[{"@context":"http:\/\/schema.org\/","@type":"BlogPosting","@id":"https:\/\/wiki.edu.vn\/en\/wiki43\/walt-disney-animation-studios-wikipedia-3\/#BlogPosting","mainEntityOfPage":"https:\/\/wiki.edu.vn\/en\/wiki43\/walt-disney-animation-studios-wikipedia-3\/","headline":"Walt Disney Animation Studios – Wikipedia","name":"Walt Disney Animation Studios – Wikipedia","description":"Walt Disney Company animation studio Walt Disney Animation Studios (WDAS),[6] sometimes shortened to Disney Animation, is an American animation studio","datePublished":"2016-11-20","dateModified":"2016-11-20","author":{"@type":"Person","@id":"https:\/\/wiki.edu.vn\/en\/wiki43\/author\/lordneo\/#Person","name":"lordneo","url":"https:\/\/wiki.edu.vn\/en\/wiki43\/author\/lordneo\/","image":{"@type":"ImageObject","@id":"https:\/\/secure.gravatar.com\/avatar\/c9645c498c9701c88b89b8537773dd7c?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/c9645c498c9701c88b89b8537773dd7c?s=96&d=mm&r=g","height":96,"width":96}},"publisher":{"@type":"Organization","name":"Enzyklop\u00e4die","logo":{"@type":"ImageObject","@id":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","url":"https:\/\/wiki.edu.vn\/wiki4\/wp-content\/uploads\/2023\/08\/download.jpg","width":600,"height":60}},"image":{"@type":"ImageObject","@id":"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/1\/14\/Kingswellstudio.JPG\/220px-Kingswellstudio.JPG","url":"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/1\/14\/Kingswellstudio.JPG\/220px-Kingswellstudio.JPG","height":"176","width":"220"},"video":[null,null,null,null],"url":"https:\/\/wiki.edu.vn\/en\/wiki43\/walt-disney-animation-studios-wikipedia-3\/","wordCount":62923,"articleBody":"Walt Disney Company animation studioWalt Disney Animation Studios (WDAS),[6] sometimes shortened to Disney Animation, is an American animation studio that creates animated features and short films for The Walt Disney Company. The studio’s current production logo features a scene from its first synchronized sound cartoon, Steamboat Willie (1928). Founded on October 16, 1923, by brothers Walt Disney and Roy O. Disney,[1] it is the oldest-running animation studio in the world. It is currently organized as a division of Walt Disney Studios and is headquartered at the Roy E. Disney Animation Building at the Walt Disney Studios lot in Burbank, California.[7] Since its foundation, the studio has produced 61 feature films, from Snow White and the Seven Dwarfs (1937) to Strange World (2022),[8] and hundreds of short films.Founded as Disney Brothers Cartoon Studio in 1923, renamed Walt Disney Studio in 1926 and incorporated as Walt Disney Productions in 1929, the studio was dedicated to producing short films until it entered feature production in 1934, resulting in 1937’s Snow White and the Seven Dwarfs, one of the first full-length animated feature films and the first U.S.-based one. In 1986, during a large corporate restructuring, Walt Disney Productions, which had grown from a single animation studio into an international media conglomerate, was renamed The Walt Disney Company and the animation studio became Walt Disney Feature Animation in order to differentiate it from the company’s other divisions. Its current name was adopted in 2007 after Pixar was acquired by Disney in the previous year.For most people, Disney Animation is synonymous with animation, for “in no other medium has a single company\u2019s practices been able to dominate aesthetic norms” to such an overwhelming extent.[9] The studio was recognized as the premier American animation studio for much of its existence[10] and was “for many decades the undisputed world leader in animated features”;[11] it developed many of the techniques, concepts and principles that became standard practices of traditional animation.[12] The studio also pioneered the art of storyboarding, which is now a standard technique used in both animated and live-action filmmaking.[13] The studio’s catalog of animated features is among Disney’s most notable assets, with the stars of its animated shorts\u00a0\u2013 Mickey Mouse, Minnie Mouse, Donald Duck, Daisy Duck, Goofy, and Pluto\u00a0\u2013 becoming recognizable figures in popular culture and mascots for The Walt Disney Company as a whole.The studio’s films Frozen (2013), Zootopia (2016) and Frozen II (2019) are all among the 50 highest-grossing films of all time. Frozen II became the second highest-grossing animated film of all time. It also had the highest-grossing worldwide opening of all time for an animated film until the release of Nintendo and Illumination’s The Super Mario Bros. Movie (2023).By 2013, the studio was no longer developing hand-drawn animated features and had laid off most of their hand-drawn animation division.[14][15] However, the studio stated that they would be open to proposals from filmmakers for future hand-drawn feature projects.[16]Table of ContentsHistory[edit]1923\u20131929: Disney Brothers Cartoon Studio[edit]1929\u20131940: Reincorporation, Silly Symphonies, and Snow White and the Seven Dwarfs[edit]1940\u20131948: New features, strike, and World War II[edit]1948\u20131966: Return of features, Buena Vista, end of shorts, layoffs, and Walt’s final years[edit]1966\u20131984: Decline in popularity, Don Bluth’s entrance and departure, “rock bottom”[edit]1984\u20131989: Michael Eisner takeover, restructuring, and return to prominence[edit]1989\u20131994: Beginning of the Disney Renaissance, successful releases, and impact on the animation industry[edit]1994\u20131999: End of the Disney Renaissance, declining returns[edit]1999\u20132005: Slump, downsizing, and conversion to computer animation, corporate issues[edit]2005\u20132010: Rebound, Disney’s acquisition of Pixar and renaming[edit]2010\u20132019: Continued resurgence, John Lasseter and Ed Catmull’s departure[edit]2019\u20132023: Continued success and expansion to television[edit]Production logo[edit]Management[edit]Locations[edit]Productions[edit]Feature films[edit]Short films[edit]Television programming[edit]Film series\/Franchises[edit]See also[edit]Documentary films about Disney animation[edit]References[edit]Sources[edit]Further reading[edit]External links[edit]History[edit]1923\u20131929: Disney Brothers Cartoon Studio[edit]  The building on Kingswell Avenue in Los Feliz which was home to the studio from 1923 to 1926[17]Kansas City, Missouri, natives Walt Disney and Roy O. Disney founded Disney Brothers Cartoon Studio in Los Angeles in 1923 and got their start producing a series of silent Alice Comedies short films featuring a live-action child actress in an animated world.[18] The Alice Comedies were distributed by Margaret J. Winkler’s Winkler Pictures, which later also distributed a second Disney short subject series, the all-animated Oswald the Lucky Rabbit, through Universal Pictures starting in 1927.