J. (Jähns)
|
Description
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1-6
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6 Fughettas, Op. 1 (Piano) [1798]
|
7
|
6 Variations in C on an Original Theme, Op. 2 (Piano) [1800]
|
8
|
Opera, Peter Schmoll und seine Nachbarn, Op. 8 [1801-2]
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9-14
|
6 petites pièces faciles, Op. 3 (Piano 4-hands) [1801]
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15-26
|
12 allemandes, Op. 4 (pf; No. 11 & 12 for Piano 4-hands) [1801]
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27
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Song, “Die Kerze” [1802]
|
28
|
Song, “Umsonst ensagt ich,” Op. 71/4 [1802]
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29-34
|
6 Ecossaises (Piano) [1802]
|
35
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Canon, “Mädchen, ach meide Männerschmeichelei’n,” Op. 13/6 (3v) [1802] (used by Mahler in J.Anh. 5)
|
36
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“Ein Gärtchen und ein Häuchen drin” (chorus [STB]) [1803]
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37
|
Grablied (TTB, 9 wind) [1803]
|
38
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Song, “Entfliehet schnell von mir” [1803]
|
39
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Arrangement of vocal score of GJ Vogler’s opera Samori [1803]
|
40
|
8 Variations sur l’air de ballet de Castor and Pollux, Op. 5 (Piano) [1804]
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41
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Song, “Ich sah die hingesunken” [1804]
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42
|
Song, “Wiedersehen,” Op. 30/1 [1804]
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43
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6 Variations in C on a theme from Vogler’s Samori, Op. 6 (Piano [vn, vc ad lib]) [1804]
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44-46
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Opera, Rübezahl (3 nos. only) [1804-5]
|
47
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Romanza siciliana in G minor (fl, orch) [1805]
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47a
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Tusch (20 tpt) [1806]
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48
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Song, “Ich denke dein,” Op. 66/3 [1806]
|
49
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6 Variations in C on “A Schüsserl und a Rein’dl'” (viola, orch) [1806]
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50
|
Symphony No. 1 in C major, Op. 19 [1806-7]
|
51
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Symphony No. 2 in C [1807]
|
52
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Song (with gui. acc.), “Liebeszauber,” Op. 13/3 [1807]
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53
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7 Variations sur l’air “Vien quà, Dorina bella” [by Bianchi], Op. 7 (Piano) [1807]
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54
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Grande ouverture à plusieurs instruments, Op. 8 (revision of ov. to J. 8) [1807]
|
55
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Thème original varié, Op. 9 (7 variations for Piano) [1808]
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56
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Momento capriccioso in B flat major, Op. 12 (Piano) [1808]
|
57
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Song, “Er an Sie,” Op. 15/6 [1808]
|
58
