[{"@context":"http:\/\/schema.org\/","@type":"BlogPosting","@id":"https:\/\/wiki.edu.vn\/en\/wiki40\/luz-jimenez-actress-wikipedia\/#BlogPosting","mainEntityOfPage":"https:\/\/wiki.edu.vn\/en\/wiki40\/luz-jimenez-actress-wikipedia\/","headline":"Luz Jim\u00e9nez (actress) – Wikipedia","name":"Luz Jim\u00e9nez (actress) – Wikipedia","description":"Chilean actress, theater director, and teacher In this Spanish name, the first or paternal surname is Jim\u00e9nez and the second","datePublished":"2014-11-13","dateModified":"2014-11-13","author":{"@type":"Person","@id":"https:\/\/wiki.edu.vn\/en\/wiki40\/author\/lordneo\/#Person","name":"lordneo","url":"https:\/\/wiki.edu.vn\/en\/wiki40\/author\/lordneo\/","image":{"@type":"ImageObject","@id":"https:\/\/secure.gravatar.com\/avatar\/c9645c498c9701c88b89b8537773dd7c?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/c9645c498c9701c88b89b8537773dd7c?s=96&d=mm&r=g","height":96,"width":96}},"publisher":{"@type":"Organization","name":"Enzyklop\u00e4die","logo":{"@type":"ImageObject","@id":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","url":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","width":600,"height":60}},"image":{"@type":"ImageObject","@id":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","url":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","width":100,"height":100},"url":"https:\/\/wiki.edu.vn\/en\/wiki40\/luz-jimenez-actress-wikipedia\/","about":["Wiki"],"wordCount":9224,"articleBody":"Chilean actress, theater director, and teacherIn this Spanish name, the first or paternal surname is Jim\u00e9nez and the second or maternal family name is Orme\u00f1o.Luz Jim\u00e9nez Orme\u00f1o (born 18 December 1934) is a Chilean actress, theater director, and teacher who gained recognition for her performances in the roles of Maruja in the play Tres Mar\u00edas y una Rosa\u00a0[es] (1979) and Kiki Blanche in the telenovela Bellas y audaces\u00a0[es] (1988). She has developed a career spanning 50 years, in which she gained popularity mainly as a theater and television actress.[1]She began acting theatrically in the 1950s, and during the 1980s became one of the first important figures of the then-emerging telenovela industry at Televisi\u00f3n Nacional de Chile (TVN) centered around Sonia Fuchs\u00a0[es]. Since then, she has been considered one of the country’s most respected figures in the performing arts.Among her most recognized collaborations are those she formed with director Vicente Sabatini\u00a0[es], appearing in important telenovelas such as La torre 10\u00a0[es] (1984), Marta a las ocho\u00a0[es] (1985), Teresa de los Andes\u00a0[es] (1989), Oro verde\u00a0[es] (1997), La fiera\u00a0[es] (1999), Roman\u00e9 (2000), Pampa Ilusi\u00f3n (2001), El circo de las Montini\u00a0[es] (2002), Coraz\u00f3n de Mar\u00eda\u00a0[es] (2007), Manuel Rodr\u00edguez (2010), and La Do\u00f1a (2011).[2]In 2015 she was recognized with a career award at the first La Serena Film Festival\u00a0[es].In 2017 she obtained a small role in the Rede Globo series Os Dias Eram Assim.Table of ContentsBiography[edit]Beginnings[edit]1979\u20131990[edit]Collective theater and world tour[edit]Collaboration with Sonia Fuchs[edit]1991\u20131995[edit]Training of new actors[edit]1997\u20132014[edit]Collaboration with Sabatini and TVN’s golden age[edit]2015\u2013present[edit]Theater tours and awards[edit]Filmography[edit]Film[edit]Telenovelas[edit]Other TV series[edit]Theater[edit]Acting[edit]Directing[edit]Music videos[edit]Awards and nominations[edit]References[edit]External links[edit]Biography[edit]Beginnings[edit]Luz Jim\u00e9nez’s acting studies were conducted in the mid-1960s at the Experimental Theater School\u00a0[es] of the University of Chile. However she left her studies incomplete. “I left the theater for a love. I got married and then I had my four daughters.” Later, she resumed her studies at the Catholic University’s School of Communication Arts\u00a0[es], graduating in 1979. During the 1970s she worked as a secretary in the vice-rectory of the university after the censorship of university theaters during Augusto Pinochet’s military dictatorship.