[{"@context":"http:\/\/schema.org\/","@type":"BlogPosting","@id":"https:\/\/wiki.edu.vn\/en\/wiki41\/addison-ripley-fine-art-wikipedia\/#BlogPosting","mainEntityOfPage":"https:\/\/wiki.edu.vn\/en\/wiki41\/addison-ripley-fine-art-wikipedia\/","headline":"Addison\/Ripley Fine Art – Wikipedia","name":"Addison\/Ripley Fine Art – Wikipedia","description":"before-content-x4 From Wikipedia, the free encyclopedia after-content-x4 Art gallery in Washington, D.C. Coordinates: 38\u00b054\u203245\u2033N 77\u00b003\u203258\u2033W\ufeff \/ \ufeff38.91263058789578\u00b0N 77.0662480255547\u00b0W\ufeff \/ 38.91263058789578;","datePublished":"2017-12-23","dateModified":"2017-12-23","author":{"@type":"Person","@id":"https:\/\/wiki.edu.vn\/en\/wiki41\/author\/lordneo\/#Person","name":"lordneo","url":"https:\/\/wiki.edu.vn\/en\/wiki41\/author\/lordneo\/","image":{"@type":"ImageObject","@id":"https:\/\/secure.gravatar.com\/avatar\/c9645c498c9701c88b89b8537773dd7c?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/c9645c498c9701c88b89b8537773dd7c?s=96&d=mm&r=g","height":96,"width":96}},"publisher":{"@type":"Organization","name":"Enzyklop\u00e4die","logo":{"@type":"ImageObject","@id":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","url":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","width":600,"height":60}},"image":{"@type":"ImageObject","@id":"https:\/\/en.wikipedia.org\/wiki\/Special:CentralAutoLogin\/start?type=1x1","url":"https:\/\/en.wikipedia.org\/wiki\/Special:CentralAutoLogin\/start?type=1x1","height":"1","width":"1"},"url":"https:\/\/wiki.edu.vn\/en\/wiki41\/addison-ripley-fine-art-wikipedia\/","wordCount":5263,"articleBody":"     (adsbygoogle = window.adsbygoogle || []).push({});before-content-x4From Wikipedia, the free encyclopedia       (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4Art gallery in Washington, D.C.Coordinates: 38\u00b054\u203245\u2033N 77\u00b003\u203258\u2033W\ufeff \/ \ufeff38.91263058789578\u00b0N 77.0662480255547\u00b0W\ufeff \/ 38.91263058789578; -77.0662480255547Addison\/Ripley Fine Art is an art gallery in Washington, D.C. The gallery was established in 1981[1] and in addition to being an independent commercial fine arts gallery, it also serves as an art consultant[2] and curator to the Warner Building,[3] Washington, D.C., and as art consultants to several Washington, D. C. private companies,[3] as well as to the German Marshall Fund,[3] Washington, D.C., and to the United States Department of State, Overseas Buildings Operation,[3] Washington, D. C.       (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4Table of ContentsLocation and co-owner[edit]Artists represented[edit]Critical reception[edit]References[edit]External links[edit]Location and co-owner[edit]The gallery is currently located  in the Georgetown neighborhood of Washington, DC at 1670 Wisconsin Avenue NW, Washington, DC 20007. The co-owner, Christopher Addison,[4] is a past president of the Art Dealers Association of Greater Washington, DC.[5]Artists represented[edit]Addison\/Ripley represents several well-established national artists as well as several well-known Washington, DC area contemporary artists.[6] Among the artists represented by the gallery are Wolf Kahn,[7] Isabel Manalo,[8]Joan Belmar,[9]Carol Brown Goldberg,[10] Frank Hallam Day,[11] Amy Lin,[12][13]Lou Stovall and Manon Cleary.[14][15][16]       (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4Critical reception[edit]Exhibitions at the gallery have been widely reviewed over the years by both local newspapers such as The Washington Post,[6][9][17][18][19]Washington City Paper,[20][21][22][23][24] and The Washington Times,[25][26] as well as by national art magazines.[13][27][28] In referring to some of the artists represented by the gallery, The Washington City Paper used terms as “the great D.C.