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Cantata, “Der erste Ton,” Op. 14 (reciter, SATB, orch) [1808, rev. 1810]
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59
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Grande polonaise in E flat major, Op. 21 (Piano) [1808]
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60
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Song (with bc acc.), “Komisches musikalisches Sendschreiben” [1808]
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61
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9 Variations on a Norwegian air (vn, Piano) [1808]
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62
|
Song, “Meine Farben,” Op. 23/1 [1808]
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63
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Song, “Klage,” Op. 15/2 [1808]
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64
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Grand pot-pourri, Op. 20 (vc, orch) [1808]
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65
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Song, “Serenade” (“Die Lethe des Lebens”), Op. 66/5 [1809]
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66
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“Die Lethe des Lebens” (B, chorus, Piano) [1809]
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67
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Song, “Das Röschen,” Op. 15/5 [1809]
|
68
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Song, “Was zieht zu deinem Zauberkreise,” Op. 15/4 [1809]
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69
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“Chorlied” (chorus) [1809]
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70
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Song, “Rhapsodie” (“Die Blume”), Op. 23/2 [1809]
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71
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Song, “Romanze” (“Die Ruinen”) [1809]
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72
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Song (with gui. acc.), “Sanftes Licht, weiche nicht,” Op. 13/4 [1809]
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73
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Song, “Meine Lieder, meine Sange,” Op. 15/1 [1809]
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74
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Song, “Der kleine Fritz,” Op. 15/3 [1809]
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75
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Incidental music for Turandot (Schiller, after Gozzi), Op. 37 (ov. & 6 inst. nos.) [1809]
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76
|
Piano Quartet in B flat major, Op. 18 [1811]
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77-78
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2 nos. for Haydn pasticcio, Der Freibrief [1809] (77 used by Mahler in J.Anh. 5)
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79
|
Andante e Rondo ungarese in C minor, Op. 35 (viola, orch) (see also J. 158) [1809]
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80
|
Song, “Trinklied” [1809]
|
81-6
|
6 pieces, Op. 10a (Piano 4-hands) [1809]
|
87
|
Opera, Silvana [1808-10]
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88
|
Canzonetta, “Sicchè t’inganni” (voice, Piano/harp) [1810]
|
89
|
Canon, “Die Sonate soll ich spielen” (3v) [1810]
|
90
|
Canon, “Canons zu zwei sinc nicht drei” (3v) [1810]
|
91
|
Song (with gui. acc.), “Die Schäferstunde” (“Damon und Chloé”), Op. 13/1 [1810]
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92
|
