[{"@context":"http:\/\/schema.org\/","@type":"BlogPosting","@id":"https:\/\/wiki.edu.vn\/en\/wiki41\/matthew-shipp-wikipedia\/#BlogPosting","mainEntityOfPage":"https:\/\/wiki.edu.vn\/en\/wiki41\/matthew-shipp-wikipedia\/","headline":"Matthew Shipp – Wikipedia","name":"Matthew Shipp – Wikipedia","description":"before-content-x4 American pianist, composer, and bandleader after-content-x4 Matthew Shipp Matthew Shipp in 2005. after-content-x4 Born (1960-12-07) December 7, 1960 (age\u00a062)Wilmington,","datePublished":"2017-02-01","dateModified":"2017-02-01","author":{"@type":"Person","@id":"https:\/\/wiki.edu.vn\/en\/wiki41\/author\/lordneo\/#Person","name":"lordneo","url":"https:\/\/wiki.edu.vn\/en\/wiki41\/author\/lordneo\/","image":{"@type":"ImageObject","@id":"https:\/\/secure.gravatar.com\/avatar\/c9645c498c9701c88b89b8537773dd7c?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/c9645c498c9701c88b89b8537773dd7c?s=96&d=mm&r=g","height":96,"width":96}},"publisher":{"@type":"Organization","name":"Enzyklop\u00e4die","logo":{"@type":"ImageObject","@id":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","url":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","width":600,"height":60}},"image":{"@type":"ImageObject","@id":"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/f\/fb\/Matthew_Shipp.jpg\/220px-Matthew_Shipp.jpg","url":"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/f\/fb\/Matthew_Shipp.jpg\/220px-Matthew_Shipp.jpg","height":"146","width":"220"},"video":[null,null],"url":"https:\/\/wiki.edu.vn\/en\/wiki41\/matthew-shipp-wikipedia\/","wordCount":7759,"articleBody":"     (adsbygoogle = window.adsbygoogle || []).push({});before-content-x4American pianist, composer, and bandleader       (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4Matthew ShippMatthew Shipp in 2005.       (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4Born (1960-12-07) December 7, 1960 (age\u00a062)Wilmington, Delaware, United StatesGenresFree jazz, avant-garde jazz, free improvisation, post bopOccupation(s)MusicianInstrument(s)PianoYears active1987\u2013presentLabelsThirsty Ear, FMP, No More, hatOLOGY, RogueArt, ESP-Disk, AUM FidelityWebsitematthewshipp.comMusical artistMatthew Shipp (born December 7, 1960) is an American avant-garde jazz pianist, composer, and bandleader.[1][2][3]Table of Contents       (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4Early life and education[edit]Discography[edit]As leader\/co-leader[edit]As sideman[edit]Bibliography[edit]References[edit]External links[edit]Early life and education[edit]Shipp was raised in Wilmington, Delaware.[1] His mother was a friend of trumpeter Clifford Brown.[4]He began playing piano at five years old.[5] Shipp was strongly attracted to jazz, but also played in rock groups while in high school.Shipp attended the University of Delaware for “a couple years” before dropping out.[6] He opted instead to live with his parents and focus on practicing, though he frequently traveled to Philadelphia to pick up gigs as a cocktail pianist and to study with Dennis Sandole, who Shipp has cited as playing an important role in his development.[6]He later spent a year at the New England Conservatory of Music, where he studied with saxophonist and composer Joe Maneri, but again dropped out without completing a degree.[6]Shipp moved to New York in 1984 and has been very active since the early 1990s, appearing on dozens of albums as a leader, sideman, or producer.[7] (Before making a living playing music, Shipp worked in a bookshop as an assistant manager. He was fired, he threw some books at his boss, and he decided he would not look for a day job anymore.[8])He was initially most active in free jazz but has since branched out, particularly exploring music that touches on contemporary classical, hip hop, and electronica.