[3]She began her career between 1955 and 1960, participating in the various university and independent theater companies, acting in works such as El fin de febrero (1958) by Alejandro Sieveking, La princesa Panchita, Oc\u00fapate de Amelia, and \u00bfCuantos a\u00f1os tiene un d\u00eda? by the Teatro Ictus\u00a0[es] company.[4]1979\u20131990[edit]Collective theater and world tour[edit]In 1979 Jim\u00e9nez starred with Myriam Palacios, Soledad Alonso, and Loreto Valenzuela in the play Tres Mar\u00edas y una Rosa\u00a0[es] by David Benavente, directed by Ra\u00fal Osorio.[5] It was created by Benavente and the Theater Research Workshop (TIT) at Santiago’s Teatro \u00c1ngel.[6][7] The work constitutes a milestone in the history of Chilean theater during the period of the dictatorship, given that it deals with the theme of unemployment of the time and machismo from the point of view of three women settlers who try to overcome poverty by weaving burlap in a workshop given by the Vicariate of Solidarity. The success of the play led her to make an international tour of America and Europe.[8][9][10]Collaboration with Sonia Fuchs[edit]After participating in numerous plays, Jim\u00e9nez debuted on television in 1981 with the first original telenovela on TVN, Villa Los Aromos\u00a0[es], directed by Claudio Guzm\u00e1n and produced by Sonia Fuchs\u00a0[es].[11] In the telenovela she shared the stage with Arnaldo Berr\u00edos\u00a0[es] and Mario Montilles\u00a0[es].[12] This turned out to be a shaky experience for the established theater actress, but it served as a rapid introduction to television. After this opportunity the actress achieved a great friendship with Fuchs, collaborating on all her productions until 1991. Next she would work with Mal\u00fa Gatica, Loreto Valenzuela, and Alfredo Castro in La represa\u00a0[es] (1984), in which she played a peasant woman faithful to her employer played by Gatica. Later she was part of the cast of La torre 10 (1984). She obtained a starring role in Marta a las ocho, along with Sonia Viveros and Lucy Salgado\u00a0[es], playing Amneris, a woman characterized by her soft tone of voice, elegance, and taste for opera music. The result was excellent. It not only satisfied the public, but also TVN. In the following years, she acted in the melodramas Morir de amor\u00a0[es] (1985), La dama del balc\u00f3n\u00a0[es] (1986), La villa\u00a0[es] (1986), and the miniseries La Quintrala\u00a0[es]. In 1987 she appeared in Mi nombre es Lara\u00a0[es], where she played Lucrecia Ferrer, a sober and elegant writer of famous novels who falls in love with an executive played by Eduardo Barril.After participating in numerous telenovelas, Luz Jim\u00e9nez had her first big role with a leading character: Kiki Blanche in Bellas y Audaces (1988), directed by Ricardo Vicu\u00f1a\u00a0[es] and in which she shared credits with actresses such as Sonia Viveros, Silvia Pi\u00f1eiro\u00a0[es], and debutante Ana Mar\u00eda Gazmuri.[13] Director Vicu\u00f1a declared: “We tried many figures and we bet on her. For her charisma and great sweetness. It was not an easy role and she did it very well.”