[{"@context":"http:\/\/schema.org\/","@type":"BlogPosting","@id":"https:\/\/wiki.edu.vn\/en\/wiki41\/jeanne-joulain-wikipedia\/#BlogPosting","mainEntityOfPage":"https:\/\/wiki.edu.vn\/en\/wiki41\/jeanne-joulain-wikipedia\/","headline":"Jeanne Joulain – Wikipedia","name":"Jeanne Joulain – Wikipedia","description":"before-content-x4 Jeanne Joulain in Lille in April 2008 Jeanne Ang\u00e8le Desir\u00e9e Yvonne Joulain (22 July 1920 \u2013 1 February 2010)","datePublished":"2022-09-06","dateModified":"2022-09-06","author":{"@type":"Person","@id":"https:\/\/wiki.edu.vn\/en\/wiki41\/author\/lordneo\/#Person","name":"lordneo","url":"https:\/\/wiki.edu.vn\/en\/wiki41\/author\/lordneo\/","image":{"@type":"ImageObject","@id":"https:\/\/secure.gravatar.com\/avatar\/c9645c498c9701c88b89b8537773dd7c?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/c9645c498c9701c88b89b8537773dd7c?s=96&d=mm&r=g","height":96,"width":96}},"publisher":{"@type":"Organization","name":"Enzyklop\u00e4die","logo":{"@type":"ImageObject","@id":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","url":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","width":600,"height":60}},"image":{"@type":"ImageObject","@id":"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/a\/a2\/Jeanne_Joulain.jpg\/220px-Jeanne_Joulain.jpg","url":"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/a\/a2\/Jeanne_Joulain.jpg\/220px-Jeanne_Joulain.jpg","height":"293","width":"220"},"url":"https:\/\/wiki.edu.vn\/en\/wiki41\/jeanne-joulain-wikipedia\/","wordCount":2222,"articleBody":"     (adsbygoogle = window.adsbygoogle || []).push({});before-content-x4  Jeanne Joulain in Lille in April 2008Jeanne Ang\u00e8le Desir\u00e9e Yvonne Joulain (22 July 1920 \u2013 1 February 2010) was a French organist, concertist and music educator.       (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4Table of Contents       (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4Biography[edit]Bibliography[edit]References[edit]External links[edit]Biography[edit]Born in Amiens, Joulain’s first contact with music was made thanks to her musician parents. Her father, a teacher in Paris, played the violin and her mother was a piano teacher. So it’s only natural that she should start playing the piano with her mother. In 1934, after a decisive meeting with the great pianist Raoul Koczalski, Jeanne Joulain entered the conservatory of Amiens. During her studies, she followed the classes of solfeggio, piano (class of Maurice Coze), cello (class of Mario Camerini, pupil of Paul Bazelaire), chamber music, orchestra, harmony, counterpoint, musical composition (classes of Pierre Camus, the director, himself a pupil of composition of Charles-Marie Widor, and organ when the class was created in 1936 (class of Colette Ponchel, one of the last pupils of Louis Vierne) where she won the first prizes. It was during this period that her pedagogical activity began, as she had to make several replacements for teachers of music theory, piano, cello, harmony and organ.In 1938, the grand organ of Amiens Cathedral was restored. After the inauguration concert given by Marcel Dupr\u00e9, a small orchestra was formed to accompany Salvation. Jeanne Joulain was a member of this orchestra as a cellist and it was on this occasion that she was introduced to Marcel Dupr\u00e9 by Pierre Camus, the director of the conservatory.In 1943, after her first training at the Conservatoire d’Amiens, her desire to go further prompted her to enrol at the \u00c9cole C\u00e9sar Franck, where she perfected in the same disciplines and obtained diplomas of piano (class of Jean Batalla), cello (class of Edwige Bergeron-Brachet), organ (class of \u00c9douard Souberbielle and Abel Decaux) after two years. In addition, she won the diploma of musical composition (class of Guy de Lioncourt) after five years.In 1945, Jeanne Joulain decided to write to Marcel Dupr\u00e9 with the intention of taking private lessons. The latter, after having assessed her level, offered to prepare her to enter the conservatory. For two years, she attended the “petit cours” in Meudon and in 1947 she passed the entrance exam for the Conservatoire de Paris. where she obtained the First prize of organ and musical improvisation in 1952 (class of Marcel Dupr\u00e9).       (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4In 1950, she won the competitions to be able to teach and began teaching in February 1951 at the Conservatoire de Lille. In October 1952 at that of Roubaix, which she left for the conservatory of Douai from 1960 to 1970. Her teaching activities ceased in 1982.In the long list of people who have attended her courses wereMichel Alabau (organist in charge of the Saint-S\u00e9verin church in Paris), Ren\u00e9 Courdent (organist in charge of churches Saint-Christophe\u00a0[fr] and Notre-Dame des Anges of Tourcoing), Patrick Delabre (titular organist of the Cathedral Notre-Dame de Chartres), Yves Devernay (titular organist of Notre-Dame de Paris), J\u00e9r\u00f4me Faucheur (titular organist of the churches of Bondues and Wambrechies and organ teacher in Comines and Hazebrouck), Marie-Agn\u00e8s Grall-Menet (titular organist of the grand organ of Saint-Nicolas-du-Chardonnet church in Paris), Philippe Lef\u00e8bvre (titular organist of Notre-Dame de Paris), Jean-Philippe Mesnier (successor of Jeanne Joulain as organ teacher at the Douai Conservatory (1970-2000), titular organist of the Saint-Pierre de Douai collegiate church), Marguerite Spillaert (honorary organist of the Saint-Pierre-Saint-Paul church in Lille) etc.She was titular organist of the Sainte Jeanne d’Arc church in Amiens, of the Mutin-Cavaill\u00e9-Coll of the Coll\u00e9giate church Saint-Pierre of Douai and finally of the Delmotte of the Saint-Maurice church in Lille.She has given numerous recitals in France (including in Chartres Cathedral, Saint-Sulpice, Notre-Dame de Paris, Bordeaux, B\u00e9ziers, Toulon, Belley, and abroad (Altenberg, Mons, Brussels, Tournai, St Brice and Tournai Cathedral, St. Patrick’s Cathedral in New-York city, and St Paul’s Cathedral in London.In addition to her teaching and concert work, she was a correspondent for the Musique-Sacr\u00e9e magazine L’Organiste. She also participated in numerous juries of competitions for organ classes.Jeanne Joulain died in Lille on 1 February 2010 at the age of 89. Many fellow organists were present at her funeral in Lille, during which the organ was played by Jean Guillou.Jeanne Joulain is the author of pieces for solo organ, voice and piano, voice and orchestra and various instrumental ensembles.In addition, she has made several reconstructions of improvisations on the organ by Pierre Cochereau.1936\u20131943: 9 m\u00e9lodies pour chant et piano: Mon \u00e2me a son secret (F\u00e9lix Arvers), Soir d’\u00e9t\u00e9 (Albert Samain), Le jardin mouill\u00e9 (Henri de R\u00e9gnier), La mer (Henri de R\u00e9gnier), La lune blanche (Paul Verlaine), La l\u00e9gende des Perce-neige (Jeanne Paruit), Vierge sainte (Abb\u00e9 Perreyve), Promenade sur l’eau (Andr\u00e9 Theuriet) and Le page d’automne (Janette de Neaux); unpublishedO, la splendeur de notre joie: m\u00e9lodie for voice and piano (\u00c9mile Verhaeren); unpublished1937: Les peupliers: m\u00e9lodie for voice and piano (Rosemonde G\u00e9rard); unpublished1938: Cantabile: piece for organ; unpublished1938-1943 La source: m\u00e9lodie for voice and piano or orchestra (anonymous); unpublished1939: Th\u00e8me et variation (on the name of Pierre Camus): piece for organ; unpublished1940-1943 Chanson bengalie: m\u00e9lodie for voice and piano or orchestra (Rabindranath Tagore); unpublished1941: Variation sur un th\u00e8me breton: piece for organ; unpublished1941: Pr\u00e9lude: piece for organ; unpublished1942: Communion: piece for organ; unpublished1942: O vent fou!: m\u00e9lodie for voice and piano (Rabindranath Tagore); unpublished1942: Domine non sum dignus: motet with 4 mixed voices, unpublished1942: Factus es repente: motet with 4 mixed voices; unpublished1943\u20131944 Lamento: piece for organ or orchestra; unpublished1944: Berceuse: m\u00e9lodie for voice and piano (Maurice de Noisay); unpublished1942-1945: Cantantibus organis: motet with 3 mixed voices, organ and accompaniment for strings; unpublished1943-1945 Ave verum corpus: motet with 3 mixed voices and accompaniment for strings; unpublished1943: Sarabande et gigue: piece for piano; unpublished1943: Trois heures chez Lafleur: Patoisante musical fantasy for soloists, choir and orchestra (lyrics by Camille Dupetit); unpublished1944: Le chant du coq: musical comedy in 1 act for soloist and orchestra (lyrics by Andr\u00e9 Schneider); unpublished1944: Le r\u00eave d’une m\u00e8re: choreographic poem for chamber orchestra (lyrics by Jean Dubillet); unpublished1945: Air de Ruth: excerpt from the 2nd song of “Booz” for soprano and piano (lyrics by Andr\u00e9 Schneider); unpublished1946: Booz: biblical cantata in 5 