[9] Earlier in his career Shipp was compared to some of his predecessors in the jazz piano pantheon, but has since been recognized as a complete stylistic innovator on the piano, with AllMusic referring to his “unique, instantly recognizable style”,[10] and Larry Blumenfeld in Jazziz magazine referring to Shipp as “stunning in originality” and to his album 4D as “further proof of his idiosyncratic genius”.Shipp has also been celebrated by a wide range of artists: David Bowie has praised his work (specifically \u2018Rocket Ship\u2019 from the album Nu Bop),[11] and Thurston Moore, who first saw him perform in 1990, has complimented his cross-genre appeal: “I see the same people showing up for Matthew’s gigs as for Merzbow”.[1] (As a member of the David S. Ware Quartet, Shipp has opened for Sonic Youth.)[9] Shipp has also been noted for his association with punk-rock icon Henry Rollins, who released several of Shipp’s records on his 213 imprint.[1] In 2010, Rollins wrote, “Matthew Shipp and his work have fascinated me since I first heard him many years ago. His originality and approach sometimes stretches the limits of what is considered Jazz music yet at the same time, describes perfectly the fierce freedom of it. … Matthew is not only a brilliant Jazz pianist, he is a true artist and visionary.”[12] In the early 1990s Shipp also befriended Chan Marshall (aka Cat Power), then his next-door neighbor.[6]One of the first people Shipp sought out upon arriving in New York was William Parker, who he knew from his recordings with Cecil Taylor; Parker later recommended him for saxophonist David S. Ware’s quartet, alongside Parker himself and a series of drummers (Marc Edwards, Susie Ibarra, Guillermo E. Brown, Whit Dickey).[6] As a member of Ware’s quartet, Shipp recorded albums for Homestead (Cryptology and DAO), Thirsty Ear (Threads, Live in the World, BalladWare), AUM Fidelity (the label’s first release, Wisdom of Uncertainty, as well as Corridors & Parallels, Freedom Suite, and Renunciation), Silkheart (Great Bliss, Vol. 1 Great Bliss, Vol. 2, Oblations and Blessings), Columbia (Go See the World, Surrendered), and DIW (Flight of I, Third Ear Recitation, Earthquation, Godspelized).[13]In addition, the rhythm section of Shipp, Parker, and Brown recorded Ware compositions without Ware in 2003, released by Splasc(H) Records as The Trio Plays Ware, and Shipp and Ware performed as a duo, recorded in concert and released by AUM Fidelity as Live in Sant’Anna Arresi, 2004.[13] In 2001, Gary Giddens wrote for The Village Voice that “The David S. Ware Quartet is the best small band in jazz today”.[14] After Ware’s death, Shipp wrote, \u201cSome have compared our unit to the classic Coltrane quartet, but the members of our group all brought something to the table that only someone playing now could bring\u2014resulting in a gestalt that is of its time and does not look back. When free jazz seemed like a spent force, he brought something new\u2014and greatly beautiful\u2014to it.\u201d[15]Shipp was also a member of Roscoe Mitchell\u2019s Note Factory, which Shipp said “could be seen as an extension of some post-Coltrane concepts, but in Roscoe’s hands it is extended technique with multiple pulses”, noting “[Mitchell’s] insistence at all times of transcending clich\u00e9”.[16]Shipp has recorded or performed with many other musicians, including High Priest and Beans of Antipop Consortium, Michael Bisio, Daniel Carter, DJ Spooky, El-P, Mat Maneri, Joe Morris, Ivo Perelman, Mat Walerian, Allen Lowe, and Chad Fowler. He has also co-led the group East Axis, with bassist Kevin Ray, drummer Gerald Cleaver, and saxophonists Allen Lowe (first album) and Scott Robinson (second album).The New York Times has noted Shipp’s curatorial work for Thirsty Ear Records as “one of the label’s chief consultants and most prolific artists”.