[18][19] Upon relocating to California, the Disney brothers initially started working in their uncle Robert Disney’s garage at 4406 Kingswell Avenue in the Los Feliz neighborhood of Los Angeles, then, in October 1923, formally launched their studio in a small office on the rear side of a real estate agency’s office at 4651 Kingswell Avenue. In February 1924, the studio moved next door to office space of its own at 4649 Kingswell Avenue. In 1925, Disney put down a deposit on a new location at 2719 Hyperion Avenue in the nearby Silver Lake neighborhood, which came to be known as the Hyperion Studio to distinguish it from the studio’s other locations, and, in January 1926, the studio moved there and took on the name Walt Disney Studio.[20]Meanwhile, after the first year’s worth of Oswalds, Walt Disney attempted to renew his contract with Winkler Pictures, but Charles Mintz, who had taken over Margaret Winkler’s business after marrying her, wanted to force Disney to accept a lower advance payment for each Oswald short. Disney refused and, as Universal owned the rights to Oswald rather than Disney, Mintz set up his own animation studio to produce Oswald cartoons. Most of Disney’s staff was hired away by Mintz to move over once Disney’s Oswald contract expired in mid-1928.[21]Working in secret while the rest of the staff finished the remaining Oswalds on contract, Disney and his head animator Ub Iwerks led a small handful of loyal staffers in producing cartoons starring a new character named Mickey Mouse.[22] The first two Mickey Mouse cartoons, Plane Crazy and The Galloping Gaucho, were previewed in limited engagements during the summer of 1928. For the third Mickey cartoon, however, Disney produced a soundtrack, collaborating with musician Carl Stalling and businessman Pat Powers, who provided Disney with his bootlegged “Cinephone” sound-on-film process. Subsequently, the third Mickey Mouse cartoon, Steamboat Willie, became Disney’s first cartoon with synchronized sound and was a major success upon its November 1928 debut at the West 57th Theatre in New York City.[23] The Mickey Mouse series of sound cartoons, distributed by Powers through Celebrity Productions, quickly became the most popular cartoon series in the United States.[24][25] A second Disney series of sound cartoons, Silly Symphonies, debuted in 1929 with The Skeleton Dance.[26]1929\u20131940: Reincorporation, Silly Symphonies, and Snow White and the Seven Dwarfs[edit]In 1929, disputes over finances between Disney and Powers led to Disney’s studio, reincorporated on December 16, 1929, as Walt Disney Productions, signing a new distribution contract with Columbia Pictures.[28][29] Powers, in return, signed away Ub Iwerks, who began producing cartoons at his own studio, although he would return to Disney in 1940.[30]Columbia distributed Disney’s shorts for two years before the Disney studio entered a new distribution deal with United Artists in 1932. The same year, Disney signed a two-year exclusive deal with Technicolor to utilize its new 3-strip color film process,[31] which allowed for fuller-color reproduction where previous color film processors could not.[32] The result was the Silly Symphony cartoon Flowers and Trees, the first film commercially released in full Technicolor.[32][33]Flowers and Trees was a major success[32][34] and all Silly Symphonies were subsequently produced in Technicolor.[35][36]By the early 1930s, Walt Disney had realized that the success of animated films depended upon telling emotionally gripping stories that would grab the audience and not let go,[37][38] and this realization led him to create a separate “story department” with storyboard artists dedicated to story development.[39] With well-developed characters and an interesting story, the 1933 Technicolor Silly Symphony cartoon Three Little Pigs became a major box office and pop culture success,[32][40] with its theme song “Who’s Afraid of the Big Bad Wolf?” becoming a popular chart hit.[41]In 1934, Walt Disney gathered several key staff members and announced his plans to make his first animated feature film. Despite derision from most of the film industry, who dubbed the production “Disney’s Folly,” Disney proceeded undaunted into the production of Snow White and the Seven Dwarfs,[42] which would become the first animated feature in English and Technicolor. Considerable training and development went into the production of Snow White and the Seven Dwarfs and the studio greatly expanded, with established animators, artists from other fields and recent college graduates joining the studio to work on the film. The training classes, supervised by head animators such as Les Clark, Norm Ferguson and Art Babbit and taught by Donald W. Graham, an art teacher from the nearby Chouinard Art Institute,[12][42] had begun at the studio in 1932 and were greatly expanded into orientation training and continuing education classes.[12][42] In the course of teaching the classes, Graham and the animators created or formalized many of the techniques and processes that became the key tenets and principles of traditional animation.[12]Silly Symphonies such as The Goddess of Spring (1934) and The Old Mill (1937) served as experimentation grounds for new techniques such as the animation of realistic human figures, special effects animation and the use of the multiplane camera,[43] an invention that split animation artwork layers into several planes, allowing the camera to appear to move dimensionally through an animated scene.[44]  Walt Disney introduces each of the Seven Dwarfs in a scene from the original 1937 Snow White theatrical trailer.Snow White and the Seven Dwarfs cost Disney a then-expensive sum of $1.4 million to complete (including $100,000 on story development alone) and was an unprecedented success when released in February 1938 by RKO Radio Pictures, which had assumed distribution of Disney product from United Artists in 1937. It was briefly the highest-grossing film of all time before the unprecedented success of Gone with the Wind two years later,[45] grossing over $8 million on its initial release, the equivalent of $154,004,730 in 1999 dollars.During the production of Snow White, work had continued on the Mickey Mouse and Silly Symphonies series of shorts. Mickey Mouse switched to Technicolor in 1935, by which time the series had added several major supporting characters, among them Mickey’s dog, Pluto, and their friends Donald Duck and Goofy. Donald, Goofy, and Pluto would all be appearing in series of their own by 1940, and the Donald Duck cartoons eclipsed the Mickey Mouse series in popularity.[47]Silly Symphonies, which garnered seven Academy Awards, ceased in 1939, until the shorts returned to theatres with some re-issues and re-releases.[48]1940\u20131948: New features, strike, and World War II[edit]The success of Snow White allowed Disney to build a new, larger studio on Buena Vista Street in Burbank, where The Walt Disney Company remains headquartered to this day. Walt Disney Productions had its initial public offering on April 2, 1940, with Walt Disney as president and chairman and Roy Disney as CEO.