-based photographer Frank Hallam Day…”,[20] while The Washington Post described painter Manon Cleary as “one of our finest realist oil painters for years.”[15]Modern Luxury Magazine also noted about artist Amy Lin that “…the 32-year-old…  has nabbed the attention of top District curators, including the National Portrait Gallery\u2019s Anne Collins Goodyear…”[13]References[edit]^ O’Sullivan, Michael (January 14, 2011). “‘Who doesn’t want a conversation with what’s beautiful?’“. The Washington Post. Retrieved 2019-02-17.^ Grant, Daniel (August 7, 1990). “The Art of Leasing”. The Washington Post. Retrieved 2019-02-17.^ a b c d “.about”. Addison Ripley. Retrieved 2019-02-17.^ “artline\u00ae Digest | Art Dealers Association of Greater Washington | Addison Ripley Fine Art”. www.artline.com. Retrieved 2019-02-17.^ “artline\u00ae Digest | Art Dealers Association of Greater Washington”. www.artline.com. Retrieved 2019-02-17.^ a b O’Sullivan, Michael (June 6, 2013). “‘Sigil’ art exhibition at Addison\/Ripley Fine Art”. The Washington Post. Retrieved 2019-02-17.^ Dawson, Jessica (2002-07-04). “Misaki Kawai, Happily Up a Tree”. The Washington Post. Retrieved 2019-02-18.^ Jenkins, Mark (January 11, 2019). “In the galleries: Photojournalist’s memoir is a tale of two cities”. The Washington Post. Retrieved 2019-02-17.^ a b Jenkins, Mark (May 18, 2017). “In the galleries: ‘Poor art’ is often minimalist, but rich in its impact”. The Washington Post. Retrieved 2019-02-17.^ “Gallery event of the week: ‘Carol Brown Goldberg: New Work’“. The Washington Post. 2012-12-12. Retrieved 2019-02-18.[permanent dead link]^ Jenkins, Mark (July 13, 2018). “In the galleries”. The Washington Post. Retrieved 2019-02-17.^ Jenkins, Mark (April 7, 2017). “In the galleries: Art 101, a sampling event for beginners”. The Washington Post. Retrieved 2019-02-17.^ a b c “Collect Call”. Modern Luxury. Retrieved 2019-02-17.^ Fleming, Lee (November 12, 1994). “Galleries”. The Washington Post. Retrieved 2019-02-17.^ a b Walzenbach, Michael (January 4, 1992). “Galleries”. The Washington Post. Retrieved 2019-02-17.^ “.artists”. Addison Ripley. Retrieved 2019-02-17.^ Jenkins, Mark (May 13, 2016). “In the galleries: Hypnotic pictures at Addison\/Ripley”. The Washington Post. Retrieved 2019-02-17.^ Benjamin, Forgey (September 30, 1982). “An Unsettling View of Life In the City”. The Washington Post. Retrieved 2019-02-17.^ Lewis, Jo Anne (September 20, 1983). “The Camaraderie Of the Camera”. The Washington Post. Retrieved 2019-02-17.^ a b “Reviewed: “Click: Space & Time” at Addison\/Ripley Fine Art”. Washington City Paper. Retrieved 2019-02-17.^ “At Addison\/Ripley, Painter Trevor Young Modestly Extends His Brand”. Washington City Paper. Retrieved 2019-02-17.^ “The Year in Photography”. Washington City Paper. Retrieved 2019-02-17.^ “The Best Images of 2012”. Washington City Paper. Retrieved 2019-02-17.^ “The Best Photographic Images of 2011”. Washington City Paper. Retrieved 2019-02-17.^ “A sparkling array of images”. The Washington Times. December 14, 2002. Retrieved 2019-02-17.^ “Arts center gets its due”. The Washington Times. January 23, 2004. Retrieved 2019-02-17.^ “Magazine Reviews – Stand Up and Be Counted”. Art Net Magazine. September 11, 2003. Retrieved 2019-02-17.^ “Addison\/Ripley Fine Art”. www.artforum.com. Retrieved 2019-02-17.External links[edit]     (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4"},{"@context":"http:\/\/schema.org\/","@type":"BreadcrumbList","itemListElement":[{"@type":"ListItem","position":1,"item":{"@id":"https:\/\/wiki.edu.vn\/en\/wiki41\/#breadcrumbitem","name":"Enzyklop\u00e4die"}},{"@type":"ListItem","position":2,"item":{"@id":"https:\/\/wiki.edu.vn\/en\/wiki41\/addison-ripley-fine-art-wikipedia\/#breadcrumbitem","name":"Addison\/Ripley Fine Art – Wikipedia"}}]}]