Song, “Das neue Lied” [1810]
|
93
|
Recit & Rondo, “Il momento s’avvicina,” Op. 16 (S, orch) [1810]
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94
|
Variations in F (vc, orch) [1810]
|
95
|
Canon, “Leck mich im Angesicht” (3v) [1810]
|
96
|
Song (with gui. acc.), “Wiegenlied,” Op. 13/2 [1810]
|
97
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Song (with gui. acc.), “Die Zeit,” Op. 13/5 [1810]
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98
|
Piano Concerto No. 1 in C major, Op. 11 [1810]
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99-104
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6 sonates progressives in F, G, d, E flat, A, C, Op. 10b (vn, Piano) [1810]
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105
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Song, “Des Künstlers Abshied,” Op. 71/6 (v, gui/pf) [1810]
|
106
|
Singspiel, Abu Hassan [1810-11]
|
107
|
Duet, “Se il mio ben,” Op. 31/1 (AA, Clarinet, 2 hn, str) [1811]
|
108
|
Canzonetta, “Ah, dove siete,” Op. 29/1 (v, gui/pf) [1811]
|
109
|
Clarinet Concertino in E flat, Op. 26 [1811]
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110-13
|
4 songs for Der arme Minnesinger (voice, gui) (see Op. 25) [1811]
|
114
|
Clarinet Concerto No. 1 in F minor, Op. 73 [1811]
|
115
|
Adagio & Rondo in F (harmonium, orch) [1811]
|
116
|
Trauer-Musik (Bar, chorus, 10 wind) [1811]
|
117
|
Song, “Maienblümlein, so schön,” Op. 23/3 [1811]
|
118
|
Clarinet Concerto No. 2 in E flat major, Op. 74 [1811]
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119
|
Melody in F (Clarinet, with Piano accom by FW Jähns) [1811]
|
120
|
Canzonetta, “Ch’io mai vi possa,” Op. 29/3 (v, gui/pf) [1811]
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121
|
Scena & aria, “Misera me!” Op. 50 (S, orch) [1811]
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122
|
Overture, “Der Beherrscher der Geister” (“Ruler of the Spirits”), Op. 27 [1811]
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123
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Duet, “Mille volte,” Op. 31/2 (SS, Piano) [1811]
|
124
|
Canzonetta, “Ninfa se liete,” Op. 29/2 (v, gui/pf) [1811]
|
125
|
Duet, “Va, ti consola,” Op. 31/3 (SS, Piano) [1811]
|
126
|
Scena & aria, “Qual altro attendi” (T, chorus, orch) [1812]
|
127
|
Bassoon Concerto in F, Op. 75 [1811, rev. 1822]
|
128
|
7 Variations on a theme from Silvana, Op. 33 (Clarinet, Piano) [1811]
|
129
|
Song, “Romanze” (“Wiedersehen”) [1812]
|
130
|
Song, “Sonett,” Op. 23/4 [1812]
|
131
|
“Lenz erwacht, und Nachtigallen” (STB, chorus [STB], Piano) [1812]
|
132
|
“Das Turnierbankett,” Op. 68/1 (TTB, male chorus) [1812] (used by Mahler in J.Anh. 5)
|
133
|
“An eine Freundin,” Op. 23/6 (chorus [STTB], Piano) [1812]
|
134
|
Song, “Lebensansicht,” Op. 66/4 [1812]
|
135
|
“Schwäbisches Tanzlied” (chorus [STTBB], Piano) [1812]
|
136
|
“Heisse, stille Liebe schwebet,” Op.23/5 (chorus [STTB], Piano) [1812]
|
137
|
Song, “Bettlerlied,” Op. 25/4 (v, gui/pf) [1812]
|
138
|
Piano Sonata No. 1 in C major, Op. 24 [1812]
|
139
|
“Kriegs-Eid” (unison male vv, 2 tpt, 3 hn, bsn, trombone) [1812]
|
140
|
Song, “Liebeglühen,” Op. 25/1 (v, gui/pf) [1812]
|
141
|
7 Variations on “A peine au sortir de l’enfance” from Méhul’s opera Joseph, Op. 28 (Piano) [1812]
|
142
|
Scena & aria, “Signor, se padre sei,” Op. 53a (T, 2 choruses, orch) [1812]
|
143-8
|
6 Favorite Waltzes of the Queen of France, Marie Louise (Piano) [1812]
|
149
|
Waltz (fl, 2 Clarinet, 2 hn, tpt,2 bsn) [1812]
|
150-53
|
4 songs by Duke Leopold August of Gotha, accompaniments arr. for winds [1812]
|
154
|
Hymn, “In seiner Ordnung schafft der Herr,” Op. 36 (SATB, chorus, orch) [1812]