[17] Shipp’s own releases on the label include 2011’s double-disc album, entitled Art of the Improviser; AllMusic called the work a “testament to Shipp’s achievements, yet it is also a continuation of the discovery in his developmental musical language”[18] and the Chicago Tribune called the project “monumental” and “galvanic as ever”.[19] Thirsty Ear also released Shipp’s 2013 solo record Piano Sutras, which PopMatters described as “the kind of record we talk about and play for each other decades later … music that frames up a whole history: of an artist, of listeners, of the artists who formed the history of the art form, of the culture and time that allowed this art to flourish”.[20] This was followed by 2015’s The Conduct of Jazz, the first album by Shipp’s trio with bassist Michael Bisio and drummer Newman Taylor Baker.Shipp’s work with the France-based RogueArt imprint began with the 2006 album Salute to 100001 Stars: A Tribute to Jean Genet by the group Declared Enemy (Sabir Mateen, Shipp, William Parker, and Gerald Cleaver). From 2006 to 2013, Shipp appeared on five albums released through RogueArt, one of which (Un Piano) billed Shipp as leader; from 2015 to 2022, the label put out six more albums with Shipp as leader, and another nine on which he was co-billed with, among others, Mark Helias, Nate Wooley, William Parker, Mat Maneri, John Butcher, and Evan Parker.[21]Shipp began working with ESP-Disk with the Shipp\/Mat Walerian duo album Live at Okuden, billed as The Uppercut. Issued in 2015, it was the last new release approved by ESP-Disk\u2019 founder Bernard Stollman.[22] All four of Walerian’s albums with Shipp have been released on ESP-Disk\u2019. Shipp’s first ESP albums as leader were a quartet album, Sonic Fiction, and a solo album, Zer0, both issued in 2018. After that, he released several albums by his trio with Michael Bisio and Newman Taylor Baker: Signature, The Unidentifiable, and World Construct.[23] The latter was called \u201ca career-defining album\u201d and awarded five stars by critic Mike Hobart in the Financial Times.[24] In 2022 a duo album by Shipp and Ivo Perelman, Fruition, was released by ESP, with NPR’s Nate Chinen stating in his review, “The freeform alchemy between Brazilian saxophonist Ivo Perelman and American pianist Matthew Shipp is by now a proven fact: rarely do two musicians achieve a higher flow state in real time.”[25]In 2020, Longtime Shipp collaborator Whit Dickey started a label called Tao Forms; as of January 2023, the label had released two Shipp albums, The Piano Equation and Codebreaker, both solo releases, and four further albums on which he collaborates.[26]Discography[edit]  As leader\/co-leader[edit]Release yearTitleLabelPersonnel\/Notes1988Sonic ExplorationsCadence JazzDuo with Rob Brown (alto sax)1992PointsSilkheartQuartet with Rob Brown (alto sax), William Parker (bass), Whit Dickey (drums)1992Circular TempleQuintonTrio with William Parker (bass), Whit Dickey (drums)1994ZoRiseDuo with William Parker (bass)1995Critical Mass2.13.61Quartet with Mat Maneri (violin), William Parker (bass), Whit Dickey (drums)1996Symbol SystemsNo MoreSolo piano1996PrismBrinkmanTrio with William Parker (bass), Whit Dickey (drums)19962-Z2.13.61Duo with Roscoe Mitchell (saxophones)1997The Flow of X2.13.61Quartet with Mat Maneri (violin), William Parker (bass), Whit Dickey (drums)1997Before the WorldFMPSolo piano1997By the Law of MusichatHUTString Trio with Mat Maneri (violin), William Parker (bass)1997ThesishatOLOGYDuo with Joe Morris (guitar)1998The Multiplication TablehatOLOGYTrio with William Parker (bass), Susie Ibarra (drums)1998StratahatOLOGYQuartet with Roy Campbell (trumpet), Daniel Carter (saxophones, flute, trumpet), William Parker (bass)1999DNAThirsty EarDuo with William Parker (bass)1999MagnetismBleu RegardSolo, duo and trio performances with Rob Brown (alto sax, flute), William Parker (bass)2000Gravitational SystemshatOLOGYDuo with Mat Maneri (violin)2000Pastoral ComposureThirsty EarQuartet with Roy Campbell (trumpet), William Parker (bass), Gerald