songs for 4 soloists, choir and orchestra (lyrics by Andr\u00e9 Schneider); unpublished1945: Antigone: orchestral suite, stage music for a performance of Antigone by Jean Anouilh: Prologue, Le crime d’Antigone, La justice des hommes, La col\u00e8re de Cr\u00e9on, La plainte des vieillards th\u00e9bains, La justice des dieux; unpublished1946: Booz: biblical cantata in 5 songs for 4 soloists, choir and orchestra (lyrics by Andr\u00e9 Schneider); unpublished1947: Symphonie concertante for organ and orchestra in 3 mouvements; unpublished1951: Trois pr\u00e9ludes: for piano in G major, B flat major and D minor, unpublished1953: Variation sur “Jesu dulcis memoria”: piece for organ;  “L’organiste”, magazine Musique Sacr\u00e9e1954-1956: Trois pi\u00e8ces pour une Messe en l’honneur de la Sainte Vierge: Entr\u00e9e – Offertoire – Communion: pieces for organ; “L’organiste”, magazine Musique Sacr\u00e9e1958: Communion pour une Messe en l’honneur de la Sainte Vierge: piece for organ; “L’organiste”, magazine Musique Sacr\u00e9e1958: No\u00ebl Flamand: piece for organ 1) series Orgue et Liturgie issue 40 2) \u00c9dition Chantraine, Tournai in 19941959: Final on “Ave Maris Stella” pour une Messe en l’honneur de la Sainte Vierge: piece for organ; “L’organiste”, magazine Musique Sacr\u00e9e1959: Pr\u00e9lude \u00e0 l’Intro\u00eft pour la f\u00eate des Rameaux Hosanna Filio David; series Orgue et Liturgie issue 471961: Paraphrase pour la f\u00eate de la Toussaint “Justorum animae in manu Dei sunt”: piece for organ; series Orgue et Liturgie issue 521962: In memoriam Louis Vierne: piece for organ; 1)L’organiste, magazine Musique Sacr\u00e9e 2) \u00c9dition Chantraine, Tournai en 19951963: Communion pour tous les temps “Adoro Te”: piece for organ; series Orgue et Liturgie issue 621972: Introduction and Dance (for the inauguration of an 18th century Tannenberg piano found in Lititz, Pennsylvania.): for piano, unpublished1988: Canzona a 12 by Giovanni Gabrieli: adaptation for 2 organs; unpublished1988: Canzona noni toni by Giovanni Gabrieli (Sacrae symphoniae Venice 1597): adaptation for 2 organs; unpublished1988: Trois versets de V\u00eapres (4th – 6th – 7th) improvised by Pierre Cochereau: reconstitution for organ; \u00c9ditions Chantraine, Tournai in 19971988: Fugue du “Triptyque symphonique” improvised by Pierre Cochereau after the disc FY 059\/60 recorded in Notre-Dame de Paris in 1977: reconstitution for organ; unpublished1988: Pi\u00e8ce d’orgue; unpublished, (1st part) of the Prelude and Fugue on Antoine Drizenko’s name)1988: Treize improvisations sur les versets de V\u00eapres by Pierre Cochereau: reconstitution for organ, \u00c9ditions Chantraine, Tournai in 1997; \u00c9ditions Butz, St Augustin in 20081988\u20131991 Pr\u00e9lude et fugue (on the name of Antoine Drizenko):[1] piece for orgue, \u00c9dition Chantraine, Tournai in 1997Elevation on “Victimae Pascali”\u00a0: piece for organ; series “Orgue et Liturgie” issue 57Postlude (on the name of Allan Remsen): piece for organ; series Orgue et Liturgie, issue 701990: Neuf pi\u00e8ces improvis\u00e9es en forme de Suite fran\u00e7aise de Pierre Cochereau: reconstitution d’apr\u00e8s le disque FY 059 enregistr\u00e9 aux grandes orgues de Notre Dame de Paris in March\u2013June 1977, \u00c9dition Chantraine, Tournai in 19941991: Patchwork: piece for 2 organs; unpublished1992: Cort\u00e8ge: piece for trumpet and organ; unpublished1993: La Lucchesina (1601) by G. Guami (1540-1611): adaptation for 2 organs, unpublished1993: Pr\u00e9lude en la mineur: for piano; unpublished1995: Boite \u00e0 musique: piece for piano, unpublished1996: Messe en Mi “\u00e0 la m\u00e9moire de Maurice Durufl\u00e9”: for countertenor and organ; unpublished1997: Trio: for piano, horn and flute; unpublishedBibliography[edit]Entretien avec Jeanne Joulain; Norbert Dufourcq; L\u2019Orgue, issue 206 (1988\/II)Pour l\u2019amour de la Musique. Jeanne Joulain. Rep\u00e8res biographiques \u00c9tienne Delahaye; L’Orgue, issue 290 (2010\/II)References[edit]External links[edit]     (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4"},{"@context":"http:\/\/schema.org\/","@type":"BreadcrumbList","itemListElement":[{"@type":"ListItem","position":1,"item":{"@id":"https:\/\/wiki.edu.vn\/en\/wiki41\/#breadcrumbitem","name":"Enzyklop\u00e4die"}},{"@type":"ListItem","position":2,"item":{"@id":"https:\/\/wiki.edu.vn\/en\/wiki41\/jeanne-joulain-wikipedia\/#breadcrumbitem","name":"Jeanne Joulain – Wikipedia"}}]}]