[49]The studio launched into the production of new animated features, the first of which was Pinocchio, released in February 1940. Pinocchio was not initially a box office success.[50] The box office returns from the film’s initial release were below both Snow White‘s unprecedented success and the studio’s expectations.[50][51] Of the film’s $2.289 million cost\u00a0\u2013 twice of Snow White\u00a0\u2013 Disney only recouped $1 million by late 1940, with studio reports of the film’s final original box office take varying between $1.4 million and $1.9 million.[52] However, Pinocchio was a critical success, winning the Academy Award for Best Original Song and Best Original Score, making it the first film of the studio to win not only either Oscar, but both at the same time.[53]Fantasia, an experimental film produced to an accompanying orchestral arrangement conducted by Leopold Stokowski, was released in November 1940 by Disney itself in a series of limited-seating roadshow engagements. The film cost $2 million to produce and, although the film earned $1.4 million in its roadshow engagements,[54] the high cost ($85,000 per theater)[54] of installing Fantasound placed Fantasia at an even greater loss than Pinocchio. RKO assumed distribution of Fantasia in 1941,[56] later reissuing it in severely edited versions over the years.[58] Despite its financial failure, Fantasia was the subject of two Academy Honorary Awards on February 26, 1942\u00a0\u2013 one for the development of the innovative Fantasound system used to create the film’s stereoscopic soundtrack, and the other for Stokowski and his contributions to the film.[59]Much of the character animation on these productions and all subsequent features until the late 1970s was supervised by a brain-trust of animators Walt Disney dubbed the “Nine Old Men”, many of whom also served as directors and later producers on the Disney features: Frank Thomas, Ollie Johnston, Woolie Reitherman, Les Clark, Ward Kimball, Eric Larson, John Lounsbery, Milt Kahl, and Marc Davis.[60] Other head animators at Disney during this period included Norm Ferguson, Bill Tytla and Fred Moore. The development of the feature animation department created a caste system at the Disney studio: lesser animators (and feature animators in-between assignments) were assigned to work on the short subjects, while animators higher in status such as the Nine Old Men worked on the features. Concern over Walt Disney accepting credit for the artists’ work as well as debates over compensation led to many of the newer and lower-ranked animators seeking to unionize the Disney studio.A bitter union strike began in May 1941, which was resolved without the angered Walt Disney’s involvement in July and August of that year. As Walt Disney Productions was being set up as a union shop, Walt Disney and several studio employees were sent by the U.S. government on a Good Neighbor policy trip to Central and South America.[62] The Disney strike and its aftermath led to an exodus of several animation professionals from the studio, from top-level animators such as Art Babbitt and Bill Tytla to artists better known for their work outside the Disney studio such as Frank Tashlin, Maurice Noble, Walt Kelly, Bill Melendez, and John Hubley. Hubley, along with several other Disney strikers, went on to found the United Productions of America studio, Disney’s key animation rival in the 1950s.Dumbo, in production during the midst of the animators’ strike, premiered in October 1941 and proved to be a financial success. The simple film only cost $950,000 to produce, half the cost of Snow White and the Seven Dwarfs, less than a third of the cost of Pinocchio, and two-fifths of the cost of Fantasia. Dumbo eventually grossed $1.6 million during its original release.[63] In August 1942, Bambi was released and, as with Pinocchio and Fantasia, did not perform well at the box office. Out of its $1.7 million budget, it grossed $1.64 million.[[[Wikipedia:Citing_sources”>^ Barrier 1999, p.\u00a0[page\u00a0needed].^ a b Gabler 2006, pp.\u00a0375\u2013377^ Monahan, Kathy. “Wartoons”. The History Channel Club. Archived from the original on April 19, 2013. Retrieved February 26, 2013.^ a b Gabler 2006, pp.\u00a0394\u2013407^ Leonard Maltin, R\u00e9f\u00e9rence:The Disney Films (Leonard Maltin)#3rd Edition The Disney Films: 3rd Edition, p.\u00a044^ Robin Allan, Walt Disney and Europe, p.\u00a0175.^ a b Maltin 1987, pp.\u00a0364\u2013367^ a b Block, Alex Ben; Wilson, Lucy Autrey, eds. (2010). George Lucas’s Blockbusting: A Decade-by-Decade Survey of Timeless Movies Including Untold Secrets of Their Financial and Cultural Success. New York: ItBooks. p.\u00a0206. ISBN\u00a09780061778896. OCLC\u00a0731249589.^ “Re-Release Schedule” feature from The Fantasia Legacy DVD. Walt Disney Studios Home Entertainment (2000)^ “Cinderella”. The Walt Disney Family Museum. Archived from the original on November 19, 2008. Retrieved January 24, 2009.^ a b Shostak, Stu (03-28-2012). “Interview with Floyd Norman“. Stu’s Show. Retrieved June 22, 2014.^ “Top Grossers of 1951”. Variety. January 2, 1952. p.\u00a070 \u2013 via Internet Archive.^ a b Newcomb, Horace (2000). Television: The Critical View. Oxford University Press. p.\u00a027. ISBN\u00a00-19-511927-4.^ “1955’s Top Film Grossers”. Variety. January 25, 1956. p.\u00a01 \u2013 via Internet Archive.^ Gabler 2006, pp.\u00a0518\u2013520^ a b c Thomas, Bob (1994). Walt Disney: An American Original. New York: Hyperion Press. pp.\u00a0294\u2013295. ISBN\u00a00-7868-6027-8.^ Thomas, Bob (1976). Walt Disney: An American Original (1994\u00a0ed.). New York: Hyperion Press. pp.\u00a0294\u2013295. ISBN\u00a00-7868-6027-8.^ Norman, Floyd (August 18, 2008). “Toon Tuesday: Here’s to the real survivors”. Jim Hill Media. Archived from the original on July 16, 2012. Retrieved February 13, 2010.^ Barrier 1999, pp.\u00a0526\u2013532.^ Lehman, Christopher. (2009) The Colored Cartoon: Black Representation in American Animated Short Films, 1907\u20131954. Amherst, MA: Univ. of Massachusetts Press. p. 117.^ Hulett, Steve (June 4, 2014). “‘Mouse in Transition’: The Disney Animation Story Crew (Chapter 3)”. Cartoon Brew. Retrieved July 15, 2014.^ “One-foot Runaway Brain Mickey Toy”. Cartoon Brew. February 26, 2009. Retrieved July 15, 2014.^ Connelly, Brendon (February 8, 2012). “What Is Disney’s Paperman? And When Will We See It?”. Bleeding Cool. Retrieved February 9, 2012.^ a b c Gabler 2006, p.\u00a0620^ Gebert, Michael. The Encyclopedia of Movie Awards (listing of “Box Office (Domestic Rentals)” for 1961, taken from Variety magazine), St. Martin’s Paperbacks, 1996. ISBN\u00a00-668-05308-9. “Rentals” refers to the distributor\/studio’s share of the box office gross, which, according to Gebert, is roughly half of the money generated by ticket sales.^ a b Gabler 2006, pp.\u00a0591\u2013593^ “Big Rental Pictures of 1964”, Variety, January 6, 1965, p 39. Please note this figure is rentals accruing to distributors not total gross.^ a b “Pooh Stories Enchant Several Generations of Children”. Philippine Daily Enquirer. May 12, 2000. Retrieved June 22, 2014.