Cleaver (drums)2001Expansion, Power, ReleasehatOLOGYString Trio with Mat Maneri (violin), William Parker (bass)2001New OrbitThirsty EarQuartet with Wadada Leo Smith (trumpet), William Parker (bass), Gerald Cleaver (drums)2002SongsSplasc(h)Solo piano2002Nu BopThirsty EarWith William Parker (bass), Guillermo E. Brown (drums), Daniel Carter (sax, flute), FLAM (synths, programming)2003EquilibriumThirsty EarWith William Parker (bass), Gerald Cleaver (drums), Khan Jamal (vibes), FLAM (synths, programming)2003Antipop vs. Matthew ShippThirsty Ear2003The GoodandEvil SessionsThirsty EarWith Roy Campbell (trumpet), Alex Lodico,  Josh Roseman (trombone), Miso (turntables), William Parker (bass), Danny Blume (drums, guitar, programming), Chris Kelly (drums, programming)2003The Sorcerer SessionsThirsty EarWith Evan Ziporyn (clarinets), William Parker (bass), Gerald Cleaver (drums), FLAM (synths, programming), Daniel Bernard Roumain (violin)2004The Trio Plays WareSplasc(h)Trio with William Parker (bass), Guillermo E. Brown (drums)2004Harmony and AbyssThirsty EarWith William Parker (bass), Gerald Cleaver (drums), FLAM (synths, drums programming)2005In FinlandCadence JazzTrio with Joe McPhee (soprano sax, trumpet), Dominic Duval (bass)2005OneThirsty EarSolo piano2006Phenomena of InterferenceHopscotchWith Steve Dalachinsky2006Salute to 100001 Stars \u2013 A Tribute to Jean GenetRogueArtAs the band Declared Enemy; with Sabir Mateen (alto sax, flute, clarinet), William Parker (bass), Gerald Cleaver (drums), Denis Lavant (spoken words)2007Piano VortexThirsty EarTrio with Joe Morris (bass), Whit Dickey (drums)2007Abbey Road DuosTreaderDuo with Evan Parker (tenor sax, soprano sax)2008Right HemisphereRogueArtAs the band Right Hemisphere; quartet with Rob Brown (alto sax), Joe Morris (bass), Whit Dickey (drums)2008Un PianoRogueArtSolo piano2008Cosmic SuiteNot TwoQuartet with Daniel Carter (reeds), Joe Morris (bass), Whit Dickey (drums)2009Harmonic DisorderThirsty EarTrio with Joe Morris (bass), Whit Dickey (drums)20104DThirsty EarSolo piano2010SAMANot TwoDuo with Sabir Mateen (reeds)2010Creation Out of Nothing (Live in Moscow)SoLydSolo piano2011Night LogicRogueArtTrio with Marshall Allen (alto sax, flute, EVI), Joe Morris (bass)2011Art of the ImproviserThirsty EarSolo piano and trio with Michael Bisio (bass), Whit Dickey (drums)2011SaMa Live in MoscowSoLydDuo with Sabir Mateen (saxophone)2011Cosmic LiederAUM FidelityDuo with Darius Jones (alto sax)2011Broken PartialsNot TwoDuo with Joe Morris (bass)2012Elastic AspectsThirsty EarTrio with Michael Bisio (bass), Whit Dickey (drums)2012Floating IceRelative PitchDuo with Michael Bisio (bass)2013Rex, Wrecks & XXXRogueArtDuo with Evan Parker (tenor sax)2013Piano SutrasThirsty EarSolo piano2014Root of ThingsRelative PitchTrio with Michael Bisio (bass), Whit Dickey (drums)2014The Darkseid RecitalAUM FidelityDuo with Darius Jones (alto sax)2014I’ve Been to Many PlacesThirsty EarSolo piano2015To DukeRogueArtTrio with Michael Bisio (bass), Whit Dickey (drums)2015Live at OkudenESP-DiskAs the band The Uppercut; with Mat Walerian (reeds)2015The Gospel According to Matthew & MichaelRelative PitchChamber Ensemble; trio with Mat Maneri (viola), Michael Bisio (bass)2015Our Lady of the FlowersRogueArtAs the band Declared Enemy; quartet with Sabir Mateen (tenor sax, clarinet), William Parker (bass), Gerald Cleaver (drums)2015The Conduct of JazzThirsty EarTrio with Michael Bisio (bass), Newman Taylor Baker (drums)2016Live in SeattleArena Music PromotionDuo with Michael Bisio (bass)2016Live at OkudenESP-DiskAs the band Jungle; with Mat Walerian (reeds), Hamid Drake (drums)2016CactusNorthern SpyDuo with Bobby Kapp (drums)2017Piano SongThirsty EarTrio with Michael Bisio (bass), Newman Taylor Baker (drums)2017Invisible Touch At Taktlos Z\u00fcrichhatOLOGYSolo piano2017This Is Beautiful Because We Are Beautiful PeopleESP-DiskAs the band Toxic; with Mat