Kazemachi Roman – Wikipedia
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1971 studio album by Happy End
| Kazemachi Roman | |
|---|---|
 |
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| Released | November 20, 1971 |
| Recorded | May 11 – September 12, 1971 |
| Studio | Mouri Studio |
| Genre | Folk rock |
| Length | 37:14 |
| Label | URC Records |
| Producer | Happy End |
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Kazemachi Roman (Japanese: 風街ろまん, Hepburn: Kazemachi Roman, literally “Wind City Romance”) is the second album by Japanese folk rock band Happy End, released on URC Records in 1971. In this concept album, Happy End attempted to paint a musical picture of Tokyo before the 1964 Summer Olympics, through which sweeping changes transformed the city forever.[1]
Background and release[edit]
OK Music’s Naoto Kawasaki notes how Eiichi Ohtaki and Shigeru Suzuki did not contribute to “Kaze wo Atsumete”, with Haruomi Hosono playing the bass, guitar and organ and providing its vocals while Takashi Matsumoto plays the drums. Suzuki is also absent from “Kurayamizaka Musasabi Henge”, which Kawasaki felt was inspired by the Nitty Gritty Dirt Band.[2]
Bannai Tarao, a fictional detective who has appeared in many Japanese crime thrillers, is credited on several of the album’s songs. Ohtaki even opens “Haikara Hakuchi” by saying, in English, “Hi, this is Bannai Tarao. Haikara (lit. “High-collar [1]” or “Western fashion”) is… Beautiful.” This song was the B-side to Happy End’s single “Juuni Gatsu no Ame no hi” off their first album, though this album version is different.
Matsumoto thought “Hana Ichi Monme” was a representative song of Happy End, and it was released as a single. Its B-side was “Natsu Nandesu”, which Ben Sisario of The New York Times described in 2017 as having “echoes of Neil Young.”[1]
Kawasaki believes the ending of “Haru Ranman”, with its uncredited banjo, mimics the end of Buffalo Springfield’s 1967 song “Bluebird”.[2]
“Aiueo”, the album’s last song, is a 30-second fragment in which Ohtaki sings the gojūon, accompanied only by his acoustic guitar. The song’s title is a pun: “aiueo” is the order of pronunciation in Japanese, while ai ue (愛飢え) translates as “love hunger”.
Seven bonus tracks were added when the album was included in the March 31, 2004 Happy End Box set.[3]
Reception and legacy[edit]
Together with their self-titled debut album, Happy End’s Kazemachi Roman marked an important turning point in Japanese music history, as it sparked what would be known as the “Japanese-language rock controversy” (日本語ロック論争, Nihongo Rokku Ronsō). There were highly publicized debates held between prominent figures in the Japanese rock industry, most notably the members of Happy End and Yuya Uchida, regarding whether rock music sung entirely in Japanese was sustainable. Previously, almost all popular rock music in Japan was sung in English. The success of Happy End’s first two albums proved the sustainability of Japanese-language rock.[6]
In September 2007, Rolling Stone Japan ranked Kazemachi Roman No.1 on its list of the “100 Greatest Japanese Rock Albums of All Time”.[7] It was named number 15 on Bounce‘s 2009 list of 54 Standard Japanese Rock Albums.[8] In 2016, the album topped the list of 30 Best Japanese Albums of All Time published by beehype magazine.[9]
“Aiueo” was covered by Pizzicato Five as the final track on their last album, 2001’s Çà et là du Japon.
Two songs from the album were used in American films which had Brian Reitzell acting as music supervisor. In 2003, “Kaze wo Atsumete” was featured in Lost in Translation as well as on its soundtrack. In 2008, “Haikara Hakuchi” was featured in The Brothers Bloom.