^ Maltin, Leonard: “Chapter 2,” section: “The Jungle Book”, pages\u00a0253\u2013256. The Disney Films, 2000^ Thomas, Bob: “Chapter 7: The Post-War Films,” section: “Walt Disney’s Last Films”, pages\u00a0106\u2013107. Disney’s Art of Animation: From Mickey Mouse to Hercules, 1997^ Kr\u00e4mer, Peter (2005). The New Hollywood: from Bonnie and Clyde to Star Wars. Wallflower Press. pp.\u00a056. ISBN\u00a0978-1-904764-58-8.^ a b c d e Maltin, Leonard (1987). Of Mice and Magic: A History of American Animated Cartoons. New American Library. pp.\u00a075\u201380. ISBN\u00a00-452-25993-2.^ a b c d e f g h Thomas, Bob (1991). Disney’s Art of animation: from Mickey Mouse to Beauty and the Beast. Hyperion. ISBN\u00a09781562829971. bob thomas disney art of animation.^ a b c Stewart 2005, pp.\u00a019\u201355^ Moorhead, Jim (December 16, 1983). “A real Christmas present from Disney”. The Evening Independent. Retrieved June 28, 2014.^ a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac ad ae Hahn, Don (2009). Waking Sleeping Beauty (Documentary film). Burbank, California: Stone Circle Pictures\/Walt Disney Studios Motion Pictures.^ Buck, Jerry (July 18, 1977). “New blood warms Walt’s factory”. Montreal Gazette. Retrieved June 28, 2014.^ a b Scott, Vernon (August 6, 1982). “Cartoons in trouble?”. The Bulletin. Retrieved June 28, 2014.^ a b Pond, Steve (February 21, 2014). “Why Disney Fired John Lasseter\u00a0\u2013 And How He Came Back to Heal the Studio”. The Wrap. Retrieved May 11, 2014.^ a b Schlender, Brent (May 17, 2006). “Pixar’s magic man”. CNN Money. Retrieved April 20, 2012.^ Paik, Karen (2007). To Infinity and Beyond!: The Story of Pixar Animation Studios. San Francisco: Chronicle Books. ISBN\u00a0978-0-8118-5012-4.^ Price, David A. (2009). The Pixar Touch: The Making of a Company. New York: Vintage Books. ISBN\u00a0978-0-307-27829-6.^ DeKinder, Mathew (October 5, 2012). “Burton resurrects boy and his dog story in ‘Frankenweenie’“. St. Louis Post-Dispatch. Retrieved May 11, 2014.^ Vincent, Mal (October 7, 2012). “Disney embraces Tim Burton’s taste for dark and quirky”. The Virginian-Pilot. Archived from the original on May 12, 2014. Retrieved May 11, 2014.^ Huddleston, Tom Jr. (June 15, 2018). “How ‘Incredibles 2’ director Brad Bird got his start at Disney”. CNBC.^ a b Kunz, William M. (2007). Culture Conglomerates: Consolidation in the Motion Picture and Television Industries. Lanham, Maryland: Rowman & Littlefield. pp.\u00a041\u201342. ISBN\u00a0978-0-742-54066-8.^ a b Stewart, James (2005). DisneyWar. New York: Simon & Schuster. ISBN\u00a00-684-80993-1.^ Singer, Barry (October 4, 1998). “THEATER; Just Two Animated Characters, Indeed”. The New York Times. Retrieved August 2, 2015.^ Pulling a Rabbit Out of a Hat: The Making of Roger Rabbit^ Shaffer, Joshua C. (September 22, 2010). Discovering the Magic Kingdom: An Unofficial Disneyland Vacation Guide. Author House. p.\u00a067. ISBN\u00a09781452063133.^ “Don Bluth Biography”. Retrieved September 13, 2009.^ “Disney to axe Sydney studio”. The Sydney Morning Herald. July 26, 2005. Retrieved March 12, 2013.^ Norman Kagan (May 2003). “Who Framed Roger Rabbit”. The Cinema of Robert Zemeckis. Lanham, Maryland: Rowman & Littlefield. pp.\u00a093\u2013117. ISBN\u00a00-87833-293-6.^ a b Stewart 2005, pp.\u00a086\u201389^ “The 72nd Academy Awards (2000) Nominees and Winners”. The Academy of Motion Picture Arts and Sciences. Archived from the original on May 2, 2011. Retrieved September 28, 2011. The film won for Best Editing, Best Visual Effects and Best Sound Editing,^ Richardson, John (July 9, 1989). “Young Animator makes First Disney Short in 23 Years”. Los Angeles Daily News. Retrieved June 22, 2014.^ Telotte, J.P. (2010). Animating Space: From Mickey to WALL-E. Lexington, Kentucky: University Press of Kentucky. p.\u00a0296. ISBN\u00a0978-0813133713.^ Drees, Rich. “Disney Closes Florida Animation Studio”. filmbuffonline.com. Retrieved December 6, 2012.^ “The 62nd Academy Awards (1990) Nominees and Winners”. Academy of Motion Picture Arts and Sciences. Retrieved September 28, 2011.^ Stewart 2005, pp.\u00a0102\u2013104^ Malach, Maggie (April 14, 2014). “Disney Renaissance: Why ‘Frozen’ Is Reviving the Company’s Golden Era of Animated Films Read More: Disney Renaissance: Why ‘Frozen’ Is Reviving the Golden Era”. PopCrush. Retrieved June 28, 2014.^ “Beauty and the Beast\u00a0\u2013 Film Archives”. The Film Archives.com. Retrieved January 13, 2009.^ “The 64th Academy Awards (1992) Nominees and Winners”. Academy of Motion Picture Arts and Sciences. Retrieved September 28, 2011.^ a b c d e f g h i j k l m n o p q r s Lund, Dan (2005). Dream On Silly Dreamer (Documentary film). Orlando, Florida: WestLund Productions.^ “Aladdin box office info”. Box Office Mojo. Archived from the original on February 15, 2009. Retrieved March 17, 2009.^ “The 65th Academy Awards (1993) Nominees and Winners”. Academy of Motion Picture Arts and Sciences. Retrieved September 28, 2011.^ Stewart 2005, pp.\u00a0123, 152^ a b c Butler, Robert (July 30, 2006). “High profile names help market animated films”. The Victoria Advocate\/McClatchy Newspapers. Retrieved June 22, 2014.^ “The Lion King”. The Numbers. Nash Information Services. Retrieved November 20, 2011. North American gross after first run: $312,825,889; Overseas gross prior to re-release:$455,800,000^ “Highest-grossing animated films”. Box Office Mojo. Retrieved December 24, 2009.^ “1992 Yearly Box Office Results”. Box Office Mojo. Retrieved January 8, 2010.^ “1994 Yearly Box Office Results”. Box Office Mojo. Retrieved January 8, 2010.^ Mendelson, Scott (October 15, 2013). “‘Nightmare Before Christmas’ Turns 20: From Shameful Spawn To Disney’s Pride”. Forbes. Retrieved December 14, 2013.^ a b c d Swarden, Anne (July 1, 1997). “Parisian Moviegoers Flock To See Hunchback”. The Washington Post. Retrieved June 22, 2014.^ a b Breznican, Anthony (February 17, 2002). “The Boy Who Never Grew Up Makes Comeback in Disney’s ‘Peter Pan’ Sequel”. Retrieved June 22, 2014.^ a b c d e Stewart 2005, pp.\u00a0153, 241\u2013243^ “Toy Story Reviews”. Metacritic. Retrieved March 11, 2009.^ “Toy Story (1995)”. Rotten Tomatoes. Retrieved March 11, 2009.^ “Toy Story”. Box Office Mojo. Retrieved February 18, 2010.^ Stewart 2005, p.\u00a09^ a b Koenig, David (2011). “8”. Mouse Under Glass: Secrets of Disney Animation & Theme Parks (2nd edition, Kindle\u00a0ed.). Bonaventure Press.^ a b Stewart 2005, pp.\u00a0160\u2013186^ a b c d e Stewart 2005, pp.\u00a0192\u2013197, 233\u2013234, 288^ Betsky, Aaron (December 18, 1994). “DREAM FACTORIES\u00a0: Cartoon Character”. Los Angeles Times. Retrieved September 25, 2017.^ “Pocahontas”. Box Office Mojo. Retrieved August 3, 2014.^ “The 68th Academy Awards (1995) Nominees and Winners”. Academy of Motion Picture Arts and Sciences. Retrieved September 28, 2011.. Pocahontas won two 1996 Academy Awards for Best Original Score and Best Original Song.^ “The Hunchback of Notre Dame”. Box Office Mojo. Retrieved August 3, 2014.