in Rushdie’s “The Ground Beneath Her Feet”“. Mosaic: An Interdisciplinary Critical Journal. 43 (4): 51\u201367. JSTOR\u00a044030292 \u2013 via JSTOR.^ Sean Grattan (2017). “I Think We’re Alone Now: Solitude and the Utopian Subject in Colson Whitehead’s The Intuitionist“. Cultural Critique. 96: 126\u2013153. doi:10.5749\/culturalcritique.96.2017.0126. JSTOR\u00a010.5749\/culturalcritique.96.2017.0126.^ “Haruki Murakami’s Sputnik Sweetheart”.^ “Pastoralia \u2014 George Saunders”. 22 November 2011.^ “UQ eSpace”. espace.library.uq.edu.au.^ TRAVERS, SE\u00c1N (2018). “THE POSTMODERN HAUNTED HOUSE IN MARK Z. DANIELEWSKI’S HOUSE OF LEAVES“. IJAS Online (7): 65\u201376. JSTOR\u00a026489194 \u2013 via JSTOR.^ Schulenburg, Chris T. (2004). “A CULTURAL BATTLE WITH THE CENTER: JOS\u00c9 SARAMAGO’s “THE CAVE” AND GLOBALIZATION”. Romance Notes. 44 (3): 283\u2013291. JSTOR\u00a043802300.^ Mushtanova, O. Yu. (2015). “Interpretation of Historical Facts in Modern Italian Literature by the Example of Umberto Eco’s Novel “Baudolino”“. Mgimo Review of International Relations. 1 (40): 251\u2013256. doi:10.24833\/2071-8160-2015-1-40-251-256.^ Ijellh, Smart M. O. V. E. S. J. O. U. R. N. a. L. “Writing ‘Her-story’: A Postmodern approach to History in Margaret Atwood’s The Blind Assassin” \u2013 via www.academia.edu. ^ “Bloomsbury Collections – David Mitchell”.^ “You Shall Know Our Velocity by Dave Eggers”. Independent.co.uk. 22 February 2003.^ “A parable of identity, morality”.^ “Anatolian Arabesques”. The New Yorker. 23 August 2004.^ “Kafka on the Shore by Haruki Murakami”. www.postmodernmystery.com.^ “Postmodern Space Revisited: Hypertextuality and Materiality in the Selected Novels of Mark Z. Danielewski, Steve Tomasula, and Lance Olsen”.^ Carstensen, Thorsten (2007). “Shattering the Word-Mirror in Elizabeth Costello: J.M. Coetzee’s Deconstructive Experiment”. The Journal of Commonwealth Literature. 42: 79\u201396. doi:10.1177\/0021989407075730. S2CID\u00a0162326262.^ Hrubes, Martina (9 July 2008). Postmodernist Intertextuality in David Mitchell’s Cloud Atlas. ISBN\u00a09783640098750.^ Dooley, Gillian Mary (11 November 2005). ““Slow Man” by J.M. Coetzee. [review]”. ^ “JPod by Douglas Coupland”. The Independent. June 24, 2006.^ Fu, Mengxing (2018). “Fantastic Time as Para-History: Spectrality and Historical Justice in Mo Yan’s Life and Death Are Wearing Me Out”. Comparative Literature: East & West. 2 (2): 73\u201387. doi:10.1080\/25723618.2018.1543069. S2CID\u00a0192388098.^ “In Persuasion Nation”.^ Hume, Kathryn (2007). “The Religious and Political Vision of Pynchon’s Against the Day“. Philological Quarterly. 86 (1\/2): 163\u2013187.^ “Richard Powers’ Generosity: An Enhancement”. 28 September 2009.^ “1Q84, By Haruki Murakami”. The Independent. October 26, 2011.^ “Swamplandia! By Karen Russell – review”. TheGuardian.com. 8 April 2011.^ November 25, EW Staff; EST, 2019 at 12:00 PM. “Here are EW’s top 10 fiction books of the decade”. EW.com.^ Kirpichnikova, Anna (2018). “The Linguistic Singularity of the Novel the Sense of an Ending by Julian Barnes”. The Journal of Social Sciences Research: 556\u2013558:1.^ “REVIEW: The Angel Esmeralda by Don DeLillo”. Electric Literature. December 8, 2011.^ “Asian American Elements in Ken Liu’s ‘Paper Menagerie’ | Cram”.^ “Jamesonian Interpretation of Post Postmodernism: David Foster Wallace’s Infinite Jest and The Pale King”.^ Aronstein, Susan; Thompson, Jason (August 3, 2015). “Coding the Grail: Ready Player One’s Arthurian Mash-Up”. Arthuriana. 25 (4): 51\u201365. doi:10.1353\/art.2015.0045. S2CID\u00a0162990703 \u2013 via Project MUSE.^ Radchenko, Simon (2020). “Bleeding Edge of Postmodernism: Metamodern Writing in the Novel by Thomas Pynchon”. Interlitteraria. 24 (2): 495\u2013502. doi:10.12697\/IL.2019.24.2.17. S2CID\u00a0210962145.^ Santi, Angelica. “A Brief History of Seven Killings Seminar on postmodernism and literature”. ^ “The ‘Chinese Dream’ turns into a zombie-like nightmare in Yan Lianke’s ‘The Day The Sun Died’“. Los Angeles Times. January 17, 2019.^ “Review: Mark Z. Danielewski’s ‘Familiar’ a monument to semantic encryption”. Los Angeles Times. May 7, 2015.^ “Moonglow by Michael Chabon”.^ “How Paul Auster’s Lengthy ‘4 3 2 1’ Reimagined the Social Protest Novel”. 13 February 2017.^ “(PDF) A Post Modern Perspective of Murakami’s Killing Commendatore Amidst the Hyper Real Chaos – High Technology Letters” (PDF).^ (PDF) Wit(h)nessing Trauma in Han Kang\u2019s The White Book (2016) – Ruby Judd – University of KwaZulu-Natal^ “Lincoln in the Bardo”. www.conceptualfiction.com.^ “‘Quichotte’ retells ‘Don Quixote’ for chaotic modern times”. Christian Science Monitor. 3 September 2019.^ Turner, Edwin (May 11, 2019). “Marlon James’s Black Leopard, Red Wolf is a postmodern fantasy novel that challenges the conventions of storytelling itself”.^ Iglesias, Gabino (July 8, 2020). “If Surprise Makes A Great Novel, ‘Antkind’ Is A Great Novel”. NPR.^ “Reinventing Postmodernism: A Review of Charles Yu’s “Interior Chinatown” \u2013 Vol. 1 Brooklyn”. vol1brooklyn.com.^ Macris, Anthony. “In The Candy House, Jennifer Egan delivers an inventive novel for a digital age”. The Conversation.External links[edit]"},{"@context":"http:\/\/schema.org\/","@type":"BreadcrumbList","itemListElement":[{"@type":"ListItem","position":1,"item":{"@id":"https:\/\/wiki.edu.vn\/en\/wiki40\/#breadcrumbitem","name":"Enzyklop\u00e4die"}},{"@type":"ListItem","position":2,"item":{"@id":"https:\/\/wiki.edu.vn\/en\/wiki40\/list-of-postmodern-novels-wikipedia\/#breadcrumbitem","name":"List of postmodern novels – Wikipedia"}}]}]