“Sorairo no Crayon” was covered by thrash metal band Outrage for their 2015 album Genesis I.[10]
“Hana Ichi Monme” was covered by Rolly for his 2015 cover album Rolly’s Rock Circus.[11]
“Kaze wo Atsumete” was covered by Mayu, Manaka and Asahi from Little Glee Monster for the 2021 Takashi Matsumoto tribute album Take Me to Kazemachi!.[12]
Track listing[edit]
| Title | Lyrics | Music | Producer | ||
|---|---|---|---|---|---|
| 1. | “Dakishimetai” (抱きしめたい, “I Want to Hold You”) | Takashi Matsumoto | Eiichi Ohtaki | Eiichi Ohtaki | 3:32 |
| 2. | “Sorairo no Crayon” (空色のくれよん, “Sky Blue Crayon”) | Takashi Matsumoto | Eiichi Ohtaki | Eiichi Ohtaki | 4:05 |
| 3. | “Kaze wo Atsumete” (風をあつめて, “Gather the Wind”) | Takashi Matsumoto | Haruomi Hosono | Haruomi Hosono | 4:06 |
| 4. | “Kurayamizaka Musasabi Henge” (暗闇坂むささび変化, “Ghosts of Flying Squirrels at Kurayamizaka”) | Takashi Matsumoto | Haruomi Hosono | Haruomi Hosono | 1:51 |
| 5. | “Haikara Hakuchi” (はいからはくち, “Westernized Idiot”) | Takashi Matsumoto | Eiichi Ohtaki | Eiichi Ohtaki | 3:37 |
| 6. | “Haikara Beautiful” (はいからびゅーちふる, “Westernized, Beautiful”) | Bannai Tarao | Bannai Tarao | Bannai Tarao | 0:33 |
| Title | Lyrics | Music | Producer | ||
|---|---|---|---|---|---|
| 7. | “Natsu Nandesu” (夏なんです, “‘Tis the Summer”) | Takashi Matsumoto | Haruomi Hosono | Haruomi Hosono | 3:16 |
| 8. | “Hana Ichi Monme” (花いちもんめ, “Hana Ichi Monme”) | Takashi Matsumoto | Shigeru Suzuki | Shigeru Suzuki, Tatsuo Hayashi | 3:59 |
| 9. | “Ashita Tenki ni Naare” (あしたてんきになあれ, “We hope that tomorrow is clear”) | Takashi Matsumoto | Haruomi Hosono | Haruomi Hosono, Shigeru Suzuki | 2:13 |
| 10. | “Taifuu” (颱風, “Typhoon”) | Eiichi Ohtaki | Eiichi Ohtaki | Bannai Tarao | 6:30 |
| 11. | “Haru Ranman” (春らんまん, “Spring, in full bloom”) | Takashi Matsumoto | Eiichi Ohtaki | Eiichi Ohtaki | 2:49 |
| 12. | “Aiueo” (愛餓を, “Love-Hunger” or “ABC”) | Takashi Matsumoto | Eiichi Ohtaki | Bannai Tarao | 0:37 |
| Title | ||
|---|---|---|
| 13. | “Haikara Hakuchi Introduction~Narration (Take Erushii)” (はいからはくち お囃子〜ナレーション（テイクちぇるしい）) | 0:46 |
| 14. | “Haikara Hakuchi Narration (Takes 1 & 2)” (はいからはくち ナレーション（テイク1・2）) | 0:22 |
| 15. | “Haikara Hakuchi (City Version)” (はいからはくち （『CITY』ヴァージョン）) | 2:36 |
| 16. | “Haikara Hakuchi (Single Version)” (はいからはくち （シングル・ヴァージョン）) | 2:27 |
| 17. | “Ashita Tenki ni Naare (Rehearsal Take & Rhythm Tracks)” (あしたてんきになあれ （リハーサル・テイク/リズム・トラックス）) | 2:24 |
| 18. | “Natsu Nandesu (Rehearsal Take)” (夏なんです （リハーサル・テイク）) | 3:18 |
| 19. | “Aiueo” (あいうえお) | 0:35 |
Personnel[edit]
- Haruomi Hosono – bass on tracks 1-5, 7-11, piano on tracks 1, 2, 8, 9, organ on tracks 1, 3, 7, 8, vocals on tracks 3, 4, 7, 9, acoustic guitar on tracks 3, 4, 7, 11, claves on track 5, cowbell on track 6, chorus on tracks 5, 7, 11, flat mandolin on track 4 as “Shujin Uno” (宇野主人)
- Eiichi Ohtaki – acoustic guitar on tracks 1, 2, 11, 12, vocals on tracks 1, 2, 5, 10-12, electric guitar on track 5, slide guitar on track 6, güiro on track 5, chimes on track 5, chorus on tracks 1, 2, 4, 5, 8, 9, 11
- Shigeru Suzuki – electric guitar on tracks 1, 5, 7-11, acoustic guitar on track 11, vocals on track 8, cowbell on track 5, chorus on tracks 1 & 5, slide guitar on track 6 as “Kozo Hoshiimo” (ほしいも小僧)
- Takashi Matsumoto – drums on all tracks except 6 & 12, taiko on track 6, congas on track 5, cowbell on track 5, chorus on track 1
- Shiba – mouth harp on tracks 10, 11
- Komazawa – steel guitar on track 2
References[edit]
External links[edit]
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