^ “Hercules”. Box Office Mojo. Retrieved August 3, 2014.^ “Hercules (1997)”. Rotten Tomatoes. Retrieved August 14, 2015.^ a b Lund, Dan (2005). “The ‘Story Department’ Sequence: Super Sized”. Bonus features for Dream On Silly Dreamer (Documentary film) DVD release. Orlando, Florida: WestLund Productions. Extended interviews with several former Disney Feature Animation employees discussing changes to the studio’s story development processes between 1999 and 2004. Mulan and My Peoples (also known as A Few Good Ghosts) are discussed at length by director Barry Cook.^ “Letter of Support to Roy E. Disney and Stanley Gold from the Animation Community”. Save Disney. December 2, 2003. Archived from the original on February 6, 2004. Retrieved August 3, 2014.^ “Animated Films Fuel Disney Success”. Orlando Sentinel. May 29, 1994. Retrieved June 22, 2014.^ “Tarzan”. Box Office Mojo. Retrieved August 3, 2014.^ “The 72nd Academy Awards (2000) Nominees and Winners”. Academy of Motion Picture Arts and Sciences. Retrieved September 28, 2011.^ a b Brennan, Judyr (August 19, 1997). “Coming, Sooner or Later”. Los Angeles Times. Retrieved May 6, 2011.^ a b c Stewart 2005, pp.\u00a0105\u2013106, 288, 346\u2013347, 481^ Zager, Michael (November 11, 2011). Music Production: For Producers, Composers, Arrangers, and Students (2\u00a0ed.). Scarecrow Press. p.\u00a0xxv. ISBN\u00a0978-0-810-88202-7.^ Interview with Michael Eisner (Digital). Archive of American Television. 2006.^ a b Stewart 2005, p.\u00a0314^ a b Orwall, Bruce (June 19, 2002). “Disney Revamps Cartoon Department”. Lakeland Ledger, syndicated from The Wall Street Journal. Retrieved June 27, 2014.^ Holson, Laura (March 19, 2002). “Disney Is Cutting 250 Jobs at Animation Unit”. The New York Times. Retrieved June 22, 2014.^ “Studio Shakeups”. VFX HQ Spotlight. April 1996. Retrieved February 23, 2013.^ McNary, Dave (October 28, 1999). “DISNEY, DQI TO FORM THE SECRET LAB”. Daily News. Los Angeles, CA. Archived from the original on March 29, 2014. Retrieved February 23, 2013.^ “Dinosaur (2000)”. Box Office Mojo. Retrieved November 25, 2016.^ a b Stewart 2005, p.\u00a0356^ Graser, Marc (October 23, 2001). “Disney can’t keep Secret”. Variety. Retrieved August 23, 2012.^ Loinas, Alexis (January 6, 2001). “The Emperor’s New Groove: A Disappointing Disney Movie the Mouse House Can’t Save”. Philippine Daily Enquirer. Retrieved June 22, 2014.^ Jim Hill, “The Long Story Behind the Emperor’s New Groove”. Part 1, page 3. [1]^ “The Emperor’s New Groove (2000)”. Box Office Mojo. Retrieved August 3, 2014.^ “The Emperor’s New Groove (2000)”. Rotten Tomatoes. Retrieved August 3, 2014.^ “The Year in Video 2001: The Year in Charts”. Billboard. Vol.\u00a0114, no.\u00a02. January 12, 2002. p.\u00a067. The Emperor’s New Groove was the top-selling video release of 2001.^ “Atlantis: The Lost Empire”. Box Office Mojo. Retrieved August 3, 2014.^ Stewart 2005, p.\u00a0363^ a b c d e “Disney-Pixar split heightens pressure for new hits”. The Hour. Associated Press. January 30, 2004. Retrieved June 27, 2014.^ a b c d Lloyd, Christopher (June 19, 2002). “Lilo’s Creators: Orlando animators bring back watercolors for Lilo & Stitch“. Ocala Star-Banner. Retrieved June 27, 2014.^ a b Lund, Dan (2005). “The ‘Meeting’ Sequence: Super Sized”. Bonus features for Dream On Silly Dreamer (Documentary film) DVD release. Orlando, Florida: WestLund Productions. Extended interviews with former Disney Feature Animation artists about the WDFA staff meetings during the week of March 19\u201325, 2002 with Feature Animation president Thomas Schumacher and producer Alice Dewey where the layoffs and move of the Burbank studio to CGI are discussed at length.^ a b Stewart 2005, pp.\u00a0415\u2013416^ Verrier, Richard; Claudia Eller (September 29, 2003). “Disney Pushed Toward Digital”. Los Angeles Times. Archived from the original on October 23, 2013. Retrieved March 23, 2013.^ “Treasure Planet (2002)”. Box Office Mojo. Retrieved November 25, 2016.^ a b Friedman, Jake (June 2006). “Dream on Silly Dreamer”. FPS Magazine. Archived from the original on July 14, 2014. Retrieved July 7, 2014.^ Linder, Brian (November 29, 2000). “Disney Wrangles Cuba, Dame Judi Dench for Sweating Bullets”. IGN. Retrieved March 4, 2016.^ a b c Stewart 2005, pp.\u00a0402, 473, 509^ “Lilo and Stitch (2002)”. Box Office Mojo. Retrieved August 4, 2014.^ a b c Stewart 2005, pp.\u00a0502\u2013506, 526, 555\u2013567^ Baisley, Sarah (June 16, 2003). “DisneyToon Studios Builds Slate Under New Name and Homes for Needy”. Animation World Network. Retrieved February 26, 2013.^ a b c “Disney pulls its animators from Orlando”. St. Petersberg Times. Associated Press. January 13, 2004. Retrieved June 27, 2014.^ Verrier, Richard (April 6, 2004). “‘Range’ Is Not Looking Idyllic”. Los Angeles Times. Retrieved March 4, 2016.^ Verrier, Richard (September 11, 2012). “Digital media trailblazer and ex-Disney exec Bob Lambert dies”. Los Angeles Times Company Town. Retrieved October 2, 2012.^ a b Graham, Bill (November 27, 2010). “Animation Director Glen Keane Exclusive Interview TANGLED”. Collider.com. Collider.com, LLC. Retrieved May 11, 2014.^ The Secret History of Disney Rides: Mickey’s PhilharMagic^ a b c Stewart 2005, pp.\u00a0319, 479\u2013480^ a b c Iger, Robert (September 18, 2019). “‘We Could Say Anything to Each Other’: Bob Iger Remembers Steve Jobs”. Vanity Fair.^ “Chicken Little (2005)”. Box Office Mojo. Retrieved August 4, 2014.^ “Chicken Little (2005)”. Rotten Tomatoes. Retrieved August 4, 2014.^ a b Eller, Claudia (January 26, 2006). “Deal Ends Quarrel Over Pixar Sequels”. Los Angeles Times. Retrieved February 21, 2013.^ “Walt Disney Company, Form 8-K, Current Report, Filing Date Jan 26, 2006” (PDF). secdatabase.com. Archived (PDF) from the original on May 13, 2018. Retrieved May 12, 2018.^ a b “Walt Disney Company, Form 8-K, Current Report, Filing Date May 8, 2006”. secdatabase.com. Retrieved May 12, 2018.^ a b “Disney buying Pixar for $7.4 billion”. NBC News. AP. January 1, 2006. Retrieved February 28, 2013.^ Daly, Steve (June 16, 2006). “Woody: The Untold Story”. Entertainment Weekly Magazine. Retrieved February 21, 2013.^ Eller, Claudia; Richard Verrier (March 16, 2005). “Disney Plans Life After Pixar With Sequel Unit”. Los Angeles Times. Retrieved February 21, 2013. Disney animation chief David Stainton, to whom the sequels unit reports, declined to comment on its plans.^ “Disney Closes Unit Devoted to Pixar Sequels”. Los Angeles Times. March 21, 2006. Retrieved October 30, 2011.^ Barnes, Brooks (March 4, 2014). “At Disney, a Celebration That Was a Long Time Coming”. New York Times. Retrieved April 5, 2014.^ a b Wloszczyna, Susan (October 31, 2012). “‘Wreck-It Ralph’ is a Disney animation game-changer”. USA Today. Retrieved April 5, 2014.^ a b Williams, Christopher (March 31, 2014). “‘The world is a better place with Disney animation in it’: John Lasseter tells the Telegraph how he saved Disney Animation Studios from the doldrums”. The Daily Telegraph. Archived from the original on January 10, 2022. Retrieved April 23, 2014.