[14] In 1989 she took the part of one of the central characters of the highly successful series Teresa de los Andes, where she played a religious leader of a convent where Sister Teresa was played by Paulina Urrutia. According to the actress herself, this was one of the best characters she has played on television.1991\u20131995[edit]Training of new actors[edit]At the beginning of 1990, she withdrew temporarily from television to teach and train new actors. Between 1991 and 1995 she would join the faculty of The Theater Club of director Fernando Gonz\u00e1lez. Among her students were the actors Carolina Fadic, Tamara Acosta, Aline K\u00fcppenheim, \u00c1lvaro Morales, and Francisca Gavil\u00e1n. Jim\u00e9nez clarified, “What I have tried most to convey to you is that acting is a vocation, an inevitable passion that goes beyond the ego and that harbors a true curiosity about life, a desire to tell, a love for the game.” According to Tamara Acosta, “She (Luz) was my first acting teacher. She was very important in my training; she had that wonderful thing about the warmth of putting together a team.”[15]1997\u20132014[edit]Collaboration with Sabatini and TVN’s golden age[edit]After a period without major projects, Jim\u00e9nez regained public favor in 1997 after participating in Oro Verde, again under the direction of Vicente Sabatini, where she gave life to a gossipy woman in charge of a popular hairdresser’s in the fictional town of Los Robles in Caburga. The actress shared scenes with \u00c1lvaro Morales, Jos\u00e9 Soza, and Maricarmen Arrigorriaga. The following year, she obtained a secondary role in Am\u00e1ndote on Canal 13, directed by Ricardo Vicu\u00f1a.In 1999 she played Do\u00f1a Mirta Jaramillo in La Fiera, a woman who believes in the myths and legends of Chilo\u00e9. The character had the hope that El Caleuche would return her husband who was missing in the ocean after a shipwreck.[16] The actress managed to give an exceptional interpretation of the character, and was positioned as one of the most charismatic actresses of the year. In 2016, she declared “this character has always been in my heart.”[17]At the beginning of the decade, she moved to Mejillones with the Sabatini team to join the cast of Roman\u00e9 (2000). In the telenovela she played the Roma character Mama Pasca Antich, the respected sister of the king of the ethnic colony, who fights against the pain and abandonment of her only son who went to the capital for an unrequited love. In the melodrama she shared credits with Juan Falc\u00f3n, Claudia di Girolamo, H\u00e9ctor Noguera, and Luis Alarc\u00f3n. Like her previous character, she counts this as one of her best roles in television. In 2001 she participated in Pampa Ilusi\u00f3n, filmed at Humberstone and Santa Laura Saltpeter Works, where she played a southern prostitute named La Poroto, who together with her young colleague arrive at the fictional Pampa Ilusi\u00f3n office, hired to work in a clandestine brothel of a blind man who owns the place’s only grocery store.[18] She shared credits with Jos\u00e9 Soza, Ximena Rivas, Pablo Schwarz, and Roxana Campos\u00a0[es]. Later came the comedy El circo de las Montini (2002) with Violeta Vidaurre, in which she played a sweet poodle trainer in the circus.