[{"@context":"http:\/\/schema.org\/","@type":"BlogPosting","@id":"https:\/\/wiki.edu.vn\/en\/wiki40\/plinio-marcos-wikipedia\/#BlogPosting","mainEntityOfPage":"https:\/\/wiki.edu.vn\/en\/wiki40\/plinio-marcos-wikipedia\/","headline":"Pl\u00ednio Marcos – Wikipedia","name":"Pl\u00ednio Marcos – Wikipedia","description":"before-content-x4 From Wikipedia, the free encyclopedia after-content-x4 Brazilian writer and actor Pl\u00ednio Marcos de Barros (29 September 1935 \u2014 19","datePublished":"2015-04-07","dateModified":"2015-04-07","author":{"@type":"Person","@id":"https:\/\/wiki.edu.vn\/en\/wiki40\/author\/lordneo\/#Person","name":"lordneo","url":"https:\/\/wiki.edu.vn\/en\/wiki40\/author\/lordneo\/","image":{"@type":"ImageObject","@id":"https:\/\/secure.gravatar.com\/avatar\/c9645c498c9701c88b89b8537773dd7c?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/c9645c498c9701c88b89b8537773dd7c?s=96&d=mm&r=g","height":96,"width":96}},"publisher":{"@type":"Organization","name":"Enzyklop\u00e4die","logo":{"@type":"ImageObject","@id":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","url":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","width":600,"height":60}},"image":{"@type":"ImageObject","@id":"https:\/\/en.wikipedia.org\/wiki\/Special:CentralAutoLogin\/start?type=1x1","url":"https:\/\/en.wikipedia.org\/wiki\/Special:CentralAutoLogin\/start?type=1x1","height":"1","width":"1"},"url":"https:\/\/wiki.edu.vn\/en\/wiki40\/plinio-marcos-wikipedia\/","wordCount":1537,"articleBody":"     (adsbygoogle = window.adsbygoogle || []).push({});before-content-x4From Wikipedia, the free encyclopedia       (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4Brazilian writer and actorPl\u00ednio Marcos de Barros (29 September 1935 \u2014 19 November 1999) was a Brazilian writer, actor, journalist and playwright,[1] author of several stage plays adapted into film. Called a “Po\u00e8te maudit” by some, his work features the life and struggles of underground characters, touching themes such as violence, prostitution and homosexuality, and was censored by the military government.       (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4Table of ContentsEarly life[edit]Personal life[edit]Adult plays[edit]Children’s plays[edit]References[edit]External links[edit]Early life[edit]Marcos was born in 1935, in Santos, into a poor family.  He finished only the primary school before dropping out. Marcos worked as coppersmith, served the Brazilian Air Force and played football for Portuguesa Santista, but he found his way into acting working as a circus clown when he was 17 years old.[2] He also acted in the radio and television, in Santos.In 1958, influenced by the writer and journalist Pagu, he got into a Santos amateur theater company. That same year, impressed by the true story of a young man gang-raped in prison, he wrote his first play, Barrela. Because of its crude language, the play was prohibited from being staged for 21 years.       (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4In 1960, at the age of 25, he went to S\u00e3o Paulo, where he initially worked as a street vendor. Later, he worked in theater, as an actor (appearing in the TV Tupi series O Falc\u00e3o Negro), administrator and handyman, in theater companies like Arena, Cacilda Becker and Nydia Lycia. From 1963, he produced texts for the TV Tupi show TV de Vanguarda, where he also worked as a technician. In 1964, year of the military coup, he made the script for the show Nossa gente, Nossa M\u00fasica. In 1965, he managed to stage Reportagem de um tempo mau, a collage of texts by several authors, and that was only one day in the theaters.