^ Bell, Chris (April 25, 2014). “Pixar uneasy atop its pedestal: For the first time in nearly 10 years the animation studio won’t be releasing a film this year”. Calgary Herald. Archived from the original on May 9, 2014. Retrieved May 9, 2014.^ Solomon, Charles (2013). The Art of Frozen. San Francisco: Chronicle Books. ISBN\u00a0978-1-4521-1716-4.^ Bell, Chris (April 5, 2014). “Pixar’s Ed Catmull: interview”. The Daily Telegraph. Archived from the original on January 10, 2022. Retrieved April 5, 2014.^ Zahed, Ramin (April 2, 2012). “An Interview with Disney\/Pixar President Dr. Ed Catmull”. Animation Magazine. Retrieved April 5, 2014.^ a b Debruge, Peter (November 23, 2016). “Disney’s Pixar Acquisition: Bob Iger’s Bold Move That Reanimated a Studio”. Variety. Retrieved November 24, 2016.^ Pond, Steve (February 21, 2014). “Why Disney Fired John Lasseter\u00a0\u2013 And How He Came Back to Heal the Studio”. The Wrap. Retrieved April 5, 2014.^ Keegan, Rebecca (May 9, 2013). “Disney is reanimated with ‘Frozen,’ ‘Big Hero 6’“. Los Angeles Times. Retrieved April 21, 2014.^ a b Lark, Max; Draskovic, Marina; Solomon, Charles (Spring 2016). “It’s a Matter of Trust: At Walt Disney Animation Studios, The ‘Story Trust,’ A Peer-to-Peer Feedback System, Has Taken Storytelling\u2014And Disney Animation\u2014To New Creative Heights”. Disney Twenty-three. Burbank: Walt Disney Company. 8 (1): 18\u201321. ISSN\u00a02162-5492. OCLC\u00a0698366817.^ Kilday, Gregg (December 4, 2013). “Pixar vs. Disney Animation: John Lasseter’s Tricky Tug-of-War”. The Hollywood Reporter. Retrieved December 4, 2013.^ Armstrong, Josh (April 22, 2013). “From Snow Queen to Pinocchio II: Robert Reece’s animated adventures in screenwriting \u2022 Animated Views”. Animatedviews.com. Retrieved July 7, 2013.^ Ghez, Didier (2011). Walt’s People: Talking Disney With the Artists Who Knew Him (Google eBook). Xlibris Corporation. pp.\u00a0602\u2013613. ISBN\u00a09781465368416.^ “Meet the Robinsons (2007)”. Box Office Mojo. Retrieved March 29, 2016.^ “DisneyToon Studios to be Restructured and Will Operate as a Separate Unit\/ BURBANK, Calif., June 22”. PRNewswire. Retrieved July 7, 2013.^ Sciretta, Peter (June 20, 2008). “Bolt Teaser Poster; A Look Back at American Dog”. Slashfilm. Retrieved June 28, 2014.^ Giardina, Carolyn (July 22, 2013). “Siggraph: Chris Sanders Talks ‘Croods 2,’ ‘Dragon 2’ and Why He Loves Animated Sequels”. The Hollywood Reporter. Retrieved June 28, 2014.^ “Bolt”. Rotten Tomatoes. Retrieved August 4, 2014.^ a b “At Disney, a Celebration That Was a Long Time Coming”. New York Times. March 4, 2014. Retrieved June 28, 2014.^ Orange, B. Alan (March 13, 2010). “John Lasseter Returns to Hand Drawn Animation with The Princess and the Frog“. movieweb. Archived from the original on July 14, 2014. Retrieved January 8, 2011.^ ““The Hurt Locker” Takes Top Honors at 82nd Academy Awards”. playbill.com. Playbill. March 8, 2010. Retrieved February 23, 2015.^ Dawn C. Chmielewski; Claudia Eller (March 9, 2010). “Disney restyles ‘Rapunzel’ to appeal to boys”. Los Angeles Times. Retrieved January 20, 2014.^ Sciretta, Peter (December 22, 2011). “Walt Disney Animation Gives ‘The Snow Queen’ New Life, Retitled ‘Frozen’\u00a0\u2013 But Will It Be Hand Drawn?”. SlashFilm. Retrieved January 20, 2014.^ “How did Rapunzel become ‘Tangled’? Directors Nathan Greno and Byron Howard set the record straight”. Entertainment Weekly. Retrieved January 1, 2014.^ “Disney seeks to crown revival with ‘Frozen’ Oscar gold”. Yahoo News. February 24, 2014. Archived from the original on August 29, 2021. Retrieved August 29, 2021.^ Seldman, Robert (December 9, 2009). “Debut of Disney Holiday Special “Prep & Landing” Scores Big for ABC”. TVByTheNumbers. Archived from the original on January 2, 2013. Retrieved June 28, 2014.^ “Tangled Movie Reviews”. Rotten Tomatoes. Flixster. Retrieved November 19, 2010.^ Fritz, Ben (November 28, 2010). “Box office: ‘Tangled’ feasts as ‘Burlesque’, ‘Faster’, ‘Love & Other Drugs’ fight for leftovers”. Los Angeles Times. Retrieved February 16, 2011.^ “WORLDWIDE GROSSES”. Box Office Mojo. Retrieved April 25, 2011.^ a b Taylor, Drew. “Disney CEO Bob Iger Says There Are No Current Plans For Hand Drawn Animation\u00a0\u2013 But What Does He Really Mean?”. IndieWire. Archived from the original on March 15, 2013. Retrieved March 7, 2013.^ Han, Angie (March 14, 2011). “First Look and Early Buzz: Disney’s Hand-drawn Short ‘The Ballad of Nessie’“. Slashfilm. Retrieved June 17, 2018.^ a b Barnes, Brooks (March 4, 2014). “At Disney, a Celebration That Was a Long Time Coming”. The New York Times. Retrieved March 5, 2014.^ King, Susan (February 2, 2013). “40th Annie Award nominees and winners list”. Los Angeles Times. Retrieved February 3, 2013.^ Globe, Golden (December 13, 2012). “Golden Globes 2013: full list of nominations”. guardian.co.uk. Retrieved January 3, 2013.^ “‘2013 Oscar Nominees”. Academy of Motion Picture Arts and Sciences. January 10, 2013. Archived from the original on January 10, 2013. Retrieved February 3, 2013.^ Amidi, Amid (February 25, 2013). “Disney Sweeps Animation Oscars with “Paperman” and “Brave”; VFX Oscar Goes to “Life of Pi”“. Cartoon Brew. Cartoon Brew LLC. Retrieved June 25, 2013.^ a b c MacQuarrie, Jim (November 2, 2012). “Disney’s Paperman Is a Perfect Short Film”. Wired. Archived from the original on June 5, 2013. Retrieved June 25, 2013.^ Amidi, Amid (April 11, 2013). “BREAKING: Disney Just Gutted Their Hand-Drawn Animation Division (UPDATED)”. Cartoon Brew. Retrieved June 30, 2013.^ Keegan, Rebecca (May 9, 2013). “Disney is reanimated with films such as ‘Big Hero 6,’ ‘Frozen’“. Los Angeles Times. Retrieved July 7, 2013.^ a b Zuckerman, Esther (November 4, 2013). “Is ‘Frozen’ a New, Bona Fide Disney Classic?”. The Atlantic Wire. Archived from the original on November 5, 2013. Retrieved December 20, 2013.^ “Box Office Milestone: ‘Frozen’ Crosses $1 Billion Worldwide”. hollywoodreporter.com. Retrieved March 2, 2014.^ Richwine, Lisa. “Disney’s ‘Frozen’ wins animated feature Oscar”. Reuters. Retrieved March 3, 2014.^ a b Breznican, Anthony (August 22, 2013). “Old-school Mickey Mouse gets future shock in Get a Horse!\u00a0\u2013 First Look”. Entertainment Weekly. Retrieved August 22, 2013.^ Keegan, Rebecca (May 9, 2013). “Exclusive: Disney Animation announces first Marvel movie, ‘Big Hero 6\u2032”. The Los Angeles Times. Retrieved May 9, 2013.^ Miller, Daniel (February 20, 2015). “Software behind ‘Big Hero 6’ pushes envelope on computer animation”. Los Angeles Times. Retrieved March 8, 2016.^ “Big Hero 6 (2014)”. Rotten Tomatoes.^ “Big Hero 6 Reviews”. Metacritic. Retrieved December 16, 2014.^ Kinsey Lowe (March 13, 2015). “‘Big Hero 6\u2032: No. 1 Animated Movie Worldwide 2014″. Deadline Hollywood. Retrieved March 15, 2015.^ “Oscars 2015: ‘Birdman’ wins Best Picture”. Entertainment Weekly. February 22, 2015. Retrieved February 23, 2015.^ Graser, Marc (September 2, 2014). “Disney Reveals Next Three Animated Shorts”. Variety. Retrieved October 1, 2014.