|
155
|
Piano Concerto No. 2 in E flat major, Op. 32 [1812]
|
156
|
Song, “Sind es Schmerzen,” Op. 30/6 [1813]
|
157
|
Song, “Unbefangenheit,” Op. 30/3 [1813]
|
158
|
Andante e Rondo ungarese in c (bsn, orch) (rev. of J. 79) [1813]
|
159
|
Song, “Reigen,” Op. 30/5 [1813]
|
160
|
Song, “Minnelied,” Op. 30/4 [1813]
|
161
|
Song, “Es stürmt auf der Flur,” Op. 30/2 [1814]
|
162-3
|
2 pieces arr. & orch’d for use in Fischer’s Singspiel Die Verwandlungen [1814]:
|
162
|
J. Weigl’s duet, “Ein jeder Geck”
|
163
|
anon. arietta, “Ihr holden Blumen”
|
164
|
Canon, “Zu dem Reich der Töne schweben” (4v) [1814]
|
165
|
“Lebenslied am Geburtstage” (4 male vv, Piano) [1814]
|
166
|
Song, “Gebet um die Geliebte,” Op. 47/6 [1814]
|
167
|
Canon, “Scheiden und leiden uist einerlei” (4v) [1814]
|
168-73
|
“Leyer und Schwert,” Op. 42 (6 male choruses) [1814]:
|
168
|
No. 2, “Lützows wilde Jagd”
|
169
|
No. 6, “[[Schwertlied]]”
|
170
|
No. 4, “Männer und Buben”
|
171
|
No. 5, “Trinklied vor der Schlacht”
|
172
|
No. 1, “Reiterlied”
|
173
|
No. 3, “Gebet vor der Schlacht”
|
174-7
|
Song cycle, “Leyer und Schwert,” Op. 41 [1814]
|
178
|
Scena, “Ah, se Edmondo,” Op. 57 (for Méhul’s opera, Héléna) [1815]
|
179
|
Air russe (Schöne Minka), 9 Variations, Op. 40 (Piano) [1815]
|
180
|
“Drei Knäbchen lieblich austaffiret” (burlesque on Mozart’s Magic Flute) (male vv) [1815]
|
181
|
Scena & aria, “Non paventar mia vita,” Op. 51 (S, orch) [1815]
|
182
|
Clarinet Quintet in B flat major, Op. 34 [1815]
|
183-4
|
2 songs for A. Fischer’s Singspiel, Der travestierte Aeneas [1815] (183 used by Mahler in J.Anh. 5; 184 revised as J. 185)
|
185
|
Deutscher (Original-Walzer) in D (orch) (rev. of J. 184) [1815]
|
186-7
|
2 songs in “Lieb und Versöhnen” [1815]
|
188
|
Horn Concertino in E minor, Op. 45 (1st version lost) [1806, rev. 1815]
|
189
|
Ballad, “Was stürmet,” Op. 47/3 (Bar, harp) [1815]
|
190
|
Cantata, “KamPiano und Sieg,” Op. 44 (SATB, chorus, orch) [1815]
|
191
|
Tedesco in D (orch) [1816]
|
192
|
Song, “Der Jüngling und die Spröde,” Op. 47/4 [1816]
|
193
|
Canon, “Weil Maria Töne hext” (3v) [1816]
|
194
|
Arietta for Das Sternenmädchen in Maidlinger Walde (text lost) [1816]
|
195
|
Romance, “Ein König einst gefangen sass” (voice, gui) [1816]
|
196
|
Song, “Mein Verlangen,” Op. 47/5 [1816]
|
197
|
Song, “Die gefangenen Sänger,” Op. 47/1 [1816]
|
198
|
Song, “Die freien Sänger,” Op. 47/2 [1816]
|
199
|
Piano Sonata No. 2 in A flat major, Op. 39 [1816]
|
200-03
|
Song cycle, “Die Temperamente beim Verluste der Geliebten,” Op. 46 [1816]
|
204
|
Grand duo concertant in E flat major, Op. 48 (Clarinet, Piano) [1815-16]
|
205
|
Songs, “Bei der Musik des Prinzen Louis Ferdinand von Preussen,” Op. 43 [1816]
|
206
|
Piano Sonata No. 3 in D minor, Op. 49 [1816]
|
207
|
Divertimento assai facile (gui, Piano) [1816]
|
208
|
Duet, “Abschied: O Berlin, ich muss dich lassen,” Op. 54/4 (2v, Piano) [1817]
|
209
|
Duet, “Quodlibet: So geht es in Schnützelputz-Häusel,” Op. 54/2 (2v, Piano) [1817]
|
210
|
Duet, “Mailied: Tra, ri, ro!” Op. 64/2 (2v, Piano) [1817]
|
211
|
Song, “Alte Weiber,” Op. 54/3 [1817]
|
212
|
Song, “Liebeslied,” Op. 54/2 [1817]
|
213
|
Song, “Wunsch und Entsagung,” Op. 66/6 [1817]
|
214
|
Incidental music for König Yngurd (A. Müllner; 10 inst. nos., 1 song) [1817]
|
215-16
|
Orchestrations of 2 pieces for inclusion in Méhul’s opera Héléna [1817]:
|
215
|
F. Paer’s recit & cavatina, “Von dir entfernt”
|
216
|
S. Nasolini’s recit & duet, “Ja, Liebe”
|
217
|
Song, “Das Veilchen im Tale,” Op./ 66/1 [1817]
|
218
|
“Zwei Kränze zum Annen-Tage,” Op. 53b (4 male vv, Piano) [1817]
|
219
|
7 Variationen [in C] über ein Zigeunerlied, Op. 40 (Piano) [1817]