Walerian (reeds), William Parker (bass, shakuhachi)2017Not BoundFortuneQuartet with Daniel Carter (reeds), Michael Bisio (bass), Whit Dickey (drums)2018Accelerated ProjectionRogueArtDuo with Roscoe Mitchell (tenor & soprano sax, flute)2018ZeroESP-DiskSolo piano2018Sonic FictionESP-DiskQuartet with Mat Walerian (reeds), Michael Bisio (bass), Whit Dickey (drums)2019SignatureESP-DiskTrio with Michael Bisio, Newman Taylor Baker2020The UnidentifiableESP-DiskTrio with Michael Bisio, Newman Taylor Baker2020The Piano EquationTAO FormsSolo piano2021CodebreakerTAO FormsSolo piano2022World ConstructESP-DiskTrio with Michael Bisio, Newman Taylor BakerAs sideman[edit]Bibliography[edit]References[edit]^ a b c d Shatz, Adam (January 25, 1998). “A Jazz Pianist Stands Tall In the Rock Underground”. The New York Times. Retrieved March 23, 2023.^ Cohan, Brad (July 6, 2012). “Q&A: Matthew Shipp On His Early New York Days, Getting Shit For Playing Electronics, And Black Music Disaster”. The Village Voice. Retrieved March 23, 2023.^ Cantor, Dave (July 17, 2020). “Matthew Shipp’s Steady Diet Of Improv And Hard News”. DownBeat. Retrieved March 23, 2023.^ Agovino, Michael J. (January 17, 2017). “Prolific Free-Jazz Pianist Matthew Shipp Leaves Recording Behind”. The Village Voice. Retrieved March 23, 2023.^ “A Fireside Chat with Matthew Shipp”. JazzWeekly.com. Retrieved March 23, 2023.^ a b c d e Hawkins, Seton (May 21, 2020). “Matthew Shipp: Poetic Connection”. All About Jazz. Retrieved March 23, 2023.^ Holley Jr., Eugene (February 17, 2017). “Q&A with Matthew Shipp: On Home Turf”. DownBeat. Retrieved March 23, 2023.^ Archived at Ghostarchive and the Wayback Machine: “Um caf\u00e9 Com… Matthew Shipp”. YouTube. Retrieved October 16, 2014.^ a b Cohan, Brad (February 8, 2017). “Jazz Icon Matthew Shipp on Ending His Recording Career With ‘Piano Song’“. The Observer. Retrieved March 23, 2023.^ Jurek, Thom. “Matthew Shipp Biography by Thom Jurek”. AllMusic. Retrieved March 23, 2023.^ “David Bowie Wonderworld News September 2005”.^ “Jazz news: Guest Post: Henry Rollins on Matthew Shipp”. October 8, 2010.^ a b “Matthew Shipp: Credits”. AllMusic.com. Retrieved March 23, 2023.^ Giddins, Gary (July 31, 2001). “Go Tell It on the Mountain: David Ware’s Quartet Demands Overstatement”. The Village Voice. Retrieved March 23, 2023.^ Shipp, Matthew (October 21, 2012). “Pianist Matthew Shipp Says Goodbye to Tenor Colossus David S. Ware”. The Daily Beast.^ “Why Roscoe Mitchell is Important: MATTHEW SHIPP”.^ Chinen, Nate (June 19, 2006). “A Jazz Smorgasbord for a Central Park Evening”. The New York Times. Retrieved March 23, 2023.^ Jurek, Thom. “Art of the Improviser Review by Thom Jurek”. AllMusic.com. Retrieved March 23, 2023.^ Reich, Howard (February 21, 2011). “Matthew Shipp at 50”. The Chicago Tribune. Retrieved March 23, 2023.^ Layman, Will (September 24, 2013). “Matthew Shipp: Piano Sutras”. PopMatters. Retrieved March 23, 2023.^ “Matthew Shipp”. RogueArt. Retrieved March 23, 2023.^ “With the Uppercut: Live at Okuden”.^ “Matthew Shipp”. ESP-Disk’. Retrieved March 23, 2023.^ Hobart, Mike (July 1, 2022). “Matthew Shipp Trio: World Construct \u2014 a career-defining album”. Financial Times. Retrieved March 23, 2023.^ Chinen, Nate (September 13, 2022). “Ivo Perelman and Matthew Shipp”. WRTI. Retrieved March 23, 2023.^ “TAO Forms”. AUM Fidelity. Retrieved March 23, 2023.^ “RogueArt, JAZZ label”. Web.roguart.com. Retrieved January 31, 2013.External links[edit]     (adsbygoogle = window.adsbygoogle || []).push({});after-content-x4"},{"@context":"http:\/\/schema.org\/","@type":"BreadcrumbList","itemListElement":[{"@type":"ListItem","position":1,"item":{"@id":"https:\/\/wiki.edu.vn\/en\/wiki41\/#breadcrumbitem","name":"Enzyklop\u00e4die"}},{"@type":"ListItem","position":2,"item":{"@id":"https:\/\/wiki.edu.vn\/en\/wiki41\/matthew-shipp-wikipedia\/#breadcrumbitem","name":"Matthew Shipp – Wikipedia"}}]}]