^ Clark, Noelene (February 22, 2015). “Oscars 2015: ‘Feast’ wins for animated short”. Los Angeles Times. Retrieved February 22, 2015.^ Yamato, Jen (November 19, 2014). “Disney Animation’s Andrew Millstein, Pixar’s Jim Morris Upped To President”.^ Graser, Marc (November 18, 2014). “Walt Disney Animation, Pixar Promote Andrew Millstein, Jim Morris to President”. Variety. Retrieved November 18, 2014.^ Graser, Marc (September 10, 2008). “Millstein to head Disney Animation”. Variety. Retrieved September 10, 2008.^ McNary, Dave (June 11, 2015). “Watch: Disney’s ‘Zootopia’ Trailer Introduces Animal-Run World”. Variety. Archived from the original on March 5, 2016. Retrieved March 7, 2016.^ “Zootopia (2016)”. Rotten Tomatoes.^ Lang, Brent (March 6, 2016). “‘Zootopia’ Box Office Success Proof of Disney Animation Renaissance”. Variety. Retrieved June 30, 2016.^ Coggan, Devin (June 6, 2016). “Zootopia hits $1 billion worldwide”. Entertainment Weekly. Retrieved June 30, 2016.^ McNary, Dave (February 26, 2017). “‘Zootopia’ Wins Oscar for Best Animated Feature Film”. Variety. Retrieved February 26, 2017.^ Khatchatourian, Maane (June 13, 2016). “‘Moana’: Polynesian Princess Not Impressed by Dwayne Johnson’s Maui in First Teaser”. Variety. Retrieved November 22, 2016.^ Snetiker, Marc (November 18, 2016). “Go inside the human body in Disney’s new short film before Moana \u2014 exclusive”. Entertainment Weekly. Retrieved November 22, 2016.^ Dave McNary (March 16, 2017). “Disney’s ‘Moana’ Sails to $600 Million at Worldwide Box Office”. Variety. Retrieved March 16, 2017.^ Nordyke, Kimberly (January 24, 2017). “Oscars: ‘La La Land’ Ties Record With 14 Nominations”. The Hollywood Reporter. Retrieved February 28, 2017.[dead link]^ Masters, Kim (November 21, 2017). “John Lasseter’s Pattern of Alleged Misconduct Detailed by Disney\/Pixar Insiders”. The Hollywood Reporter. Retrieved November 24, 2017.^ Zeitchik, Steven (November 21, 2017). “Disney animation guru John Lasseter takes leave after sexual misconduct allegations”. The Washington Post. Retrieved November 21, 2017.^ Masters, Kim (April 25, 2018). “He Who Must Not Be Named”: Can John Lasseter Ever Return to Disney?”. The Hollywood Reporter. Retrieved May 1, 2018.^ Barnes, Brooks (June 8, 2018). “Pixar Co-Founder to Leave Disney After ‘Missteps’“. The Hollywood Reporter. Retrieved June 8, 2018.^ a b Donnelly, Matt (January 9, 2019). “John Lasseter’s Skydance Hire Sends Hollywood Executives, Animation Insiders Reeling”. Variety. Retrieved June 30, 2019.^ a b Kit, Borys (June 19, 2018). “Pete Docter, Jennifer Lee to Lead Pixar, Disney Animation”. The Hollywood Reporter. Retrieved June 19, 2018.^ Desowitz, Bill (June 28, 2018). “Disney Shuts Down Disneytoon Studios in Glendale: Exclusive”. IndieWire. Retrieved June 29, 2018.^ Kit, Borys (October 23, 2018). “Pixar Co-Founder Ed Catmull to Retire”. The Hollywood Reporter. Retrieved October 24, 2018.^ McNary, Dave (June 4, 2018). “Vanellope Meets Disney Princesses in New ‘Wreck-It Ralph 2’ Trailer”. Variety. Retrieved November 21, 2018.^ Scott Mendelson (February 17, 2019). “Box Office: ‘How To Train Your Dragon 3’ Tops $170M, ‘Wandering Earth’ Tops $560M”. Forbes. Retrieved March 3, 2019. And Walt Disney’s Ralph Breaks the Internet has now earned $505m worldwide. So, expectations notwithstanding, it’s arguably a hit.^ Scott Mendelson (March 3, 2019). “Box Office: ‘Green Book’ Scores In China, ‘Bohemian Rhapsody’ Tops ‘Solo: A Star Wars Story’“. Forbes. Retrieved March 3, 2019. And Ralph Breaks the Internet was also a Best Animated Feature nominee, so I should note that it crossed $200 million domestic yesterday. The $165m-budgeted Disney sequel has earned $515m worldwide, which is a pretty solid sum. It again shows that a Disney sequel isn’t necessarily going to perform even as well as a Disney “original” like Coco or Moana, but that’s for another day.^ Brad Brevet (March 3, 2019). “‘How to Train Your Dragon 3’ Holds off Madea’s ‘Family Funeral’ at Box Office”. Box Office Mojo. Retrieved March 3, 2019. Lastly, Disney’s Ralph Breaks the Internet finally topped $200 million domestically this weekend after having already outperformed the first film, which reached $189.4 million domestically back in 2012. Internationally, the Ralph sequel is now just shy of $320 million for a global cume totaling $520 million. The first film finished with over $471 million globally.^ Zahed, Ramin (January 22, 2019). “Nominations Announced for the 91st Academy Awards”. Animation Magazine. Archived from the original on January 23, 2019. Retrieved January 24, 2019.^ Rubin, Rebecca (June 11, 2019). “‘Frozen 2’ Trailer Explores Elsa’s Magical Past”. Variety. Retrieved November 21, 2019.^ “Frozen II (2019)”. Box Office Mojo. Retrieved April 14, 2020.^ Monroe, Jazz (January 13, 2020). “Oscar Nominations 2020: Elton John and Randy Newman Up for Best Original Song, Beyonc\u00e9 and Thom Yorke Shut Out”. Pitchfork. Retrieved April 4, 2020.^ @disneyplus (January 2, 2020). “Welcome to Agrabah, the Pride Lands, and the Proud Family home this month! Here’s everything coming to #DisneyPlus in January, including the Original Series,#DiaryOfAFuturePresident What’s on your Watchlist? #NowOnDisneyPlus” (Tweet). Retrieved January 2, 2020 \u2013 via Twitter.^ Daniell, Mark (December 31, 2019). “What’s new on Netflix, Crave, Amazon, Disney+, Apple TV+ and YouTube in January”. Toronto Sun.^ Amidi, Amid (May 16, 2019). “Disney Announces Short Circuit, A New Program Of Animated Shorts”. Cartoon Brew.^ @disneyplus (June 3, 2021). “\ud83d\udc40\u2600\ufe0f #SummerOfDisneyPlus\u2063 Comment what you can’t wait to stream!”. Retrieved June 3, 2021 \u2013 via Instagram.    ^ Ausiello, Michael (June 16, 2021). “Disney+ Officially Moves Original Series ‘Drop Day’ From Friday to Wednesday in Wake of Loki‘s Record-Setting Launch”. TVLine. Retrieved June 16, 2021.^ “Ice” – At Home With Olaf^ Inside Goofy’s Hilarious and Relatable How to Stay at Home Shorts from Walt Disney Animation Studios^ Here’s Your First Look at ‘Short Circuit’ Season 2, Streaming on Disney Plus (Exclusive)^ \u2018Sketchbook\u2019: Disney\u2019s Return to 2D Animation Reinforced by Documentary Series^ “Disney Animator Eric Goldberg Talks the Return of 2D”. April 27, 2022. Retrieved December 1, 2022.^ “Oswald the Lucky Rabbit” l Walt Disney Animation Studios, retrieved December 1, 2022^ Andreeva, Nellie (December 11, 2020). “‘Baymax!’, ‘Tiana’, ‘Moana & ‘Zootopia+’ Series Set For Disney+”. Deadline. Retrieved December 14, 2020.^ Salaudeen, Aisha. “Disney announces ‘first-of-its-kind’ collaboration with African entertainment company”. CNN. Archived from the original on December 14, 2020. Retrieved December 14, 2020.^ Disney + “Monsters at Work” Presentation at D23 Expo^ Aquilina, Tyler (December 10, 2020). “Raya and the Last Dragon to debut on Disney+ for premium price and in theaters”. Entertainment Weekly. Retrieved March 5, 2021.