|
220
|
Incidental music for Donna Diana (C. A. West [J. Schreyvogel], after A. Moretto; 6 nos.) [1817]
|
221
|
Cantata, “L’accoglienza” (SSSTBB, chorus, orch) [1817]
|
222
|
Song, “Hold ist der Zyanenkranz” (solo vv, chorus) [1817]
|
223
|
Romance, “Leise weht es” (used by Mahler in J.Anh. 5) [1818]
|
224
|
Missa sancta No. 1 in E flat major, Op. 75a (SATB, chorus, orch) [1817-18]
|
225
|
Song, “Sei gegrüsst, Frau Sonne, mir” [1818]
|
226
|
Offertory, “Gloria et honore” (S, chorus, orch) (for J. 224) [1818]
|
227
|
Dance & Song, “In Provence” (T, chorus) (spurious?) [1818]
|
228
|
“Schöne Ahnung ist erglommen” (4 male vv, Piano) [1818]
|
229
|
Song, “Lied der Hirtin,” Op. 71/5 [1818]
|
230
|
Song, “Gelahrtheit,” Op. 64/4 [1818]
|
231
|
Song, “Weine, weine,” Op. 54/7 [1818]
|
232
|
Song, “Die fromme Magd,” Op. 54/1 [1818]
|
233
|
Song, “Wenn ich ein Vöglein wár,” Op. 54/6 [1818]
|
234
|
Song, “Mein Schatzerl ist hübsch,” Op. 64/1 [1818]
|
235
|
Song, “Heimlicher Liebe Pein,” Op. 64/3 [1818]
|
236
|
Moderato, Op. 60/1 (Piano 4-hands) [1818]
|
237
|
Incidental music for Heinrich IV, König von Frankenreich (E. Gehe; 8 inst. nos.) [1818]
|
238
|
Song, “Rosen im Haare,” Op. 66/2 [1818]
|
239
|
Scena & aria for Cherubini’s Lodoiska, “Was sag ich?” Op. 56 [1818]
|
240
|
Chorus, “Heil dir, Sappho” (SSB, wind, perc) [1818]
|
241
|
“Natur und Liebe,” Op. 61 (chorus [SSTTBB], Piano) [1818]
|
242
|
Allegro, Op. 60/2 (Piano 4-hands) [1818]
|
243
|
Song, “Ein Mädchen ging,” Op. 71/2 (voice, Piano/gui) [1818]
|
244
|
Jubel-Kantate, Op. 58 (SATB, chorus, orch) [1818]
|
245
|
Jubel-Ouverture in E major, Op. 59 [1818]
|
246
|
Incidental music for Lieb’ um Liebe (Rublack; 6 nos.) [1818]
|
247
|
“God Save the King,” arr. male chorus [?1818]
|
248
|
Adagio, Op. 60/3 (Piano 4-hands) [1818]
|
249
|
“Ei, ei, ei, wie scheint der Mond so hell,” Op. 64/7 (male vv) [1818]
|
250
|
Offertory, “In die solemnitatis” (S, chorus, orch) (for J. 251) [1818]
|
251
|
Missa sancta No. 2 in G, “Jubelmesse”, Op. 76 (SATB, chorus, orch) [1818-19]
|
252
|
Rondo brillante in E flat major, “La gaîté,” Op. 62 (Piano) [1819]
|
253
|
Allegro – tutto ben marcato, Op. 60/4 (Piano 4-hands) [1819]
|
254
|
Alla siciliana, Op. 60/5 (Piano 4-hands) [1819]
|
255
|
Song, “Abendsegen,” Op. 64/5 [1819]
|
256
|
Song, “Triolett,” Op. 71/1 (used by Mahler in J.Anh. 5) [1819]
|
257
|
Song, “Liebesgruss aus der Ferne,” Op. 64/6 [1819]
|
258
|
Song, “Herzchen, mein Schätzchen,” Op. 64/8 [1819]
|
259
|
Trio in G minor for fl, vc, Piano, Op. 63 [1819]
|
260
|
Aufforderung zum Tanz (Invitation to the Dance): Rondo brillant in D flat, Op. 65 (Piano) [1819]
|
261
|
Partsong, “Gute Nacht,” Op. 68/5 (4 male vv) [1819]
|
262
|
Partsong, “Freiheitslied,” Op., 68/3 (4 male vv) [1819]
|
263
|
Partsong, “Ermunterung,” Op. 68/2 (4 male vv) [1819]
|
264
|
Tema variato (“Ich hab’ mir Eins erwählet”), Op. 60/6 (Piano 4-hands) [1819]
|
265
|
Marcia, Op. 60/7 (Piano 4-hands) [1819]
|
266
|
Rondo, Op. 60/8 (Piano 4-hands) [1819]
|
267
|
Song, “Das Mädchen an das erste Schneeglöckchen,” Op. 71/3 [1819]
|
268
|
Polacca brillante in E major, “L’hilarité,” Op. 72 (Piano) [1819]
|
269
|
Song, “Sehnsucht” (“Weihnachtslied”), Op. 80/2 [1818]
|
270
|
Song, “Elfenlied,” Op. 80/3 [1819]
|
271
|
Music for ceremonial prologue (including song, “Du hohe Rautenzeig,” to melody of “God Save the King”) (chorus, 6 wind) [1819]
|
272
|
Double canon (4v) [1819]
|
273
|
Agnus Dei (SSA, wind) [1820]
|
274
|
Song, “Schmerz,” Op. 80/4 [1820]
|
275
|
Song, “An sie,” Op. 80/5 [1820]
|
276
|
Incidental music for Der Leuchtturm (E. von Houwald; 4 harp nos.) [1820]
|
277
|
Opera, Der Freischütz, Op. 77 [1817-21]
|
278