[19] In 2005 she starred with Mar\u00eda Izquierdo and Ximena Rivas in the play Madre by Rodrigo P\u00e9rez.In 2007 she participated in Coraz\u00f3n de Mar\u00eda, where she played a reading and writing teacher for adults who did not have opportunities. The same year, she made an outstanding appearance in the drama C\u00e1rcel de mujeres\u00a0[es], portraying an elderly inmate and sharing credits with Claudia Di Girolamo and Paulina Garc\u00eda. She also participated in the series H\u00e9roes, Los 80, and Huaiquim\u00e1n y Tolosa\u00a0[es] on Canal 13. In the latter she acted sharing credits with Benjam\u00edn Vicu\u00f1a. She was also Acting Director at the School of Theater of the University of the Andes, which took first place in the National Festival of University Theater (FESTESA).In 2010 Jim\u00e9nez was hired by the Dramatic Area of Chilevisi\u00f3n under the direction of Vicente Sabatini, to play Mar\u00eda Loreto Erdo\u00edza y Aguirre in the historical bicentennial production Manuel Rodr\u00edguez.[20] In an interview she said, “It is an honor to play this role. Manuel Rodr\u00edguez was very brave, very detached, and consistent. Maybe there are new guerrillas out there, I do not know, but it is very nice to listen to Viva Chile in that way; something trembles in here.”[21] The following year, she participated in La Do\u00f1a (2011) as \u00c1gueda Flores, maternal grandmother of La Quintrala and one of the most powerful women of Chilean society in the 15th century. In the same year, she participated in Los archivos del cardenal, where she played a country woman looking for her grandson who was arrested and disappeared by the DINA. This role brought her critical applause and recognition on social networks for her moving and respectable performance. According to Daniela Ram\u00edrez, “Working with Luz is the most wonderful thing that has ever happened to me,” while Pablo Illanes posted on his Twitter account, “Luz Jimenez is an extraordinary actress.”[22] She played another moving role in the Mat\u00edas Bize film The Life of Fish. It went on to win a Goya Award in the category of Best Spanish-Language Foreign Film.Her next films were the romantic drama Gloria (2013) by Sebasti\u00e1n Lelio, along with Paulina Garc\u00eda, and the Chilean-French autobiographical film The Dance of Reality (2014) by Alejandro Jodorowsky.In 2014 she played a small supporting role in Las 2 Carolinas. At the launch of the telenovela, in Puente Alto, Jim\u00e9nez was applauded by the public, where she received a deafening ovation. The actress declared, “For me it was a very big impact. I never expected it; it impressed me. I had never experienced something like that, an ovation for me; it fills me with joy, emotion, and gratitude.” She next appeared in the series Zamudio (2015), where she met for the first time with the director Juan Ignacio Sabatini\u00a0[es]. In the psychological drama, which also starred Daniel Mu\u00f1oz, Francisca Gavil\u00e1n, and Nicol\u00e1s Rojas, she played the grandmother of Daniel Zamudio. Around the same time, she starred in the music video “Presentiemiento” by Prehist\u00f6ricos.2015\u2013present[edit]Theater tours and awards[edit]In 2015 she was recognized with an award for cinematic, theatrical, and television career at the first La Serena Film Festival.[23][24] The same year, she joined the company Ni\u00f1o Proletario and performed with Jos\u00e9 Soza, Paola Lattus, and \u00c1ngel Lattus in El otro, directed by Luis Guenel. The play is based on the book El infarto del alma by Diamela Eltit and Paz Err\u00e1zuriz, about the theme of possible love within a psychiatric hospital. The production was presented in unconventional places in the country and toured Spain, the Netherlands, and Belgium.[25] In 2016 she starred in Fulgor with the same company, based on immigration and labor abuse.[26] After a good reception in Chile, the play was presented to 150,000 spectators at FiraT\u00e0rrega in Spain.