^ Yang, Rachel (February 15, 2021). “Here’s a first look at Us Again, Walt Disney Animation’s first theatrical short in 5 years”. Entertainment Weekly. Retrieved June 1, 2021.^ “Walt Disney Animation Studios“. Box Office Mojo. IMDb. Archived from the original on July 2, 2021. Retrieved January 8, 2022.^ Hayes, Dade (July 1, 2021). “‘Lucifer’ Repeats Atop Nielsen U.S. Streaming Chart, Beating Out Disney Feature ‘Raya And The Last Dragon’“. Deadline Hollywood. Archived from the original on July 2, 2021. Retrieved July 2, 2021.^ Welk, Brian (July 1, 2021). “‘Raya and the Last Dragon’ 2nd Most-Watched Streaming Title After Premium Disney+ Run Ends”. TheWrap. Archived from the original on July 1, 2021. Retrieved July 2, 2021.^ Hayes, Dade (January 21, 2022). “‘Lucifer’ Tops ‘Squid Game’ On Nielsen 2021 Original Series Chart In U.S., ‘Luca’ Is No. 1 Movie”. Deadline. Archived from the original on January 22, 2022. Retrieved January 23, 2022.^ Cohn, Gabe (February 8, 2022). “2022 Oscars Nominees List”. The New York Times. ISSN\u00a00362-4331. Archived from the original on February 8, 2022. Retrieved February 8, 2022.^ a b c d D’Alessandro, Anthony (August 4, 2021). “Walt Disney Animation Amps Up Production With New Vancouver Studio, First Project Is ‘Moana’ Musical Series”. Deadline Hollywood. Retrieved August 4, 2021.^ Ferme, Antonio (November 24, 2021). “‘Encanto’ Trailer: Disney Evokes the Magic of Colombia With Music by Lin-Manuel Miranda”. Variety. Retrieved July 8, 2021.^ Pedersen, Erik; Goldsmith, Jill (September 10, 2021). “Disney’s Eternals, West Side Story, Encanto, Last Duel & More to Hit Theaters Ahead of Streaming Bow”. Deadline Hollywood. Archived from the original on September 10, 2021. Retrieved October 31, 2021.^ Desowitz, Bill (November 24, 2021). “‘Far From the Tree’: First Look at Disney’s Annecy-Bound Raccoon Survival Short \u2014 Exclusive”. IndieWire. Retrieved June 14, 2021.^ Lang, Brent (November 26, 2021). “Box Office: Disney’s ‘Encanto’ Leads Thanksgiving Pack With $5.8 Million, ‘House of Gucci’ Looking Strong”. Variety. Archived from the original on November 26, 2021. Retrieved November 26, 2021.^ Rubin, Rebecca (November 29, 2021). “Why ‘Encanto’ and ‘House of Gucci’ Box Office Debuts Are Cause for Celebration… and Concern”. Variety. Archived from the original on November 29, 2021. Retrieved November 29, 2021.^ “Encanto“. Box Office Mojo. IMDb. Retrieved June 23, 2022.^ “Encanto“. The Numbers. Nash Information Services, LLC. Retrieved June 23, 2022. ^ Wisnefsky, Zachary (November 30, 2021). “Box Office Breakdown: Encanto brings its magic to the charts”. The Daily Campus. Archived from the original on December 25, 2021. Retrieved December 25, 2021.^ Collin, Robbie (January 14, 2022). “Disney’s Encanto is a huge hit \u2013 and that’s bad news for Pixar”. The Telegraph. ISSN\u00a00307-1235. Archived from the original on January 14, 2022. Retrieved January 14, 2022.^ Colangelo, B. J. (January 10, 2022). “The Encanto Soundtrack Is Now The Biggest Thing In The World”. \/Film. Archived from the original on January 13, 2022. Retrieved January 13, 2022.^ Niazi, Amil (January 14, 2022). “Parents are losing their minds. Time to watch ‘Encanto.’ Again”. The Washington Post. Archived from the original on January 14, 2022. Retrieved January 14, 2022.^ Giardina, Carolyn (March 27, 2022). “Oscars: ‘Encanto’ Team Celebrates “Beautiful, Diverse Characters” With Best Animated Feature Win”. Hollywood Reporter. Retrieved March 29, 2022.^ Rubin, Rebecca (December 9, 2021). “Disney Unveils Animated Movie ‘Strange World’ With Thanksgiving 2022 Release Date”. Variety. Retrieved November 23, 2022.^ D’Alessandro, Anthony (November 27, 2022). “‘Strange World’ To Lose $147M: Why Theatrical Was Best Decision For Doomed Toon \u2013Not Disney+\u2013 As Bob Iger Takes Over CEO From Bob Chapek”. Deadline Hollywood. Retrieved November 28, 2022.^ Rubin, Rebecca (November 27, 2022). “Thanksgiving Box Office: Disney’s ‘Strange World’ Bombs With $18.6 Million as ‘Wakanda Forever’ Repeats No. 1”. Variety. Retrieved November 28, 2022.^ Amidi, Amid (January 24, 2006). “David Stainton Out!”. Cartoon Brew. Retrieved December 10, 2012.^ “Roy E Disney Feature Animation Building: Dedication and tribute open to limited number of guests”. Inside the Magic. April 2013. Retrieved November 19, 2013.^ Rea, Steven (July 20, 2003). “No-more-pencils animation”. The Philadelphia Inquirer. Archived from the original on January 9, 2016. Retrieved December 8, 2014.^ “Disney Buys 96 Acres in Glendale”. Los Angeles Times. June 20, 1997. Retrieved December 8, 2014.^ “Disney Animation Research Library”. I Love Libraries. Retrieved June 28, 2014.^ a b McLean, Craig (July 30, 2013). “The Jungle Book: the making of Disney’s most troubled film”. The Daily Telegraph. Archived from the original on January 10, 2022. Retrieved May 11, 2014.^ Gardner, Chris (November 22, 2014). “Roy E. Disney Animation Building Getting a Makeover”. The Hollywood Reporter. Retrieved December 8, 2014.^ a b Frye, Jim (Spring 2016). “Remodeling Disney Animation”. Disney Twenty-three. Burbank: Walt Disney Company. 8 (1): 4\u20139. ISSN\u00a02162-5492. OCLC\u00a0698366817.^ Catmull, Ed; Amy Wallace (2014). Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration. New York: Random House. pp.\u00a0253\u2013254. ISBN\u00a0978-0812993011.^ a b Snetiker, Marc (November 24, 2016). “Moana directors Ron Clements, John Musker talk four decades Disney movies”. Entertainment Weekly. New York. Retrieved January 13, 2017.^ Barrier 1999, p.\u00a0229.^ Cohen, Karl (January 2000). “Milestones of the Animation Industry in the 20th Century”. Animation World Magazine. Archived from the original on October 16, 2014. Retrieved June 28, 2014.^ Hinman, Catherine (July 15, 1992). “How The Disney Film Short ‘Off His Rockers’ Made It to the Big Screen: A Little Project That ‘blew Up.’“. Orlando Sentinel. Retrieved June 28, 2014.^ “Walt Disney Animation Studios Announces 4 TV Series Coming to Disney+: “Baymax!,” “Zootopia+,” “Tiana” and “Moana, The Series”“. Laughing Place. December 10, 2020. Retrieved February 3, 2021.^ “Walt Disney Animation Studios Vancouver Delays Tiana To 2024 As Moana The Series Gets Removed From The Schedule”. disneytvanimation.com. September 16, 2022. Retrieved September 20, 2022.^ Stephenson, Cassidy (September 11, 2022). “Iw\u00e1j\u00fa: Disney, Kugali Drop a First Look at the Nigeria-Focused Sci-Fi Series”. Comic Book Resources. Retrieved September 20, 2022.Sources[edit]Further reading[edit]External links[edit]Coordinates: 34\u00b009\u203220\u2033N 118\u00b019\u203226\u2033W\ufeff \/ \ufeff34.155604\u00b0N 118.323979\u00b0W\ufeff \/ 34.155604; -118.323979"},{"@context":"http:\/\/schema.org\/","@type":"BreadcrumbList","itemListElement":[{"@type":"ListItem","position":1,"item":{"@id":"https:\/\/wiki.edu.vn\/en\/wiki43\/#breadcrumbitem","name":"Enzyklop\u00e4die"}},{"@type":"ListItem","position":2,"item":{"@id":"https:\/\/wiki.edu.vn\/en\/wiki43\/walt-disney-animation-studios-wikipedia-3\/#breadcrumbitem","name":"Walt Disney Animation Studios – Wikipedia"}}]}]