|
Song, “Der Sänger und der Maler,” Op. 80/6 [1820]
|
279
|
Incidental music for Preciosa (P. A. Wolff, after Miguel de Cervantes), Op. 78 (ov., 11 nos.) [1820]
|
280
|
Song for The Merchant of Venice, “Sagt, woher” (women’s vv, gui) [1821]
|
281
|
Song, “Lied von Clotilde,” Op. 80/1 [1821]
|
282
|
Konzertstück in F minor, Op. 79 (pf, orch) [1821]
|
283
|
Cantata, “Du, bekränzt unsre Laren” (SSTB, chorus, fl, Piano) [1821]
|
284
|
Partsong, “Husarenlied,” Op. 68/6 (4 male vv) [1821]
|
285
|
Partsong, “Schlummerlied,” Op. 68/4 (4 male vv) [1822]
|
286
|
Song, “Das Licht im Tale” [1822]
|
287
|
Piano Sonata No. 4 in E minor, Op. 70 [1819-22]
|
288
|
Marcia vivace (10 tpt) [1822]
|
289
|
Incidental music for “Den Sachsensohn vermählet heute” (ov., 5 choral nos.) (one used by Mahler in J.Anh. 5) [1822]
|
290
|
Cantata, “Wo nehm ich Blumen her” (chorus [STB], Piano) [1823]
|
291
|
Opera, Euryanthe, Op. 81 [1822-3]
|
292
|
Song (Romance), “Elle était simple et gentilette” (used by Mahler in J.Anh. 5) [1824]
|
293
|
“Reiterlied” (4 male vv, Piano ad lib) [1825]
|
294
|
“Schützenweihe” (4 male vv, Piano ad lib) [1825]
|
295ff
|
10 schottische Nationalgesänge (10 Scottish Folksongs), acc. arr. fl, vn, vc, Piano [1825]:
|
295
|
“The soothing shades of gloaming”
|
296
|
“The Troubadour”
|
297
|
“O poortith cauld”
|
298
|
“Bonny Dundee”
|
299
|
“Yes, thou may’st walk”
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300
|
“A soldier am I”
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301
|
“John Anderson, my jo'”
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302
|
“O my love’s like the red, red rose”
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303
|
“Robin is my joy”
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304
|
“Whar’ hae ye been a’ day”
|
305
|
Arioso & recit for Spontini’s Olympie, “Doch welche Töne” [1825]
|
306
|
Opera, Oberon [1825-6]
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307
|
March (wind) (rev. of J. 13 with new trio; also arr. chorus, orch as “Zu den Fluren des heimischen Herdes”) [1826]
|
308
|
Song, “Gesang der Nurmahal: From Chindara’s warbling fount I come” (Piano part reconstructed by Moscheles) [1826]
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Anh. 1
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Opera, Das Waldmädchen [1800]
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Anh. 3
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“Deo rosa” (incomplete) (4 male vv, Piano) [1821]
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Anh. 5
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Opera, Die drei Pintos (unfinished; completed by Mahler, 1888) [1820-4]
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Anh. 6
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Singspiel, Die Macht der Liebe und des Weins (lost) [1798]
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Anh. 8
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Mass in E flat major, “Grosse Jugendmesse” (SATB, chorus, orchestra, organ) [1802]
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Anh. 67-70
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4 solfèges [1818]
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–
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Miscellaneous:
- Song, “Strafpredigt über die französische Musik” [1801]
- Canon, “An die Hoffnung” (3v, Piano ad lib) [1802]
- Canon, “Wenn du in Armen der Liebe” [1802]
- Canon, “Prost Neujahr!” (34 vv, 74 tpt!!) [1811]
- Introduction, theme & variations (Clarinet, Piano) (rediscovered 1943) [?1811]
- Song, “Vatergruss” [1823]
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