[27] In the same year, she performed with Tom\u00e1s Vidiella and Jaime McManus in the film La memoria de mi Padre, directed by Rodrigo Bacigalupe.After two years she returned to television, participating in Os Dias Eram Assim (2017) on Rede Globo, performing with the Brazilian actor Renato G\u00f3es\u00a0[pt]. In 2017 she took on an international tour with El otro, performing with the company Ni\u00f1o Proletario in France, at Jean Vilar Theater, Paul \u00c9luard Theater, La Ferne du Buisson, Th\u00e9atre de la Ville, and Jean Arpo Theater.[28] The same year, she starred in the teaser Los Carcamales with Sergio Hern\u00e1ndez, Julio Jung, and Fernando Alarc\u00f3n\u00a0[es], telling the story of a group of elderly people living in a nursing home facing Alzheimer’s and theft of their pensions.[29] The project received the largest grant delivered by the National Television Council of Chile (CNTV) for its production in 2018.[30]Filmography[edit]Film[edit]Telenovelas[edit]Other TV series[edit]Theater[edit]Acting[edit]Directing[edit]Music videos[edit]YearTitleArtistDirector2014“Presentimiento”Prehist\u00f6ricosTom\u00e1s SamaelAwards and nominations[edit]References[edit]^ “Jim\u00e9nez, Luz” (in Spanish). Museum of Memory and Human Rights. Retrieved 17 May 2018.^ “Luz Jim\u00e9nez…Una actr\u00edz de coraz\u00f3n” [Luz Jim\u00e9nez…An Actress at Heart]. Teleseries Chilenas (in Spanish). 10 August 2011. Retrieved 17 May 2018.^ “En el ojo de la paranoia” [In the Eye of Paranoia]. La Naci\u00f3n (in Spanish). 24 May 2009. Archived from the original on 30 January 2016. Retrieved 17 May 2018.^ “Cr\u00edtica de Arte” [Art Criticism]. Anales de la Universidad de Chile (in Spanish): 156\u2013158. Retrieved 17 May 2018.^ Rojo, Grinor (1984). Muerte y resurrecci\u00f3n del teatro chileno [Death and Resurrection of the Chilean Theater] (in Spanish). Ediciones Michay. Archived from the original on 12 August 2014. Retrieved 17 May 2018 \u2013 via Centro Documental Blest.^ “‘Tres Mar\u00edas y una Rosa’“ (in Spanish). Chilean National Theater. Archived from the original on 2 June 2010. Retrieved 17 May 2018.^ “Dramaturgia Chilena durante la Dictadura” [Chilean Dramaturgy During the Dictatorship] (in Spanish). Federaci\u00f3n Nacional Victor Jara. Archived from the original on 5 November 2015. Retrieved 17 May 2018.^ Miranda, Rodrigo (17 April 2009). “El teatro pol\u00edtico chileno vuelve a escena” [Chilean Political Theater Returns to the Scene]. La Tercera (in Spanish). Archived from the original on 5 November 2015. Retrieved 17 May 2018.^ Miranda, Rodrigo (17 June 2009). “Vuelve Tres Mar\u00edas y una Rosa, cl\u00e1sico teatral de los 70” [Tres Mar\u00edas y una Rosa Returns, Theatrical Classic of the 70s]. La Tercera (in Spanish). Archived from the original on 14 August 2016. Retrieved 17 May 2018.^ Hoy, Issues 180-192 (in Spanish). Araucaria Ltda. 1981. p.\u00a069. Retrieved 17 May 2018 \u2013 via Google Books.^ “‘Villa Los Aromos’ la primera teleserie de TVN” [‘Villa Los Aromos’ TVN’s First Telenovela]. Teleseries Chilenas (in Spanish). 13 November 2014. Retrieved 17 May 2018.^ “Villa Los Aromos” (in Spanish). Televisi\u00f3n Nacional de Chile. Archived from the original on 14 February 2016. Retrieved 17 May 2018.^ “‘Bellas y audaces’“. El Mercurio (in Spanish). Retrieved 17 May 2018.^ Vicu\u00f1a, Ricardo [@ricardovicuna] (16 July 2015). “@ElGatodePedro Probamos muchas figuras y apostamos por ella. Por su carisma y gran dulzura. No era un papel f\u00e1cil y ella lo hizo muy bien” (Tweet) (in Spanish). Retrieved 17 May 2018 \u2013 via Twitter.