[3]In 1968, he participated as an actor in the telenovela Beto Rockfeller, as the driver Vit\u00f3rio. He reprised that role in the movies and also in the 1973 telenovela, A Volta de Beto Rockfeller, with less success. Still in the cinema, during the movement of the cinema marginal, the director Braz Chediak adapted two of its plays, Navalha na Carne (1969) and Dois Perdidos Numa Noite Suja (1970), both with the actor Emiliano Queiroz. In the 1970s, Plinio Marcos returned to the stage, getting himself to sell tickets at the theaters entrance. At the end of the play, he would take the stage and chat personally with the audience.Marcos also wrote for newspapers such as Folha de S. Paulo, \u00daltima Hora and O Pasquim.Marcos died on 29 November 1999, after suffering two strokes and having the left side of his body paralyzed. His body was cremated and the ashes were scattered to the ocean in Santos.[4]Personal life[edit]Marcos was married to the actress Walderez de Barros, with whom he had three children, and with the journalist Vera Artaxo.[4]Adult plays[edit]Barrela, 1958Os fantoches, 1960Jornada de um imbecil at\u00e9 o entendimento (1\u00aa version)Enquanto os navios atracam, 1963Quando as m\u00e1quinas param (1\u00aa version)Chap\u00e9u sobre paralelep\u00edpedo para algu\u00e9m chutar (2\u00aa version of Os fantoches)Reportagem de um tempo mau, 1965Dois perdidos numa noite suja, 1966Dia vir\u00e1 (1\u00aa version of Jesus-homem), 1967Navalha na carne, 1967Quando as m\u00e1quinas param (2\u00aa version of Enquanto os navios atracam), 1963Homens de papel, 1968Jornada de um imbecil at\u00e9 o entendimento (3\u00aa version of Os fantoches)O abajur lil\u00e1s, 1969Ora\u00e7\u00e3o de um p\u00e9-de-chinelo, 1969Balbina de Ians\u00e3 (musical), 1970Feira livre (opereta), 1976Noel Rosa, o poeta da Vila e seus amores (musical), 1977Jesus-homem, 1978 (2\u00aa version of Dia vir\u00e1, 1967)Sob o signo da discoth\u00e8que, 1979 Quer\u00f4, uma reportagem maldita (adaptation of the 1976 novel of same name), 1979Madame Blavatski, 1985Balada de um palha\u00e7o, 1986A mancha roxa, 1988A dan\u00e7a final, 1993O assassinato do an\u00e3o do caralho grande (adaptation of the novella with the same name), 1995O homem do caminho (monologue, originally titled Sempre em Frente), 1996O bote da loba, 1997Chico Viola (unfinished), 1997Children’s plays[edit]As aventuras do coelho Gabriel, 1965O coelho e a on\u00e7a (hist\u00f3ria dos bichos brasileiros), 1998Assembl\u00e9ia dos ratos, 1989Seja voc\u00ea mesmo (unfinished)Navalha na carne (play), 1968Quando as m\u00e1quinas param (play), 1971Hist\u00f3rias das quebradas do mundar\u00e9u (short stories), 1973Barrela (play) (1976)Uma Reportagem Maldita – Quer\u00f4 (novel), 1976In\u00fatil canto e in\u00fatil pranto pelos anjos ca\u00eddos (short story), 1977Dois perdidos numa noite suja (teatro), 1978Ora\u00e7\u00e3o para um p\u00e9-de-chinelo (teatro), s\/dataJesus-homem (teatro), 1981Prisioneiro de uma can\u00e7\u00e3o (contos autobiogr\u00e1ficos), 1982Novas hist\u00f3rias da Barra do Catimb\u00f3 (contos), s\/dMadame Blavatski (teatro), 1985A figurinha e os soldados da minha rua – hist\u00f3rias populares (relatos autobiogr\u00e1ficos), 1986Can\u00e7\u00f5es e reflex\u00f5es de um palha\u00e7o (textos curtos), 1987A mancha roxa (teatro), 1988Teatro maldito teatro (cont\u00e9m as pe\u00e7as Barrela, Dois Perdidos Numa Noite Suja e O Abajur Lil\u00e1s), 1992A dan\u00e7a final (teatro), 1994Ns triha dos saltimbancos (conto),  data imprecisaO assassinato do an\u00e3o do caralho grande (noveleta policial e pe\u00e7a teatral), 1996Figurinha dif\u00edcil – Pornografando e subvertendo (relatos autobiogr\u00e1ficos), 1996O truque dos espelhos (contos autobiogr\u00e1ficos), 1999Cole\u00e7\u00e3o melhor teatro (com as pe\u00e7as Barrela, Dois perdidos numa noite suja, Navalha na carne, Abajur lil\u00e1s, Quer\u00f4), 2003References[edit]External links[edit]     (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4"},{"@context":"http:\/\/schema.org\/","@type":"BreadcrumbList","itemListElement":[{"@type":"ListItem","position":1,"item":{"@id":"https:\/\/wiki.edu.vn\/en\/wiki40\/#breadcrumbitem","name":"Enzyklop\u00e4die"}},{"@type":"ListItem","position":2,"item":{"@id":"https:\/\/wiki.edu.vn\/en\/wiki40\/plinio-marcos-wikipedia\/#breadcrumbitem","name":"Pl\u00ednio Marcos – Wikipedia"}}]}]