^ Lewin, Blanca (27 February 2004). “Tamara Acosta, actriz”. El Periodista (in Spanish). Archived from the original on 23 September 2015. Retrieved 17 May 2018.^ “La Fiera…A 10 a\u00f1os de la promesa de amor” [La Fiera…10 Years Since the Promise of Love]. Teleseries Chilenas (in Spanish). 16 December 2009. Retrieved 17 May 2018.^ Ahumada L., Cristopher (22 January 2016). “Qui\u00e9n te vio y qui\u00e9n TV” [Who Saw You and Who TV]. El Mercurio (in Spanish). Retrieved 17 May 2018.^ “Ximena Rivas, la Primera Prostituta de Telenovela” [Ximena Rivas, the First Telenovela Prostitute]. El Mercurio (in Spanish). 22 December 2000. Retrieved 17 May 2018.^ Guti\u00e9rrez, Soledad (28 December 2001). “Los oficios y tradiciones circenses de la pr\u00f3xima teleserie de TVN” [The Trades and Circus Traditions of the Next TVN Telenovela]. El Mercurio (in Spanish). Retrieved 17 May 2018.^ “Sabatini re\u00fane a sus ex colaboradores en Chilevisi\u00f3n” [Sabatini Reunited with His Ex-Collaborators on Chilevisi\u00f3n]. fotech.cl (in Spanish). 27 October 2009. Retrieved 17 May 2018.^ Garc\u00eda, Gabriela (17 March 2010). “Luz Jim\u00e9nez: ‘Tal vez existan nuevos guerrilleros por ah\u00ed…’“ [Luz Jim\u00e9nez: Maybe There are New Guerrillas Out There]. La Naci\u00f3n (in Spanish). Archived from the original on 13 March 2016. Retrieved 17 May 2018.^ Illanes, Pablo [@pillanes] (21 July 2011). “Luz Jimenez es una actriz extraordinaria” (Tweet) (in Spanish). Retrieved 17 May 2018 \u2013 via Twitter.^ “Luz Jim\u00e9nez” (in Spanish). La Serena Film Festival. Archived from the original on 24 September 2015. Retrieved 17 May 2018.^ “La fiesta del cine llega a la Regi\u00f3n de Coquimbo” [The Film Festival Arrives in the Coquimbo Region]. El Observatodo (in Spanish). 13 August 2015. Retrieved 17 May 2018.^ “‘El Otro’, la obra que aborda el amor en un psiqui\u00e1trico” [‘El Otro’, the Play That Addresses Love in a Psychiatric Hospital]. Diario Uchile (in Spanish). 3 September 2015. Retrieved 17 May 2018.^ “Luz Jim\u00e9nez” (in Spanish). Teatro Ni\u00f1o Proletario. Archived from the original on 1 October 2017. Retrieved 17 May 2018.^ Miranda, Eduardo (12 September 2016). “El teatro chileno se luce en la fiesta esc\u00e9nica de Fira T\u00e1rraga” [Chilean Theater Shines at the FiraT\u00e0rrega Scenic Festival]. El Mercurio (in Spanish). T\u00e1rraga. p.\u00a0C14. Retrieved 17 May 2018.^ “Teatro Ni\u00f1o Proletario lleva a Francia obra sobre la empat\u00eda” [Teatro Ni\u00f1o Proletario Brings a Play About Empathy to France] (in Spanish). Ministry of Foreign Affairs. 20 November 2017. Retrieved 17 May 2018.^ Barrios Pe\u00f1ailillo, Alondra (5 September 2017). “Fernando Alarc\u00f3n habla de la serie sobre adultos mayores ganadora de un fondo del CNTV: ‘Es una protesta social y art\u00edstica’“ [Fernando Alarc\u00f3n Talks About the Series About Older Adults Which Won a CNTV Grant: ‘It’s a Social and Artistic Protest’]. El Mercurio (in Spanish). Santiago. Retrieved 17 May 2018.^ Cerda, Patricia (1 October 2017). “La reivindicaci\u00f3n de la tercera edad en la televisi\u00f3n” [The Grievance of the Elderly on Television]. El Mercurio (in Spanish). Retrieved 17 May 2018.External links[edit]"},{"@context":"http:\/\/schema.org\/","@type":"BreadcrumbList","itemListElement":[{"@type":"ListItem","position":1,"item":{"@id":"https:\/\/wiki.edu.vn\/en\/wiki40\/#breadcrumbitem","name":"Enzyklop\u00e4die"}},{"@type":"ListItem","position":2,"item":{"@id":"https:\/\/wiki.edu.vn\/en\/wiki40\/luz-jimenez-actress-wikipedia\/#breadcrumbitem","name":"Luz Jim\u00e9nez (actress) – Wikipedia"}}]}]